Liang Lingling, born in Xi'an, Shaanxi Province, is a famous erhu performer and deputy director of the Chinese Music Department of the China Conservatory of Music.
In 1986, he was admitted to the High School Affiliated to Xi'an Conservatory of Music, under the tutelage of Professor Li Changchun and Professor Wang Fangliang. In 1992, he was admitted to the Department of Chinese Music of the China Conservatory of Music with honors. He studied erhu, banhu and gaohu under the tutelage of Chinese erhu educator An Ruli and Chinese huqin master Professor Liu Mingyuan. In 1996, he was admitted to the postgraduate department of the China Conservatory of Music under the tutor of Chinese Erhu educator An Ruli. In 1998, he was invited to perform in the "Celebrating the 16th Anniversary of the Erhu Society" hosted by the China Erhu Society - a concert of elites. In 1999, he became the first master of Erhu Performing Arts trained by the China Conservatory of Music and Professor An Ruli.
Liang Lingling's artistic footprints have spread across dozens of countries and regions in Asia, Africa, Europe and North America. She has performed and spread Chinese erhu art in the Vienna Golden Hall and other world music halls, and is known as "the model of Chinese erhu performance." one".
For Shaanxi-style works, such as "Orchid Flower Ballade" and "Qin Feng", Liang Lingling performed lightly, freely, deeply and touchingly. Liang Lingling, who was born and grew up in Xi'an, is particularly familiar with the style of hometown music, singing, kneading, slipping, and wiping, expressing her thoughts and love for her homeland. The performance of traditional erhu pieces such as "Singing in the Sick", "Dan Music" and "Flowing Wave Music" shows Liang Lingling's ability to control traditional erhu pieces and comprehend traditional Chinese culture. In particular, the interpretation of Mr. Liu Tianhua's masterpiece "Singing in a Sickness" demonstrates Liang Lingling's systematic study with the famous Jiang School Huqin master Professor An Ruli for many years. From the song "Singing in Sickness", we can not only hear the delicate, profound, inner and euphemistic charm of the Jiang style huqin, but also hear that Liang Lingling integrated his own understanding in the performance of this song , interprets the confusion and confusion of the intellectuals of that era in the music just right, and the aftertaste lingers. "Concerto in E Minor" and other difficult transplanted works, the skills are undoubtedly deep and difficult, but she plays them with ease and ease. Liang Lingling can also be calm, relaxed and confident, full of fun, cheerful and enthusiastic when playing "Tan Music", which is weightless and wide. There is no sense of technical burden at all. From the performance of the above works, it can be seen that Liang Lingling's years of study, research and teaching of erhu have brought her the artistic charm of accumulation.