Nagra (pinyin: Nà gélā) was called Nagara and Nugula in the historical records of the Qing Dynasty. Because the drum body is made of iron, the Han people call it iron drum, and it is also known as Dongba. Popular in Xinjiang Uygur Autonomous Region.
Dabu (Pinyin: Dá bo), the soul of Uyghur music, is essential in most dance and folk songs. Dabu's timbre is crisp and loud, the sound intensity varies greatly, and the playing skills are flexible and changeable, which can play a role in setting off the atmosphere of various music plots. Popular in the north and south of the Tianshan Mountains in Xinjiang Uygur Autonomous Region.
The Mongolian Sihu (pinyin: měng gǔ zú sì hú) refers to the four hus popular in the Mongolian area. The shape is the same as the four hus in the Han area. It is popular in the pastoral and semi-agricultural and semi-pastoral areas of the Inner Mongolia Autonomous Region.
Shakuhachi (pinyin: Chǐ bā), an ancient Chinese traditional musical instrument, was introduced to Japan during the Tang and Song Dynasties. Made of bamboo, with cinnabar mixed with lacquer on the inside to fill the (ground) incision, it is now five holes (the first four and the last one). Vast, but also can show the ethereal, quiet artistic conception.
Tanbull (pinyin: tán bù ěr) is a stringed instrument played by the Uyghur and Uzbeks. The range is wide, the tone is crisp, and it is full of rich national style. Often used for solo, ensemble or accompaniment.
Konoha (pinyin: mù yè) is a musical instrument popular among many ethnic groups in ancient my country. It is a natural musical instrument of the Miao family that is rich in antiquity. Playing Konoha is an ancient folk art of the Miao people.
Changji (pinyin: cháng jī), also known as double-pipe, Miao double-reed air-sounding musical instrument, is popular in Guangxi Zhuang Autonomous Region, Guixi Longlin Autonomous County, Bianya and other Miao inhabited areas.
Mimi (pinyin: mī mī), a double-reed gas-sounding instrument of Hui, Dongxiang, Baoan, Sala, Tu, Yugu, Han and other nationalities, is popular in Linxia, Wudu, Gannan and Qinghai provinces.
Bone whistle (pinyin: Gǔ shào) is made of a section of a bird's bone tube, with a hole carved on one side, and a movable limb bone is inserted into some of the bone tube to adjust the tone. A large number of wild animal remains were unearthed from the Hemudu site, most of which are deer, with more than 400 antlers alone.
Aga (pinyin: Ā gā), a Tibetan body-sounding musical instrument. Popular throughout the Tibet Autonomous Region. It is a rammed musical instrument, which is made by inserting a long wooden stick into a flat round stone. The stone diameter is 12 cm to 18 cm, the stone thickness is 2 cm to 4 cm, and the length of the wooden stick is 130 cm to 150 cm. The diameter of the wooden stick needs to match the stone hole.
Sabayi (pinyin: Sà bā yī) is a percussion instrument of Uyghur, Uzbek and other ethnic groups, popular in Xinjiang Uygur Autonomous Region. Often used for singing and dancing accompaniment, it is not only an important rhythm instrument, but also a prop for male dancers. In the folk, most of Sabay sings "Mexilep" accompaniment, adding a warm atmosphere.
Zani (pinyin: Zani) is a Tibetan bow and stringed musical instrument. Also known as horns, horns Hu, horsetail Hu. It has a long history and an ancient form. It is popular in Maqu County, Gannan Tibetan Autonomous Prefecture, Gansu Province, Henan County, Huangnan Tibetan Autonomous Prefecture, Qinghai Province, and the vast areas of Tibetan semi-agricultural and semi-pastoral areas.
Bianqing (pinyin: biān qìng) is one of the ancient percussion instruments of the Han nationality, mostly used in court music or grand ceremonies. A set of stone or jade chimes with different pitches are hung on the wooden frame, and the music is played with a small mallet.
Zhu (pinyin: Zhù) is the earliest percussion instrument in China. It was widely popular from the Warring States Period to the Sui and Tang Dynasties, and was lost after the Song Dynasty. Building in the Warring States period has been widely popular.
Buzai (pinyin: Bù zāi), also known as cloth, cloth Jane, and cymbals, is a musical instrument of Tibetan and Monba people who strike each other. The Han people call it the big copper cymbal. Popular in Tibet, Sichuan, Gansu, Yunnan and other provinces. Buzai often plays with Jialing, Shengu, Tongqin and other instruments.
Polie (pinyin: bō liè) is a double-reed gas-sounding instrument of the Zhuang nationality. The Zhuang language is also called Bilie and Bielie. In Zhuang language, "wave", "bi" and "bie" all mean blowing, and "column" means pipe, which means blowing pipe. The Han people call it the Zhuang Suona. It is a folk musical instrument with a long history. After reform, it has become an excellent solo instrument with beautiful timbre and expanded range. Popular in Longzhou, Ningming, Pingxiang and Nanning in Guangxi Zhuang Autonomous Region.
Double-pipe nose flute (pinyin: shuāng guǎn bí dí), also known as double-pipe nose flute, Panouou, Buri, Laligedan, is a gas-sounding instrument of the Gaoshan people, and a gas-sounding instrument of the Kemu people. popular in Taiwan.
The cymbal (pinyin: chǎ) is a Chinese percussion instrument, that is, a small cymbal. Also known as cymbals, hinges, etc. There are two common types of Chinese folk cymbals: brass cymbals and iron cymbals. Because the cymbal is an instrument with no fixed pitch, generally speaking, the sound of the small cymbal is the highest, followed by the middle cymbal, and the sound of the large cymbal is the lowest.
Xiaogu (pinyin: xiǎo gǔ) is a musical instrument of the Zhuang, Dong, Yi, Tujia and other ethnic groups. Popular in Guangxi, Guizhou, Yunnan, Hubei, Hunan and other provinces. Snare drums are mostly used in the folk, and are used during Chinese New Year. It is basically the same as the big drum, except that the drum skin is made of sheepskin, and the side that does not strike is stretched with multiple strings; the drum drum uses two hardwood drums, and the drum head is smaller and does not contain any foreign objects.
Satar (pinyin: sà tā ěr) is a Uyghur bowed and stringed musical instrument. Popular in Xinjiang Uygur Autonomous Region. According to legend, it has spread in the Kashgar area of southern Xinjiang from the 14th to the 15th century, and later spread to the northern and eastern Xinjiang.
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