Gayageum (pinyin: Jiā Yē Qín) has been handed down from the Three Kingdoms period of Korea and has a history of more than 2,000 years. It is said that it was made by King Jiaxi of the Gaya country after imitating the zheng. The shape is similar to the guzheng. The qin has twenty-one strings.
Gayageum has a unique artistic style and a variety of playing techniques. You can play solo, ensemble, and ensemble. There are three types of Gayageum, which can be roughly divided into three types: "Jongnak Gayagum", "Sandyo Gayagum", and "21-string Gayagum" used in modern times.
Kalongqin (pinyin: kǎnóng qín) is an ancient stringed musical instrument with the most strings in Uyghur musical instruments. It is called the seventy-two-stringed pipa and "Kaernai" in the historical records of the Qing Dynasty.
The Yi Sixian (pinyin: yí zú sì xián) is a plucked stringed musical instrument of the Yi people. It is popular in Yuanyang, Honghe, Shiping and Maitreya in Honghe Hani and Yi Autonomous Prefecture of Yunnan Province, Muding in Chuxiong Yi Autonomous Prefecture and Lunan Yi Autonomous County.
Tanbull (pinyin: tán bù ěr) is a stringed instrument played by the Uyghur and Uzbeks. The range is wide, the tone is crisp, and it is full of rich national style. Often used for solo, ensemble or accompaniment.
Komzi (pinyin: kǎo mǔ zī) is a plucked stringed musical instrument of the Kirgiz people. and so on.
Akendumbra (pinyin: ā kěn dōng bù lā) is a Kazakh plucked stringed musical instrument.
The Kazakh language "Aken" means "folk singer". Akendumbra is a tombula commonly used by folk singers when they play and sing.
The big pipa of the Dong nationality (pinyin: dòng zú dà pí pa) is the big pipa of the Dong nationality. It is popular in Rongjiang, Congjiang and Liping in Qiandongnan Miao and Dong Autonomous Prefecture of Guizhou Province, Sanjiang and Rongshui in Guangxi Zhuang Autonomous Region, and Datong Dong Autonomous County in Hunan Province.
The band Dongbula (pinyin: yuè duì dōng bù lā) is a Kazakh plucked stringed musical instrument. Named for the band playing. This is the Dongbula series of musical instruments reformed and made on the basis of Akendumbula, which has been used in the Kazakh National Band of the Ili Kazakh Autonomous Prefecture Art Troupe in Xinjiang Uygur Autonomous Region.
The Naxi Pipa (pinyin: nà xī pí pá) is a plucked stringed musical instrument of the Naxi people. Popular in Lijiang Naxi Autonomous County, Yunnan Province. The appearance is similar to the pipa in the Han area, but the volume is larger and the speaker is relatively flat and thin, retaining the ancient shape.
Fengshou Konghou (pinyin: fèng shǒu kōng hóu) is a plucked stringed musical instrument of the ancient southwestern ethnic minorities in my country. The phoenix-headed Konghou is also called "Sangke" in Southeast Asia, and it was called "General Manuscript Machine" in the Qing Dynasty. It is mostly used in court ceremonies and music, and is relatively rare in the folk, and was once lost.
The Yi Xiaosanxian (pinyin: yí zú xiǎo sān xián) is a plucked stringed musical instrument of the Yi people, popular in the Chuxiong Yi Autonomous Prefecture, Honghe Hani and Yi Autonomous Prefecture, Yuxi, Simao, Baoshan and other areas in Yunnan Province.
Xuanqin (pinyin: xuán qín), also known as Xuanheqin, is a plucked stringed musical instrument played by the Goguryeo people of the ancient Northeast China minority. It has a long history and unique shape. It was popular in Jilin, Liaoning and other regions. Play with a plectrum.
The Miao Sixian (pinyin: miáo zú sì xián) is a plucked stringed musical instrument of the Miao people. Popular in Napo County, Guangxi Zhuang Autonomous Region.
Tianqin (pinyin: tiān qín) is a plucked stringed musical instrument used by the Zhuang people (Bubian and Budai branch). It is popular in Dongzhong, Ningming and Longzhou on the Sino-Vietnamese border in Guangxi Zhuang Autonomous Region.
The vertical konghou (pinyin: shù kōng hóu) is an ancient Chinese plucked stringed musical instrument. The vertical-headed Konghou, also known as Hu Konghou, was introduced from the Western Regions around the time of Emperor Ling of the Han Dynasty.
Feitekena (pinyin: fēi tè kè nà) is a plucked stringed musical instrument of the Xibe people. The Xibe language "fitek na" means plucked music and flowers open, so it is also called plucked piano. It is popular in Qabqal Xibe Autonomous County, Ili Kazakh Autonomous Prefecture, Xinjiang Uygur Autonomous Region.
Yatoga (pinyin: yǎ tuō gá) is a Mongolian plucked stringed musical instrument, also known as zheng, and the Han people call it Mongolian zheng.
There are differences in the use of Yatoka by all classes of the Mongolian people. The army mostly uses the 14-string Yatoka for military activities such as expeditions, battles and triumphs; the palace and the palace often use the thirteen-string Yatoka to welcome guests. In ceremonial activities such as banquets, banquets, and delivery; Lama monasteries and folk use the twelve-string Yatoka for religious and festive activities such as sacrifice, chanting, and folk grand gatherings (Naadam).
Yanzhu Konghou (pinyin: yàn zhù kōng hóu) is a new type of plucked stringed musical instrument. It is named after the wild goose column as a sound guide. It is another new achievement in the development of Konghou in my country after the double-row string quivering Konghou.
Zhamunian (pinyin: zhā mù nián) has a long history and different origins. It evolved from a multi-stringed musical instrument introduced to Tibet from ancient India. According to the records of the "Tibetan Wangtongji" in Genyu, Songtsan Gampo once gave a banquet. There are records of artists playing musical instruments, and it is judged that Jamunian was introduced to Tibet from the mainland in the Tang Dynasty, and has a history of more than 1,000 years. However, most Tibetan scholars believe that Jamunie originated in Tibet and was a musical instrument created by the Tibetans themselves.
Uzbek Rewapu (Pinyin: wū zī bié kè rè wǎ pǔ) is a plucked stringed musical instrument of the Uzbek and Uyghur ethnic groups. It can be used for solo, ensemble or accompaniment, and is often used with Uzbek Rewapu in ethnic bands.
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