Bangbang (pinyin: Bàng bàng) is a national musical instrument, popular in Baise and other western Guangxi regions of Guangxi Zhuang Autonomous Region and the vast rural areas of Wenshan Zhuang and Miao Autonomous Prefecture in Yunnan Province.
The waist bell (pinyin: Yāo líng) is also known as the shaman bell in the Manchu language Xisha. It is a mutual-strike body-sounding instrument popular in Heilongjiang, Jilin, Liaoning, Inner Mongolia and other provinces. The body of the bell is made of bronze, in the shape of a spherical shape, with a diameter of 4 cm to 5 cm. The lower end of the bell has a character-shaped sound hole. The hole is 3 cm long and 0.5 cm wide. A few sandstones or iron beads are placed in the bell. The upper end of the bell is provided with a ring, and three to five small bells are connected in series with silk strings or thin leather strips. It is tied to the top of a round wooden stick about 100 cm long.
Bamboo pounding tube (pinyin: zhú dǎo tǒng) belongs to the Gaoshan people’s falling body sounding instrument. In Gaoshan language, it is called pagoda, which means bamboo. Popular in Taiwan Province. Bamboo tamping tube, developed from water-filled utensils, is a folk musical instrument created by the people of the Gaoshan Shao tribe. In October 1980, in the National Ethnic Minority Arts Festival, the Fujian delegation used this set of bamboo tamping tubes to participate in the performance of the Gaoshan folk song and dance "Pestle Music" with Taiwanese local characteristics. The sky shows the night scene of Sun Moon Lake, the pestle sings euphemistically, and the girls sing and dance. The round and bright sound of bamboo pounding, the crisp and melodious sound of wood leaves, accompanied by the vigorous music of the pestle, the girls danced lightly to the brisk rhythm, taking the audience to the banks of Sun Moon Lake and the foot of Ali Mountain. The "Pestle Music" played with a music pestle and a bamboo pounding tube, which is simple, fresh and poetic, left a deep impression on people.
Yaoling (pinyin: Yáo líng) is a vibrating body-sounding instrument of the Yao people. The Yao people call the bell. Popular in Jinxiu Yao Autonomous County, Napo County and other places in Guangxi Zhuang Autonomous Region. The body of the bell is cast in bronze. The shape is like a bell, and the shape varies according to the popular area.
Wooden stick qin (pinyin: mu gun qin) is a percussion instrument of the Gaoshan people, and the Amei tribe is called Kuokang. Popular in central Taiwan Province.
The aluminum plate piano (pinyin: Lǚbǎn qín) is a body-sounding instrument, similar in appearance to an upright piano. The aluminum plate piano was invented by the French. The original articulator used a series of tuning forks, also known as the piano fork.
The head cymbal (pinyin: Tóu bó) is a Tujia sing-along instrument that is popular in Longshan, Sangzhi, Yongshun, Baojing, and Hubei Tujia and Miao Autonomous Prefectures in western Hunan Province and Hubei Province.
Jupiter (pinyin: Gōu diào) is a kind of bronze percussion instrument in Wuyue area in ancient times. Generally a set consists of several pieces. The Nanyue King Museum in Guangzhou has a set of bronze sentences from the Western Han Dynasty.
Yunluo (pinyin: yún luó), which appeared in the Tang Dynasty and became popular in the Yuan Dynasty, is a percussion instrument used by the Han, Tibetan, Mongolian, Manchu, Naxi, Bai, Yi and other ethnic groups. The ancient name Yunzhe, also known as Yun'ao, is also known as Jiuyin Gong in the folk. Tibetans call it Dingdong and Dingdang.
Bench (pinyin: Bǎndèng) is a musical instrument of the Miao people. Popular in Xingren, Xingyi, Zhenfeng, Leishan, Huangping and other places in Guizhou Province. Most of them are made of hard wood. The surface of the stool is generally 22 cm to 30 cm in length and 12 cm to 15 cm in width. There are various styles of legs, and the height of the stool is about 20 cm. There is a crossbar between the legs of the stool, which can be held by hand. Two for one pair.
The Jino bamboo tube is a percussion instrument of the Jino people, also known as Qike. Popular in Jinghong County, Xishuangbanna Dai Autonomous Prefecture, Yunnan Province. The Jino people love to hunt, and they sing to celebrate after hunting. When singing, the accompaniment is to strike bamboo tubes with different pitches, which is also called "bamboo tube tune". The tunes are: walking tune, sung on the way home from hunting; home tune, sung when returning home and inviting neighbors to share.
chunyu (pinyin: chún yú)It first emerged in the north. In the Central Plains, it was mainly used for wars and sacrifices, and then gradually spread to the west. In the late Spring and Autumn Period, it was accepted by the Ba people in the southwest, and was used for wars, sacrifices, and alliance activities of various ethnic groups in the southwest. middle.
Bamboo tied (pinyin: Zhú bāng) is a musical instrument of the Jing people. It is popular in Wanwei, Shanxin, Wutou and other places in Fangcheng County of Guangxi Zhuang Autonomous Region. Generally used to celebrate the arrival of festivals.
Peng cup (pinyin: Pèng zhōng), also known as ping bell, is a Mongolian percussion instrument. Popular in Inner Mongolia Autonomous Region. Made of copper, it is shaped like a small cymbal, with a diameter of 7.6 and a thickness of 0.6 cm. Consists of two sides. The middle of the cup surface is convex and hemispherical, and there is a small hole in the center of the ball, which can be set with a ring-tie copper chain, red silk, cloth belt, etc., to connect the two small cups together. Hit the sound with one hand on each side. The bump cup always hits with each eye, twice per eye.
Kuosuoke (pinyin: Kuò shuò kè) is a folk percussion instrument of the Uyghur and Uzbeks. The Han people call it wooden structure or music structure. Popular in the southern Xinjiang region of Xinjiang Uygur Autonomous Region.
Yue Chu (pinyin: Yuè chǔ) is a musical instrument of the Gaoshan people, which is popular all over Taiwan Province. It evolved from a wooden pestle, a tool for pounding rice at first. It is often made of hardwoods such as red camphor wood, which is in the shape of a long rod with two thick ends and a thin middle. The specifications are different, and the size and length are different. Each one makes a sound, and more than 5 can be combined into a song.
Yandun drum is a traditional folk art of the Han nationality with a long history. It is unique in Guangxi and even in the whole country.
Huanling (pinyin: Huǎng líng), Chinese translation of "bell rod", is named for the way it is made. Also known as copper bell, bell, god bell. It is Manchu, Daur, Mongolian and other ethnic groups that shake the body and sound musical instruments. Manchu called "Hongwu" (Hongwu). Popular in Liaoning, Jilin, Heilongjiang and eastern parts of Inner Mongolia Autonomous Region.
The Eight Treasures Copper Bell (pinyin: Bā bǎo tóng líng) is a bell handle made of a piece of hard wood that is one foot long and two centimeters in diameter. The fork is the horse's feet, and four copper bells the size of eggs are tied at each end (a total of eight copper bells). At one end of the horse's head, there are also five-color cloth strips (or hemp silk) five inches long and one inch wide. When performing, hold the bell handle and shake the copper bell according to the plot of the show, which is pleasant to the ear. The number of people performing the bronze bell dance is generally eight, but there are more than one or twenty people, but they all wear phoenix caps and eight Luo skirts (red, yellow, and blue three-colored eight cloth skirts, just like today's) folded skirt), performing activities on a flat ground (or a courtyard dam).
Dance to (Pinyin: Dǎo dào) is a musical instrument played by the Kemu people. According to the translation, it is called bamboo tuning fork. It is popular in the areas where Kemu people live in Mengla County, Xishuangbanna Dai Autonomous Prefecture, Yunnan Province. Among the Kemu people, women are particularly fond of them, and they often play while walking or finishing work. Every New Year or festive festival, the Kemu girls often gather together and dance while playing. The dance is called "dance to dance". Solo pieces include "Girls Like Tune" and so on.
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