Tambourine (Pinyin: líng gǔ) is a percussion instrument of Uyghur, Korean, Uzbek, Tajik and other ethnic groups. It is popular in Xinjiang Uygur Autonomous Region and Jilin Yanbian. The drum frame is made of wood and one-sided skin. There are three kinds of large, medium and small. . For singing and dancing or instrumental ensembles. Tambourine, also known as "hand drum", whether in folk dance or band accompaniment, tambourine is a kind of rhythm percussion instrument with strong color, which can be used as accompaniment, accompaniment dance and accompaniment song. The rhythm is free and the player can improvise.
Sibusi'e (pinyin: sī bù sī é), also translated as Sibuzi'e, Sibis'e, is a Kazakh fringe air-sounding musical instrument, popular in the Xinjiang Uygur Autonomous Region.
The Mongolian Sihu (pinyin: měng gǔ zú sì hú) refers to the four hus popular in the Mongolian area. The shape is the same as the four hus in the Han area. It is popular in the pastoral and semi-agricultural and semi-pastoral areas of the Inner Mongolia Autonomous Region.
Turen (pinyin: tǔ rèn), also known as Tuliang, Teling, and Laku in Jingpo language, is a fringe musical instrument of Jingpo, Lisu, Lahu and other ethnic groups. It is popular in Dehong Dai and Jingpo Autonomous Prefecture of Yunnan Province and Nujiang Lisu. Autonomous Prefecture and Lincang area.
Bobo (pinyin: bō bó) is a Naxi double-reed air-sounding instrument. Naxi is also known as feeding cloth, also known as reed pipe and 筚篥. Popular in Lijiang Naxi Autonomous County, Yunnan Province and its adjacent areas.
小筚篥 (pinyin: xì bì lì) is called "grass splitting force" in Korean, and is commonly known as "pipe" in the folk. Originated from ancient 筚篥. In the Goryeo music of the nine and ten pieces of music in the Sui and Tang Dynasties, the Xiaoyu and Taopiyu have been used, which are the vertical double-reed gas-sounding instruments favored by the Korean people. Pronunciation loud and clear, high-pitched and vigorous tone. It is suitable for playing Korean-style music with a strong local flavor. Can be played solo, ensemble or accompaniment. It is popular in Yanbian Korean Autonomous Prefecture of Jilin Province and areas inhabited by Koreans.
Polie (pinyin: bō liè) is a double-reed gas-sounding instrument of the Zhuang nationality. The Zhuang language is also called Bilie and Bielie. In Zhuang language, "wave", "bi" and "bie" all mean blowing, and "column" means pipe, which means blowing pipe. The Han people call it the Zhuang Suona. It is a folk musical instrument with a long history. After reform, it has become an excellent solo instrument with beautiful timbre and expanded range. Popular in Longzhou, Ningming, Pingxiang and Nanning in Guangxi Zhuang Autonomous Region.
Bage Diudong (pinyin: bā gé diū dōng), also known as bark pulling pipe, is a Miao fringe air-sounding musical instrument, popular in Longlin, Guangxi Zhuang Autonomous Region.
Uzbek Rewapu (Pinyin: wū zī bié kè rè wǎ pǔ) is a plucked stringed musical instrument of the Uzbek and Uyghur ethnic groups. It can be used for solo, ensemble or accompaniment, and is often used with Uzbek Rewapu in ethnic bands.
Dongba (pinyin: dòng bā) is a double-reed gas-sounding instrument of the Jingpo people. "Dongba" is a transliteration of the Jingpo branch of the Jingpo ethnic group, which means a pipe flute with horns in Chinese. The Zaiwa branch language is called Biche or Bik. It is popular in Luxi, Yingjiang, Longchuan, Ruili and other places in Dehong Dai and Jingpo Autonomous Prefecture of Yunnan Province.
Kashi Rewapu (pinyin: duō lǎng rè wǎ pǔ) is a Uyghur plucked stringed musical instrument. Also translated as Daolang Rewapu, Doran Rewapu. Popular in Awati, Bachu, Maigaiti and Shache in Xinjiang Uygur Autonomous Region. The body is made of mulberry, almond or walnut, and it is one of the main accompaniment instruments of "Hami Muqam".
Fu (pinyin: Fǒu), a pottery musical instrument. It was originally a kind of pottery in ancient times, similar to a clay pot, and its shape was very similar to a small jar or bowl. It is a vessel for holding water or wine in ancient times.
Gehu (pinyin: gé hú) is a low-pitched stringed instrument with a louder volume and a wider range. In the 1950s, Yang Yusen (1926-1980) of the Shanghai Conservatory of Music created it on the basis of the erhu and absorbed the characteristics of other stringed instruments, so it is called Gehu. After continuous improvement, it has now become a bass-pulled string instrument with rich expressiveness.
Han Xiaozheng is a small guzheng musical instrument developed and manufactured by Mr. Shi Jian, who graduated from Nanjing University of the Arts with a master's degree in Guzheng, and Gao Tu, a master of Dunhuang.
Bamboo pounding tube (pinyin: zhú dǎo tǒng) belongs to the Gaoshan people’s falling body sounding instrument. In Gaoshan language, it is called pagoda, which means bamboo. Popular in Taiwan Province. Bamboo tamping tube, developed from water-filled utensils, is a folk musical instrument created by the people of the Gaoshan Shao tribe. In October 1980, in the National Ethnic Minority Arts Festival, the Fujian delegation used this set of bamboo tamping tubes to participate in the performance of the Gaoshan folk song and dance "Pestle Music" with Taiwanese local characteristics. The sky shows the night scene of Sun Moon Lake, the pestle sings euphemistically, and the girls sing and dance. The round and bright sound of bamboo pounding, the crisp and melodious sound of wood leaves, accompanied by the vigorous music of the pestle, the girls danced lightly to the brisk rhythm, taking the audience to the banks of Sun Moon Lake and the foot of Ali Mountain. The "Pestle Music" played with a music pestle and a bamboo pounding tube, which is simple, fresh and poetic, left a deep impression on people.
Lianxiang stick (pinyin: Lián xiāng gùn) is also called flower stick, money stick, bully whip. It is Manchu, Mongolian, Yi, Bai, Miao, Tujia, Han and other nationalities shaking the body and singing instruments. It is popular all over the country, especially in northern my country, Yunnan and central and southern China.
The Jingang bell (pinyin: Jīngāng líng) is a musical instrument of the Tibetan, Mongolian, Naxi, Han and other ethnic groups. Tibetan called Zhibu, Ziba. The Han people call it Fa bell and Tibetan bell. With a long history, it was originally a Buddhist tantric instrument, which was introduced to my country from India. It is popular in Buddhist monasteries all over the country, especially in Tibet, Inner Mongolia, Qinghai, Gansu, Sichuan, Yunnan and other provinces. The body of the bell is shaped like a bell, with a round lower mouth. The top and body of the bell are decorated with intricate patterns. Inside the body of the bell is a copper clapper, which is used for lama chanting and Buddhist music. According to experts, the vajra bell is an instrument used in the practice of the Dharma.
The bamboo shoots (pinyin: bì sǔn), a musical instrument of the Jingpo people, are popular in the Dehong Dai and Jingpo Autonomous Prefecture of Yunnan Province.
The double-row stringed Konghou (pinyin: shuāng pái xián kōng hóu) is a new type of plucked stringed musical instrument in my country. In the long history of Konghou that has been circulating for nearly two thousand years, it has always followed the structure and appearance when it was introduced, but this phenomenon was finally changed in the 1970s. The musical instrument maker Han Qihua first successfully created the double-stringed Konghou in the field of Konghou, which not only made the structure and playing technique of the Konghou develop by leaps and bounds, but also made the appearance of the Konghou completely new. It has been used in music practice, and for the first time, Konghou is used in film music.
Mangtong (Pinyin: máng tǒng), also known as Ditong, Mangtong, Lushengtong, is a single-reed gas-sounding instrument of Miao, Dong, Shui, Yao and other nationalities, popular in Guizhou, Guangxi, Hunan and other provinces.
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