Pai drum is a new variety of drum instruments. Appeared in the early 1960s, it was produced by Cai Huiquan and Yang Jingming of the China Central Broadcasting Chinese Orchestra based on the reform of the medium-sized hall drum and waist drum commonly used by the people, and has been continuously improved since then. The row drum consists of a set of five drums of different sizes and sounds. The drum is 29 to 33.3 centimeters tall, 16.7 to 37 centimeters in diameter on the upper mouth, and 11.7 to 37 centimeters in diameter on the lower mouth. The outer diameter of the drum frame on both sides of each drum is the same but the inner diameter is different, which can produce two tones with different pitches, so there are ten tones in five drums. The sound of the row drums is fierce and swaying, the treble is firm and powerful, and the middle and bass are generous and bright, especially good at expressing warm and jubilant emotions.
Satar (pinyin: sà tā ěr) is a Uyghur bowed and stringed musical instrument. Popular in Xinjiang Uygur Autonomous Region. According to legend, it has spread in the Kashgar area of southern Xinjiang from the 14th to the 15th century, and later spread to the northern and eastern Xinjiang.
Ji (pinyin: yǔ) is an ancient Chinese musical instrument. It is shaped like a subduing tiger, the wood is painted, and there are twenty-seven bows (that is, wood chips) on the back of the tiger. When playing, the performer should stand beside the chi, put the chi on the wooden frame, and make a sound with the zhēn, indicating the stop of the music.
Chi (pinyin: Chí) is a musical instrument that blows and sings. An ancient Chinese horizontal blowing bamboo wind instrument. "Guang Ya" records that this instrument has eight holes, but "Zhou Li" records that this instrument has seven holes, and with the gradual decline of court music, this kind of Chinese musical instrument is very rare.
Balaman (pinyin: bā lā màn) is a double-reed gas-sounding instrument of the Uyghur and Uzbek ethnic groups. It is also known as Pippi, Bibi, and Balaman Pippi in the folk. In Chinese historical records, it has been translated as Balaman. It is also known as reed flute and reed pipe. It is popular all over the Xinjiang Uygur Autonomous Region, especially in Hotan, Maigaiti, Yarkand in southern Xinjiang, Shanshan and Turpan in eastern Xinjiang.
Saitul (pinyin: sài yī tǔ ěr) is a plucked musical instrument with distinctive features of the Tajik people. It is popular in Tashkurgan Tajik Autonomous County of Xinjiang Uygur Autonomous Region and its adjacent places such as Shache, Zepu, Yecheng and Pishan.
Hulusheng (pinyin: hú lu shēng), also known as Bu Ruo, Yi, Lahu, Wa, Lisu, Hani, Li, Naxi, Nu, Pumi, Miao and other ethnic clarinet gas-sounding instruments, popular in Chuxiong Yi Autonomous Prefecture, Yunnan Province, Simao Region, Xishuangbanna Dai Autonomous Prefecture, Baoshan Region, Lincang Region, Dehong Dai and Jingpo Autonomous Prefecture, Nujiang Lisu Autonomous Prefecture, Lijiang Region, Liangshan Yi Autonomous Prefecture in Sichuan Province, Bijie Region, Anshun Region in Guizhou Province, Buyi and Miao Autonomous Prefecture in southwestern Guizhou and Baise area of Guangxi Zhuang Autonomous Region and other places.
Fengshou Konghou (pinyin: fèng shǒu kōng hóu) is a plucked stringed musical instrument of the ancient southwestern ethnic minorities in my country. The phoenix-headed Konghou is also called "Sangke" in Southeast Asia, and it was called "General Manuscript Machine" in the Qing Dynasty. It is mostly used in court ceremonies and music, and is relatively rare in the folk, and was once lost.
The xylophone (pinyin: mù qín) is a percussion instrument composed of a set of small rectangular wooden blocks. According to the length of the wooden blocks, these wooden blocks are arranged in a certain order. When playing, two wooden mallets are tapped on the wooden block, making a dry percussion sound that is slightly like a bone. The sound quality is strong and harsh, and it has extraordinary penetrating power.
Akendumbra (pinyin: ā kěn dōng bù lā) is a Kazakh plucked stringed musical instrument.
The Kazakh language "Aken" means "folk singer". Akendumbra is a tombula commonly used by folk singers when they play and sing.
Bawu (pinyin: bā wū), alias Bawu, Gebi, Bai, Bilu, Ule, is a bamboo-winded and copper-reed musical instrument, popular among the Yi, Miao, Hani and other ethnic groups in Yunnan.
Jiangu (Pinyin: Jiàn gǔ), anciently known as Foot Drum, Jin Drum, Ying Drum, Zhi Drum, and Hanging Drum. The Mongolian, Manchu, Han and other nationalities play musical instruments that strike the membrane. It was used by the palaces of all dynasties. It is popular in lama monasteries in Inner Mongolia, Liaoning, Jilin, Qinghai and other provinces and regions and the vast areas of the Han nationality. The Jiangu in the Lama monastery in Inner Mongolia Autonomous Region has a wooden drum body, a short and round drum body, a drum length of 20 cm, and a diameter of 30 cm at both ends. When playing indoors, insert the wooden column that runs straight through the drum body into the wooden base, and play with both hands; when playing outdoors, hold the wooden column with the left hand and play with the single hammer with the right hand.
Ding dong(pinyin：ding dong), a unique percussion instrument of the Li nationality, is named after the sound of the instrument. Among the Li people, both men and women, young and old, love to play Ding-dong, and regard it as their favorite musical instrument. They also compose many Ding-dong folk songs, and they will play and sing at the same time during Chinese New Year, festivals or gatherings.
Tongqin (pinyin: Tongqin), also known as "mang tube", "tongdong", "tongdong", "big copper horn" and so on. It is a Tibetan and Mongolian wind instrument and a very important bass instrument in the Lamaist band. It is popular in lama temples in Tibet, Inner Mongolia, Qinghai, Sichuan, Gansu and other places. It has a history of more than 1,100 years in Tibetan areas.
Bianqing (pinyin: biān qìng) is one of the ancient percussion instruments of the Han nationality, mostly used in court music or grand ceremonies. A set of stone or jade chimes with different pitches are hung on the wooden frame, and the music is played with a small mallet.
Naiyi (pinyin: nǎi yī), also known as wooden flute and horizontal flute, is a fringe air-sounding instrument of Uyghur, Uzbek, Tajik and other ethnic groups, popular in Xinjiang Uygur Autonomous Region.
The cymbal (pinyin: chǎ) is a Chinese percussion instrument, that is, a small cymbal. Also known as cymbals, hinges, etc. There are two common types of Chinese folk cymbals: brass cymbals and iron cymbals. Because the cymbal is an instrument with no fixed pitch, generally speaking, the sound of the small cymbal is the highest, followed by the middle cymbal, and the sound of the large cymbal is the lowest.
iao Gong (pinyin: xiǎo luó), named for its small size. Copper, round, about 22 cm in diameter, slightly raised in the center, not tied. When playing, use your left finger to hold the inner edge of the gong, and hold a thin wood chip in your right to strike the sound. Its sound is bright and crisp.
Sheng (pinyin: shēng) is one of the oldest musical instruments in China. It is the earliest instrument in the world to use free reeds, and it is also the originator of most existing reed instruments in the world.
Gehu (pinyin: gé hú) is a low-pitched stringed instrument with a louder volume and a wider range. In the 1950s, Yang Yusen (1926-1980) of the Shanghai Conservatory of Music created it on the basis of the erhu and absorbed the characteristics of other stringed instruments, so it is called Gehu. After continuous improvement, it has now become a bass-pulled string instrument with rich expressiveness.
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