Guqin (pinyin: Gǔ Qín) is a traditional Chinese musical instrument with a history of at least 3,500 years. Guqin is also known as Yaoqin, Yuqin and Seven-stringed Qin. The guqin has 13 emblems that mark the rhythm, and is also a ritual and musical instrument. It belongs to the silk in the octave. Guqin has a wide range, deep timbre and long aftertone.
Guzheng (pinyin: Gǔ Zhēng), also known as Hanzheng and Qinzheng, is an ancient national musical instrument of the Han nationality and is popular all over China. It is often used for solo, duet, instrumental ensemble and accompaniment of song and dance, opera and folk art. Because of its wide range, beautiful timbre, rich playing skills and strong expressiveness, it is known as the "King of Music", also known as "Oriental Piano", and is one of the unique and important national musical instruments in China.
Erhu (Pinyin: Erhu) originated in the Tang Dynasty, called "Xiqin", and has a history of more than a thousand years. It is a traditional Chinese stringed instrument. Erhu, or Erxian Huqin, also known as "Nanhu" and "Omzi", is one of the main bowed and stringed instruments (wiping strings) in the Chinese national musical instrument family.
Pipa (pinyin: pí pa), the first plucked instrument, is a traditional plucked instrument in East Asia, a plucked stringed musical instrument. Made of wood or bamboo, the speaker is half-pear-shaped and has four strings on the top. It was originally made of silk thread, but now it is mostly made of steel wire, steel rope and nylon.
Zhongruan (pinyin: zhōng ruǎn) is a national plucked musical instrument with a long history in China. It is a traditional plucked musical instrument of the Chinese nation.
Because of the mellow, rich tone and wide range of sound, Ruan has become the main instrument in solo, ensemble, and duet in ancient times; in modern times, Ruan can play a powerful role in the orchestra, and Da Ruan and Zhong Ruan are mainly used in national orchestras.
Yueqin (Pinyin: yuè qín), a plucked musical instrument of the Han nationality, originated in the Han Dynasty. It has been spread in China, Japan, the Korean Peninsula, and Vietnam. It is also spread in China and Vietnam. The early Yueqin had a long neck and generally had about twelve frets. In the Qing Dynasty, the short-necked Yueqin with the eighth rank or so appeared, which is easy to play in the high-pitched area, and is often used for the accompaniment of opera. After the development and improvement of Ruan in the 1950s, Yueqin usually refers to the short-necked Yueqin in mainland China.
Yangqin (Pinyin: YangQin) was introduced from Persia at the end of the Ming Dynasty. It was originally used as an accompaniment for folk art and formed a variety of genres. After nearly 400 years of circulation and evolution in my country, dulcimer has traditional Chinese characteristics and national styles in musical instrument production, performance art or music creation, and combined with local folk music, it has formed a number of outstanding A genre with local and musical characteristics.
Matouqin (pinyin: mǎ tóu qín) is a two-stringed stringed musical instrument with a trapezoidal body and a handle carved into the shape of a horse's head. A sort of.
Huobusi (pinyin: huǒ bù sī) is a Mongolian plucked musical instrument. It was found in the Yuan Dynasty and was popular in the Ming Dynasty. It was included in the national music in the Qing Dynasty. It is spread in Xinjiang, Inner Mongolia, northern Gansu and Lijiang Naxi Autonomous County in Yunnan Province.
Banhu (pinyin: bǎn hú) is a kind of stringed instrument with a history of more than 300 years in China. The timbre is high, firm, and has strong penetrating power. It is the main accompaniment instrument for northern opera and rap.
Zuihu (Quhu) (pinyin: zhuì hú) is a Chinese rubbing stringed musical instrument. Also known as Quhu and Erxian. Mainly spread in Henan and Shandong, it is the main accompaniment instrument of Henan Quju Opera, Shandong Qinshu and Lu Opera.
Liuqin (pinyin: Liǔ Qín) is a plucked stringed instrument originated in the Qing Dynasty. The earliest Liuqin has a very simple structure and a very folk-like appearance. Now popular all over the country. It is one of the pear-shaped speakers and stringed instruments that have been circulating among the people since the Tang Dynasty. Its shape, structure and playing method are similar to those of the pipa.
Kubuzi (pinyin: kù bù zī) is a traditional musical instrument of Kazakh and other Central Asian nationalities. Its founder was Kurkut, a shaman at the end of the eighth century. Chinese also translated as Hobbes, Hobbes, Kebuzi and so on. With a long history, simple construction and soft sound, it is used for solo, ensemble or accompaniment.
Rewapu (pinyin: rè wǎ pǔ) is a stringed instrument played by the Uyghur and Uzbeks. The popular Kashgar Rewapu has a total length of 130 cm. Rewapu originated in Kashgar, southern Xinjiang. It is not only a favorite musical instrument of the Uyghurs, but also a plucked musical instrument favored by ethnic minorities such as the Tajiks and Uzbeks.
The five-stringed pipa (pinyin wǔ xián pí pá) is an ancient Chinese plucked stringed musical instrument. Referred to as "five strings". The five-stringed pipa has a long history and unique shape. It was popular in the vast Central Plains of my country during the Tang Dynasty, and spread to Japan, becoming a historical witness of Sino-Japanese cultural exchanges.
Zhonghu (pinyin: zhōng hú) is a musical instrument restructured on the basis of the erhu. All erhu playing skills are suitable for Chinese hu playing. It is still a less sensitive instrument. It is best at playing some lyrical, vast singing melodies, long harmonics and not very complicated tone patterns, and less fast and colorful melodies.
Sihu (pinyin: sì hú) Mongolian called Huwuer, which originated from the ancient Xiqin. Mainly popular in Inner Mongolia, other places such as Shanxi, Shaanxi, Hebei, Henan and Sichuan are also popular.
Yatoga (pinyin: yǎ tuō gá) is a Mongolian plucked stringed musical instrument, also known as zheng, and the Han people call it Mongolian zheng.
There are differences in the use of Yatoka by all classes of the Mongolian people. The army mostly uses the 14-string Yatoka for military activities such as expeditions, battles and triumphs; the palace and the palace often use the thirteen-string Yatoka to welcome guests. In ceremonial activities such as banquets, banquets, and delivery; Lama monasteries and folk use the twelve-string Yatoka for religious and festive activities such as sacrifice, chanting, and folk grand gatherings (Naadam).
The single-stringed qin (pinyin: dú xián qín) is an ancient folk bamboo musical instrument of the Jing nationality. You often play together with the dongxiao); now it is mostly used for solo performance, but also for ensemble or singing and dancing accompaniment. In ethnic bands, the lyre is often used as a color instrument. The monochord is an overtone musical instrument with a unique playing technique. It can play two notes on one string at the same time. The timbre is soft and beautiful, and it is suitable for expressing long and lyrical melody.
Zhu (pinyin: Zhù) is the earliest percussion instrument in China. It was widely popular from the Warring States Period to the Sui and Tang Dynasties, and was lost after the Song Dynasty. Building in the Warring States period has been widely popular.
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