Wooden fish (pinyin: Mùyú) is a kind of wooden percussion instrument. The common fish-shaped wooden fish is shaped like a round sphere close to a fist, and the middle part is hollow, which is used for sound resonance and amplification. There is a sound hole on one side of the sphere, which has the same function as the F-shaped hole of a violin. It allows the amplified sound to spread. on the shelf. The method of playing is to use a drum stick or a small wooden hammer to hit the resonance area on the outside of the instrument to make a sound. The size of the wooden fish can be of different sizes, the larger the volume, the lower the pitch.
Qing (pinyin: qìng) is an ancient Chinese Han stone percussion instrument and ritual vessel. The chime originated from a kind of flaky stone labor tool, and its shape has changed in many ways, and the texture has also changed from the original stone to jade and copper chimes. Play the body music instrument.
Xiao cymbal (pinyin: Xiǎo chǎ) is a musical instrument of Tibetan, Monba, and Dong people who strike each other. It is called Ruozhi in Tibetan. Popular in Tibet, Jiangxi, Sichuan, Gansu, Yunnan, Guizhou, Hunan and other provinces.
The bronze bell (pinyin: Tóng líng) is a musical instrument of the Miao and Zhuang nationalities. It is popular in Xilin and Longlin in western Guixi of Guangxi Zhuang Autonomous Region and Yongning and Wuming in southern Guizhou. It is one of the eight tones of ancient musical instruments. The bell is also shaped like a bell, but much smaller than a bell. Made of copper, the appearance is spherical, and the specifications are different. The larger one is about 5 cm in diameter, and the smaller one is about 2 cm in diameter. The upper part of the bell is provided with a ring-shaped ear for hanging with a rope. The bottom of the bell has a long strip opening, and the length of the mouth is smaller than the diameter of the bell, and the width of the mouth follows the bell. The larger the bell, the wider the bell, the smaller the smaller the bell. The bell contains two iron balls slightly wider than the mouth of the bell. Usually three to five copper bells of the same size are attached to a circular frame or rope.
Shi Dao (pinyin: Shī dāo), also known as bell knife, ring knife. It is the Manchu, Zhuang, Miao, Yao, Dong, Tujia, Han and other nationalities who shake the body and sound musical instruments. It is called Hama knife in Manchu, and Shaman knife in Northeast. Popular in Liaoning, Jilin, Heilongjiang, Guangxi, Guizhou, Hunan, Hubei and other regions. It is a magic tool for Taoist priests and mages to help believers to preside over rituals of sacrifice and fortune. Its origin comes from the ancient shamanic beliefs used by shamans to exorcise evil spirits. It can also be seen in some ethnic minorities in China today.
String bells (pinyin: Chuànlíng), which are several small bells in the shape of a horseshoe (or semicircle, rod, etc.) strung with metal, which are pronounced through vibrations caused by tapping, shaking or shaking. The timbre is crisp, the volume is low, the sound is scattered, and it can continue to play long notes. When performing, it is especially necessary to master the timing of rhythm insertion, which is generally used on the upbeat or upbeat of the music.
The gong is a traditional percussion instrument, also known as the gong because it is made of copper. Different places have different gongs. Wooden gongs, leather gongs, sieve gongs, earth gongs and gongs are all made of copper.
The cymbal (pinyin: chǎ) is a Chinese percussion instrument, that is, a small cymbal. Also known as cymbals, hinges, etc. There are two common types of Chinese folk cymbals: brass cymbals and iron cymbals. Because the cymbal is an instrument with no fixed pitch, generally speaking, the sound of the small cymbal is the highest, followed by the middle cymbal, and the sound of the large cymbal is the lowest.
Yunluo (pinyin: yún luó), which appeared in the Tang Dynasty and became popular in the Yuan Dynasty, is a percussion instrument used by the Han, Tibetan, Mongolian, Manchu, Naxi, Bai, Yi and other ethnic groups. The ancient name Yunzhe, also known as Yun'ao, is also known as Jiuyin Gong in the folk. Tibetans call it Dingdong and Dingdang.
Ji (pinyin: yǔ) is an ancient Chinese musical instrument. It is shaped like a subduing tiger, the wood is painted, and there are twenty-seven bows (that is, wood chips) on the back of the tiger. When playing, the performer should stand beside the chi, put the chi on the wooden frame, and make a sound with the zhēn, indicating the stop of the music.
The xylophone (pinyin: mù qín) is a percussion instrument composed of a set of small rectangular wooden blocks. According to the length of the wooden blocks, these wooden blocks are arranged in a certain order. When playing, two wooden mallets are tapped on the wooden block, making a dry percussion sound that is slightly like a bone. The sound quality is strong and harsh, and it has extraordinary penetrating power.
Fu (pinyin: Fǒu), a pottery musical instrument. It was originally a kind of pottery in ancient times, similar to a clay pot, and its shape was very similar to a small jar or bowl. It is a vessel for holding water or wine in ancient times.
Nao (pinyin: náo), also known as the bell, is one of the bronze percussion instruments used in ancient China. Used in the military, the function is to give instructions to stop drumming. It was popular in the late Shang Dynasty and was used in the early Zhou Dynasty. It is a round copper musical instrument that is often played with cymbals.
Duo (pinyin: duó) is a bronze percussion instrument of the Chinese Bronze Age, similar to a bell but slightly larger. Shaped like a nao, zheng and with a tongue, it was used in ancient times to announce political and religious laws.
Sandalwood（pinyin：tán bǎn）, also known as clapper for short, is a traditional Chinese percussion instrument. The sound is made by knocking wooden boards against each other, usually composed of three pieces of wood or two pieces of bamboo, and the boards for various music and drama vary greatly.
The Eight Treasures Copper Bell (pinyin: Bā bǎo tóng líng) is a bell handle made of a piece of hard wood that is one foot long and two centimeters in diameter. The fork is the horse's feet, and four copper bells the size of eggs are tied at each end (a total of eight copper bells). At one end of the horse's head, there are also five-color cloth strips (or hemp silk) five inches long and one inch wide. When performing, hold the bell handle and shake the copper bell according to the plot of the show, which is pleasant to the ear. The number of people performing the bronze bell dance is generally eight, but there are more than one or twenty people, but they all wear phoenix caps and eight Luo skirts (red, yellow, and blue three-colored eight cloth skirts, just like today's) folded skirt), performing activities on a flat ground (or a courtyard dam).
chunyu (pinyin: chún yú)It first emerged in the north. In the Central Plains, it was mainly used for wars and sacrifices, and then gradually spread to the west. In the late Spring and Autumn Period, it was accepted by the Ba people in the southwest, and was used for wars, sacrifices, and alliance activities of various ethnic groups in the southwest. middle.
The zhu (pinyin: zhù) is a Chinese Han Dynasty musical instrument, a square, percussion instrument struck with a wooden stick. It has been circulated in major cities across the country. It belongs to the "wood" in the "octave". It is used for court music, and when it is struck, it indicates the beginning of the music.
The cymbal (pinyin: Bó) is a percussion instrument with no fixed pitch. Bronze, with a bulge in the center, they are made of two round copper plates that strike each other. It is usually played together with gongs and drums to form a gong and drum team. Chinese cymbals also appear in Western music, but their size is usually less than 11 cm.
Sabayi (pinyin: Sà bā yī) is a percussion instrument of Uyghur, Uzbek and other ethnic groups, popular in Xinjiang Uygur Autonomous Region. Often used for singing and dancing accompaniment, it is not only an important rhythm instrument, but also a prop for male dancers. In the folk, most of Sabay sings "Mexilep" accompaniment, adding a warm atmosphere.
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