Lei Zhenbang (1916-1997), a native of Beijing. Manchu. The most famous film musician in New China. From 1955 to 1980, he composed more than 100 masterpieces of film songs, including "Liu Sanjie", "Five Golden Flowers", "Visitors on the Iceberg", "Lusheng Love Song" Daji and Her Father" and "Jin Yuji", "Dong Cunrui", "Malan Blossom", "The Full Moon", "Ji Hongchang", "Junior", "Red Orange Yellow Green Blue Blue Purple" and other classic music works of more than 40 films.
Since childhood, he has loved Beijing opera and folk minor tunes, and can play erhu. He studied composition at a Japanese high school of music and worked as a middle school teacher after returning to China. He has served as a composer for Beijing Film Studio and Changchun Film Studio, the third director of the China Musicians Association, and the fourth director of the China Film Association. China Democratic League federate. He is a member of the Sixth National Committee of the Chinese People's Political Consultative Conference. There is "Selected Songs by Lei Zhenbang". Most of his works have been popular all over the country, widely sung, and become popular classic music works.
In June 2019, "Why Are Flowers So Red" (with lyrics and arrangement by Lei Zhenbang) was selected as one of the "100 Excellent Songs to Celebrate the 70th Anniversary of the Founding of the People's Republic of China" by the Central Propaganda Department.
1982. Lei Zhenbang's family are all in Changchun. This year, Mr. Luo Yusheng performed a performance in Changchun. Mr. Lei Zhenbang was unable to watch the scene due to his poor health, so he asked his daughter Lei Lei to bring a tape recorder to the scene to record all Luo Yusheng's singing for him to listen to. Mr. Lei Zhenbang was very excited when he heard Luo Yusheng's singing. He listened to it many times and praised: "Although Mr. Luo is over seventy years old, his tone is still so smooth, rich and open, especially when Mr. Luo is in his 70s. The performance in the high-pitched area is still so strong!" After listening to Mr. Luo's representative work "Smell the Bell in the Sword Pavilion", Mr. Lei commented: "Mr. Luo Yusheng has sung this classic work that has been sung for a century to the extreme!" Two The "contact" that the people did not meet in Changchun this time became the leading edge of the achievement of this song.