Tongqin (pinyin: Tongqin), also known as "mang tube", "tongdong", "tongdong", "big copper horn" and so on. It is a Tibetan and Mongolian wind instrument and a very important bass instrument in the Lamaist band. It is popular in lama temples in Tibet, Inner Mongolia, Qinghai, Sichuan, Gansu and other places. It has a history of more than 1,100 years in Tibetan areas.
Liuqin (pinyin: Liǔ Qín) is a plucked stringed instrument originated in the Qing Dynasty. The earliest Liuqin has a very simple structure and a very folk-like appearance. Now popular all over the country. It is one of the pear-shaped speakers and stringed instruments that have been circulating among the people since the Tang Dynasty. Its shape, structure and playing method are similar to those of the pipa.
The chime (pinyin: Zhōng) is a traditional Chinese percussion instrument that began in the Bronze Age. The bells are cast in bronze, and different bells are arranged according to size and hang on a huge bell stand. Chimes are often used in combination with chimes; the "gold" in "Sound of Gold and Stone" refers to chimes, and "stone" refers to chimes.
Pai Xiao (pinyin: pái xiāo), also known as Pan Di, Fengwei Xiao, is an ancient musical instrument found in ancient China, South America, Europe, and Africa. Connect several wooden or bamboo pipes of different lengths, blow directly through the mouth, each pipe emits a sound, and the melody is displayed by continuously blowing different pipes.
The zhu (pinyin: zhù) is a Chinese Han Dynasty musical instrument, a square, percussion instrument struck with a wooden stick. It has been circulated in major cities across the country. It belongs to the "wood" in the "octave". It is used for court music, and when it is struck, it indicates the beginning of the music.
The zither (pinyin: zhuì qín), also known as the pendant and the falling string, is a traditional stringed instrument. It is the main accompaniment instrument of Henan Quyi pendant book.
Aga (pinyin: Ā gā), a Tibetan body-sounding musical instrument. Popular throughout the Tibet Autonomous Region. It is a rammed musical instrument, which is made by inserting a long wooden stick into a flat round stone. The stone diameter is 12 cm to 18 cm, the stone thickness is 2 cm to 4 cm, and the length of the wooden stick is 130 cm to 150 cm. The diameter of the wooden stick needs to match the stone hole.
Bangu (Pinyin: bǎn gǔ) is a kind of percussion instrument, also known as Mingpi and Bangu. The "Jiegu" used in Qing music in the Tang Dynasty may be its predecessor. It has a long history in the folk. The "Continued Documents of the Qing Dynasty" contains: "The bangu, also known as the drum, has an urgent sound and chews, and is the leader of each utensil, and it is not easy to strike." It is the conductor instrument in the Chinese opera orchestra.
War drums (pinyin: Zhàngǔ) are of different sizes, and are divided by the diameter of the drum surface. There are five sizes of 27, 33, 40, 46 and 54 cm, and their drum bodies are 17, 20, 24, 30 and 34 cm high respectively. The material used for making war drums is the same as that of Tanggu, but the drum body can also be made of basswood, with 2-4 drum rings in the middle. Play with a wooden hob. War drums were used on the battlefield in ancient times to send orders and boost morale. In modern times, they are mainly used in folk instrumental ensembles, dances, lantern festivals, acrobatics and gongs and drums.
Tongjiao (pinyin: Tongjiao) is one of the "horns" of musical instruments. The whole body is made of thin copper sheets imitating ox horns. It is a folk musical instrument commonly used by people of all ethnic groups in northern and northwestern China. The shape is divided into two categories: one imitates horns, the body is curved; the other is straight, with a long cone shape. The ancient court was used for ceremonies and music.
Qi (pinyin: Qiāng) originated from the "Silk Road" that was directly introduced to Xinjiang, which should have been earlier than the end of the Ming Dynasty, and then spread to Hami, eastern Xinjiang at the end of the 18th century.
Ruan (Ruan Xian) (Pinyin: Ruǎn), short for Ruan Xian. It is a traditional plucked musical instrument of the Han nationality, also known as Ruan Xian and Ruan Qin. In ancient times, it was called Qin Pipa. Later, because of the introduction of Quxiang Pipa, the name "Pipa" was occupied, and it was named after Ruan Xian, who was good at playing this instrument.
Zhu (pinyin: Zhù) is the earliest percussion instrument in China. It was widely popular from the Warring States Period to the Sui and Tang Dynasties, and was lost after the Song Dynasty. Building in the Warring States period has been widely popular.
Niuwawu (Pinyin: ní wa wū), also known as Niu Tau Xun, Wa Wo Zi, Niu Chuchu, Chuuzi, Nixuan, Niu Xun, Ah Ouzi, Ni Niu Xun and Niu Jiao Xiao, edge-edge air-sounding instruments , popular in Ningxia Hui Autonomous Region.
The bell (pinyin: Pèng líng) was called bell cymbal in ancient times. It is a musical instrument of Manchu, Mongolian, Tibetan, Naxi, Han and other ethnic groups. Tibetan called Dingxia. Due to the difference in the spread of the region, in the folk there are names such as jingling, double chime, sound and water, etc. In Shaanxi, it is called dangzi, and there are also called bells for short. It is shaped like a bell, made of copper, one pair of two, connected by ropes, collided with each other and pronounced without a fixed pitch. Often used in instrumental ensembles and opera accompaniment, it is a rhythm instrument.
The sanxian has three strings in total, hence the name "Sanxian". Chinese traditional plucked instruments were also introduced to Ryukyu, Japan and other places. He plays the main instrument in operas such as Kunqu Opera, Huaihai Opera, Daxianzi Opera, etc.
Shi Dao (pinyin: Shī dāo), also known as bell knife, ring knife. It is the Manchu, Zhuang, Miao, Yao, Dong, Tujia, Han and other nationalities who shake the body and sound musical instruments. It is called Hama knife in Manchu, and Shaman knife in Northeast. Popular in Liaoning, Jilin, Heilongjiang, Guangxi, Guizhou, Hunan, Hubei and other regions. It is a magic tool for Taoist priests and mages to help believers to preside over rituals of sacrifice and fortune. Its origin comes from the ancient shamanic beliefs used by shamans to exorcise evil spirits. It can also be seen in some ethnic minorities in China today.
Dangdang(pinyin:dang dang),also known as Dangzi, is a kind of percussion instrument. It is a percussion instrument of Mongolian, Tibetan, Han and other nationalities. Popular in Buddhist and Taoist monasteries all over the country.
Hu Jia (pinyin: Hú Jiā), also known as Chao'er and Modun Chao'er, is a musical instrument of ancient northern peoples in my country.
Buzai (pinyin: Bù zāi), also known as cloth, cloth Jane, and cymbals, is a musical instrument of Tibetan and Monba people who strike each other. The Han people call it the big copper cymbal. Popular in Tibet, Sichuan, Gansu, Yunnan and other provinces. Buzai often plays with Jialing, Shengu, Tongqin and other instruments.
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