The gong (pinyin: máng luó) is also known as the winter gong. In the Yunnan Dai folk song "Heaven on Earth", it is described as follows: "The Dai family gathered on the banks of the Lancang River, and the gongs were beating loudly." In "Selected Chinese Folk Tales: The Little Carpenter", there is also a "he turned angrily." Back at the palace, I banged countless gongs."
Zhuang ethnic labor (pinyin: Zhuàngzú zhǒng láo), round pier shape. It is popular in the vast rural areas of Guangxi Zhuang Autonomous Region and Wenshan Zhuang and Miao Autonomous Prefecture of Yunnan Province. The drum is placed on the ground, the double chimes are played, and the sound is loud. Often used in festival gong and drum ensembles or as accompaniment for lion and dragon dances.
Duo (pinyin: duó) is a bronze percussion instrument of the Chinese Bronze Age, similar to a bell but slightly larger. Shaped like a nao, zheng and with a tongue, it was used in ancient times to announce political and religious laws.
The bo (pinyin: bó) is a musical instrument with a shape close to that of a bell. The body of the mushroom is larger than that of the bell, and the cross-section of the body is oval . In the early days, there were many bird-shaped, tiger-shaped, or Kui-shaped "wings" on both sides of the mushroom, and the decoration was gorgeous and complicated. It is a large single percussion instrument of the ancient Han nationality.
Kuosuoke (pinyin: Kuò shuò kè) is a folk percussion instrument of the Uyghur and Uzbeks. The Han people call it wooden structure or music structure. Popular in the southern Xinjiang region of Xinjiang Uygur Autonomous Region.
Tashi (pinyin: Tā shí) is a musical instrument used by the Uyghur and Uzbeks to strike each other. Uyghur means stone, according to which it claims to be Chak Chak. Popular throughout the Xinjiang Uygur Autonomous Region.
Bangzi (pinyin: bāng zi), also known as bangban, is a Chinese percussion instrument. Around the late Ming and early Qing Dynasties (17th century) in China, it became popular with the rise of Bangzi Opera. The clapper consists of two solid hardwood rods of varying lengths and thicknesses.
Bamboo pounding tube (pinyin: zhú dǎo tǒng) belongs to the Gaoshan people’s falling body sounding instrument. In Gaoshan language, it is called pagoda, which means bamboo. Popular in Taiwan Province. Bamboo tamping tube, developed from water-filled utensils, is a folk musical instrument created by the people of the Gaoshan Shao tribe. In October 1980, in the National Ethnic Minority Arts Festival, the Fujian delegation used this set of bamboo tamping tubes to participate in the performance of the Gaoshan folk song and dance "Pestle Music" with Taiwanese local characteristics. The sky shows the night scene of Sun Moon Lake, the pestle sings euphemistically, and the girls sing and dance. The round and bright sound of bamboo pounding, the crisp and melodious sound of wood leaves, accompanied by the vigorous music of the pestle, the girls danced lightly to the brisk rhythm, taking the audience to the banks of Sun Moon Lake and the foot of Ali Mountain. The "Pestle Music" played with a music pestle and a bamboo pounding tube, which is simple, fresh and poetic, left a deep impression on people.
The bronze bell (pinyin: Tóng líng) is a musical instrument of the Miao and Zhuang nationalities. It is popular in Xilin and Longlin in western Guixi of Guangxi Zhuang Autonomous Region and Yongning and Wuming in southern Guizhou. It is one of the eight tones of ancient musical instruments. The bell is also shaped like a bell, but much smaller than a bell. Made of copper, the appearance is spherical, and the specifications are different. The larger one is about 5 cm in diameter, and the smaller one is about 2 cm in diameter. The upper part of the bell is provided with a ring-shaped ear for hanging with a rope. The bottom of the bell has a long strip opening, and the length of the mouth is smaller than the diameter of the bell, and the width of the mouth follows the bell. The larger the bell, the wider the bell, the smaller the smaller the bell. The bell contains two iron balls slightly wider than the mouth of the bell. Usually three to five copper bells of the same size are attached to a circular frame or rope.
The Eight Treasures Copper Bell (pinyin: Bā bǎo tóng líng) is a bell handle made of a piece of hard wood that is one foot long and two centimeters in diameter. The fork is the horse's feet, and four copper bells the size of eggs are tied at each end (a total of eight copper bells). At one end of the horse's head, there are also five-color cloth strips (or hemp silk) five inches long and one inch wide. When performing, hold the bell handle and shake the copper bell according to the plot of the show, which is pleasant to the ear. The number of people performing the bronze bell dance is generally eight, but there are more than one or twenty people, but they all wear phoenix caps and eight Luo skirts (red, yellow, and blue three-colored eight cloth skirts, just like today's) folded skirt), performing activities on a flat ground (or a courtyard dam).
Dance to (Pinyin: Dǎo dào) is a musical instrument played by the Kemu people. According to the translation, it is called bamboo tuning fork. It is popular in the areas where Kemu people live in Mengla County, Xishuangbanna Dai Autonomous Prefecture, Yunnan Province. Among the Kemu people, women are particularly fond of them, and they often play while walking or finishing work. Every New Year or festive festival, the Kemu girls often gather together and dance while playing. The dance is called "dance to dance". Solo pieces include "Girls Like Tune" and so on.
Lue Dou (Pinyin: Lüè dòu) is popular throughout the Qiandongnan Miao and Dong Autonomous Prefecture of Guizhou Province. In Miao language, "lue" means wood, and "dou" means drum, which means big wooden drum. Also called bamboo dragon.
Zhuzuigu (Pinyin: Zhū zuǐ gǔ) is a Zhuang nationality musical instrument. Named because the drum is shaped like a pig's mouth. It is popular in Xincheng County in the central part of Guangxi Zhuang Autonomous Region. When playing, the drum is placed on a wooden frame and played with a double chime, with a high-pitched and sharp sound. It is used for the accompaniment of Zhuang silk string opera, like the bangu in the Peking Opera band.
Jianggu (pinyin: Jiāng gǔ) is a Zhuang musical instrument. It is popular in Debao and Jingxi areas in the west of Guangxi Zhuang Autonomous Region. The ginger drum has fine selection of materials, high requirements for production skills, simple appearance, generous shape, and rich national characteristics in decoration. It is not only an accompaniment musical instrument for opera, but also an exquisite handicraft, which has dual value of practical and ornamental.
Eight-tone drum (pinyin: Bā yīn gǔ), also known as the Eight Immortals Drum. Popular in Guangxi Zhuang Autonomous Region, Guixi Longlin Autonomous County, Xilin County and the border of Guizhou and Guizhou. It is the Zhuang and Gelao musical instruments. Named for its use in the folk instrumental ensemble eight bands. The Zhuang language is called Zhongyi, which means smaller drum.
Huozhe (pinyin: huǒ zhě) is a musical instrument of the Yi and Buyi ethnic groups. In Yi language, it is called fire. The Bouyei people call it the light. It is popular in Weining, Hezhang, Bijie, Shuicheng, Nayong, Qianxi, Panxian and other Yi areas in the northwest of Guizhou Province, and in Xingyi and Zhenfeng in the Buyi and Miao Autonomous Prefecture of southwestern Guizhou.
Sherpa drum (pinyin: Xià ěr bā gǔ), a musical instrument used by the Sherpa people of the Tibetan branch to slap the membrane. Popular in Nyalam County, Shigatse, Tibet.
Huangnigu (pinyin: Huáng ní gǔ) belongs to a kind of long drum, and is a folk musical instrument loved by the Yao people living on Dayao Mountain. The most special thing about this kind of drum is to use the yellow mud unique to Dayao Mountain to paste the drum surface to set the drum sound, so people call it yellow mud drum. The drum surface that has been pasted with yellow mud is thicker and thicker due to its wetness. When struck, it emits a double-sounding sound of "empty center, empty center", which is particularly loud and beautiful, and the sound travels miles away. The yellow mud drum is made of soft, tough and lightweight paulownia wood with hollow ends. There are male and female drums. The male drum has a long waist, the female drum has a short waist, and both ends of the drum head are trumpet-shaped.
Toli [Toli], Chinese translated as "bronze mirror". The so-called "mirror" of the bronze mirror is not the mirror used in ancient times, but refers to the disc-shaped bronze utensils hanging on the shaman's body that twist and make a "jing dong" sound, or are lifted and danced in the hand. Its function is similar to that of Xisha, and it is used for "suppressing demons and exorcising evil spirits".
Buzai (pinyin: Bù zāi), also known as cloth, cloth Jane, and cymbals, is a musical instrument of Tibetan and Monba people who strike each other. The Han people call it the big copper cymbal. Popular in Tibet, Sichuan, Gansu, Yunnan and other provinces. Buzai often plays with Jialing, Shengu, Tongqin and other instruments.
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