The five-stringed pipa (pinyin wǔ xián pí pá) is an ancient Chinese plucked stringed musical instrument. Referred to as "five strings". The five-stringed pipa has a long history and unique shape. It was popular in the vast Central Plains of my country during the Tang Dynasty, and spread to Japan, becoming a historical witness of Sino-Japanese cultural exchanges.
Surnai (pinyin: bā lā màn) is the Xinjiang suona, which is a double-reed air-sounding instrument of Uyghur, Uzbek and other ethnic groups. Uyghur is called Surnai and Suonai, and there are various translations such as Suona, Suona, Suona, Suona and so on. Common name trumpet. Popular in Xinjiang Uygur Autonomous Region.
Hulusheng (pinyin: hú lu shēng), also known as Bu Ruo, Yi, Lahu, Wa, Lisu, Hani, Li, Naxi, Nu, Pumi, Miao and other ethnic clarinet gas-sounding instruments, popular in Chuxiong Yi Autonomous Prefecture, Yunnan Province, Simao Region, Xishuangbanna Dai Autonomous Prefecture, Baoshan Region, Lincang Region, Dehong Dai and Jingpo Autonomous Prefecture, Nujiang Lisu Autonomous Prefecture, Lijiang Region, Liangshan Yi Autonomous Prefecture in Sichuan Province, Bijie Region, Anshun Region in Guizhou Province, Buyi and Miao Autonomous Prefecture in southwestern Guizhou and Baise area of Guangxi Zhuang Autonomous Region and other places.
Da Ruan (pinyin: dà ruǎn) is a Chinese plucked musical instrument, created during the reign of Emperor Wu of the Han Dynasty (140 BC-87 BC), and it was called Pipa at that time. Ruan (ancient pipa) - named after Ruan Xianshan, one of the Seven Sages of Bamboo Forest, who played this instrument. As a kind of Ruan, Da Ruan plays the main role of bass and chorus in the ensemble; its sound quality is round, rich and beautiful, deep and tactful, and it is one of the important members of the national band, opera band, and national symphony orchestra. Beautiful solo instrument.
The zhu (pinyin: zhù) is a Chinese Han Dynasty musical instrument, a square, percussion instrument struck with a wooden stick. It has been circulated in major cities across the country. It belongs to the "wood" in the "octave". It is used for court music, and when it is struck, it indicates the beginning of the music.
Aga (pinyin: Ā gā), a Tibetan body-sounding musical instrument. Popular throughout the Tibet Autonomous Region. It is a rammed musical instrument, which is made by inserting a long wooden stick into a flat round stone. The stone diameter is 12 cm to 18 cm, the stone thickness is 2 cm to 4 cm, and the length of the wooden stick is 130 cm to 150 cm. The diameter of the wooden stick needs to match the stone hole.
It is popular all over the Inner Mongolia Autonomous Region, especially in Horqin and Zhaowuda League in the east.
The five-stringed qin (pinyin: wǔ xián qín) belongs to a kind of guqin. It has a long history and is relatively rare. The lyre is widely used. Can be used for solo or to accompany folk songs and folk dances.
Tanbull (pinyin: tán bù ěr) is a stringed instrument played by the Uyghur and Uzbeks. The range is wide, the tone is crisp, and it is full of rich national style. Often used for solo, ensemble or accompaniment.
The small cymbal (pinyin: Xiǎo bó), also known as the small cymbal, is made of brass, the cymbal body is small and thick, the diameter of the cymbal surface is 12 cm to 14 cm, the diameter of the bowl is 5 cm to 7 cm, and the height of the bowl is 1.5 cm to 1.5 cm. 2 cm, the top of the bowl is drilled with silk cloth, and the two sides are a pair. Construction is simple. It is the Zhuang, Miao, Yao, Yi, Dai, Wa, Gelao, Jing, Shui, Gelao, Han and other nationalities who strike each other's body singing instruments. The Zhuang language is called Xie Egypt.
Nao (pinyin: náo), also known as the bell, is one of the bronze percussion instruments used in ancient China. Used in the military, the function is to give instructions to stop drumming. It was popular in the late Shang Dynasty and was used in the early Zhou Dynasty. It is a round copper musical instrument that is often played with cymbals.
Er cymbal (pinyin: dà sān xián) is a plucked stringed musical instrument of Mongolian, Manchu, and Han nationalities. Popular in Inner Mongolia, Liaoning, Jilin, Heilongjiang, Hebei, Henan, Shandong, Shanxi, Shaanxi and other provinces.
It is the abbreviation of "Treble Erhu". Its shape, structure, bowing technique, and playing symbols used are the same as those of Erhu, except that the qin barrel (resonance box) is slightly smaller than that of erhu, and part of the qin barrel is usually sandwiched between two legs. play.
Taiping drum (pinyin: tài píng gǔ) is also called "single drum" and "sheepskin drum". Kind of music. Popular all over the North. One of the forms of Han folk dance. The performers are all male. Actors hold a circular single drum made of iron bars with a diameter of about a foot and the drum surface is covered with donkey skins, beat drums with bamboo drum keys, and sing and dance. There are duet and group singing. Lyrics are divided into "Inner Drum" and "Outer Drum": the former is a must-sing word, and the latter has auxiliary lyrics that can be increased or decreased, and the content is mostly folklore and mythology. In the old society, it was sometimes used in superstitious activities such as offering sacrifices and dancing to the gods. After liberation, it was reformed to express the joy and joy of the people.
The bell (pinyin: Pèng líng) was called bell cymbal in ancient times. It is a musical instrument of Manchu, Mongolian, Tibetan, Naxi, Han and other ethnic groups. Tibetan called Dingxia. Due to the difference in the spread of the region, in the folk there are names such as jingling, double chime, sound and water, etc. In Shaanxi, it is called dangzi, and there are also called bells for short. It is shaped like a bell, made of copper, one pair of two, connected by ropes, collided with each other and pronounced without a fixed pitch. Often used in instrumental ensembles and opera accompaniment, it is a rhythm instrument.
Konghou (pinyin: kōnghóu) Konghou (also known as Konghou or Kanhou) is an ancient Chinese traditional stringed musical instrument, which originated in the Han Dynasty, but fell out of fashion after the 14th century and gradually disappeared.
The bronze bell (pinyin: Tóng líng) is a musical instrument of the Miao and Zhuang nationalities. It is popular in Xilin and Longlin in western Guixi of Guangxi Zhuang Autonomous Region and Yongning and Wuming in southern Guizhou. It is one of the eight tones of ancient musical instruments. The bell is also shaped like a bell, but much smaller than a bell. Made of copper, the appearance is spherical, and the specifications are different. The larger one is about 5 cm in diameter, and the smaller one is about 2 cm in diameter. The upper part of the bell is provided with a ring-shaped ear for hanging with a rope. The bottom of the bell has a long strip opening, and the length of the mouth is smaller than the diameter of the bell, and the width of the mouth follows the bell. The larger the bell, the wider the bell, the smaller the smaller the bell. The bell contains two iron balls slightly wider than the mouth of the bell. Usually three to five copper bells of the same size are attached to a circular frame or rope.
The waist drum (pinyin: Yāogǔ) is one of the traditional Han nationality musical instruments, and it is an ancient national musical instrument of the Chinese Han nationality. It originates from life and expresses life well. The waist drum is a national musical instrument with a long history and crisp sound. the artistry.
Ruan (Ruan Xian) (Pinyin: Ruǎn), short for Ruan Xian. It is a traditional plucked musical instrument of the Han nationality, also known as Ruan Xian and Ruan Qin. In ancient times, it was called Qin Pipa. Later, because of the introduction of Quxiang Pipa, the name "Pipa" was occupied, and it was named after Ruan Xian, who was good at playing this instrument.
Ji (pinyin: yǔ) is an ancient Chinese musical instrument. It is shaped like a subduing tiger, the wood is painted, and there are twenty-seven bows (that is, wood chips) on the back of the tiger. When playing, the performer should stand beside the chi, put the chi on the wooden frame, and make a sound with the zhēn, indicating the stop of the music.
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