Er cymbal (pinyin: dà sān xián) is a plucked stringed musical instrument of Mongolian, Manchu, and Han nationalities. Popular in Inner Mongolia, Liaoning, Jilin, Heilongjiang, Hebei, Henan, Shandong, Shanxi, Shaanxi and other provinces.
Fengshou Konghou (pinyin: fèng shǒu kōng hóu) is a plucked stringed musical instrument of the ancient southwestern ethnic minorities in my country. The phoenix-headed Konghou is also called "Sangke" in Southeast Asia, and it was called "General Manuscript Machine" in the Qing Dynasty. It is mostly used in court ceremonies and music, and is relatively rare in the folk, and was once lost.
Dabia (pinyin: dá bǐ yà) is an ancient plucked instrument of the Nu people, mostly used for solo or folk song and dance accompaniment. It is popular in Gongshan, Bijiang, Fugong, Lanping and other places in Nujiang Lisu Autonomous Prefecture, Yunnan Province. "Dabia" is an angry language, and the Lisu people call it "Qibue".
It is the abbreviation of "Treble Erhu". Its shape, structure, bowing technique, and playing symbols used are the same as those of Erhu, except that the qin barrel (resonance box) is slightly smaller than that of erhu, and part of the qin barrel is usually sandwiched between two legs. play.
Sihu (pinyin: sì hú) Mongolian called Huwuer, which originated from the ancient Xiqin. Mainly popular in Inner Mongolia, other places such as Shanxi, Shaanxi, Hebei, Henan and Sichuan are also popular.
Also known as Huqin. It is a traditional Chinese stringed instrument. At the end of the 18th century, with the formation of traditional Chinese opera Peking Opera, it was restructured on the basis of the stringed instrument Huqin. It has a history of more than 200 years and is the main accompaniment instrument for traditional Chinese opera Peking Opera.
Satar (pinyin: sà tā ěr) is a Uyghur bowed and stringed musical instrument. Popular in Xinjiang Uygur Autonomous Region. According to legend, it has spread in the Kashgar area of southern Xinjiang from the 14th to the 15th century, and later spread to the northern and eastern Xinjiang.
Jiaoweiqin (pinyin: Jiāo wěi qín) is one of the four famous qins in ancient China. Compared with the other three qin, the name of "Jiaowei" is straightforward, but its life experience is extraordinary, so it was created by Cai Yong, a famous person in the Eastern Han Dynasty.
Kubuzi (pinyin: kù bù zī) is a traditional musical instrument of Kazakh and other Central Asian nationalities. Its founder was Kurkut, a shaman at the end of the eighth century. Chinese also translated as Hobbes, Hobbes, Kebuzi and so on. With a long history, simple construction and soft sound, it is used for solo, ensemble or accompaniment.
Yazheng (pinyin: zhá zhēng), also known as Yaqin in the south, is the descendant of Zhu, the pioneer of Chinese bowed and stringed instruments, and belongs to the Zhu family. Since its special name appeared in the Tang Dynasty, it has been widely used in the court and the people. Due to the difference in the spread of the region, its shape, playing form and appellation have changed.
Zhamunian (pinyin: zhā mù nián) has a long history and different origins. It evolved from a multi-stringed musical instrument introduced to Tibet from ancient India. According to the records of the "Tibetan Wangtongji" in Genyu, Songtsan Gampo once gave a banquet. There are records of artists playing musical instruments, and it is judged that Jamunian was introduced to Tibet from the mainland in the Tang Dynasty, and has a history of more than 1,000 years. However, most Tibetan scholars believe that Jamunie originated in Tibet and was a musical instrument created by the Tibetans themselves.
Tanbull (pinyin: tán bù ěr) is a stringed instrument played by the Uyghur and Uzbeks. The range is wide, the tone is crisp, and it is full of rich national style. Often used for solo, ensemble or accompaniment.
Kashi Rewapu (pinyin: kā shí rè wǎ pǔ) is a plucked stringed musical instrument of the Uzbeks and Uyghurs. This kind of hot wap has a wide range, crisp and bright tone, and is best suited for solo, but also for instrumental ensemble or singing and dancing accompaniment in a band.
Akendumbra (pinyin: ā kěn dōng bù lā) is a Kazakh plucked stringed musical instrument.
The Kazakh language "Aken" means "folk singer". Akendumbra is a tombula commonly used by folk singers when they play and sing.
Konghou (pinyin: kōnghóu) Konghou (also known as Konghou or Kanhou) is an ancient Chinese traditional stringed musical instrument, which originated in the Han Dynasty, but fell out of fashion after the 14th century and gradually disappeared.
The small pipa (pinyin: dòng zú xiǎo pí pa) of the Dong ethnic group is a plucked stringed musical instrument of the Dong ethnic group. It is called Bibala in the Dong language. It is popular in Rongjiang, Congjiang, Liping, Qiandongnan Miao and Dong Autonomous Prefecture in Guizhou Province, Sanjiang and Rongshui in Guangxi Zhuang Autonomous Region, and Datong Dong Autonomous County in Hunan Province.
It is popular all over the Inner Mongolia Autonomous Region, especially in Horqin and Zhaowuda League in the east.
Zani (pinyin: Zani) is a Tibetan bow and stringed musical instrument. Also known as horns, horns Hu, horsetail Hu. It has a long history and an ancient form. It is popular in Maqu County, Gannan Tibetan Autonomous Prefecture, Gansu Province, Henan County, Huangnan Tibetan Autonomous Prefecture, Qinghai Province, and the vast areas of Tibetan semi-agricultural and semi-pastoral areas.
Se (pinyin: sè), a traditional plucked stringed instrument, is similar in shape to a zheng but slightly wider. Tuned according to the pentatonic mode, it is often used as an accompaniment instrument for the qin, and is often called the qinse together with the guqin. Se has an important position in Chinese culture and is often referred to as the guqin.
Gehu (pinyin: gé hú) is a low-pitched stringed instrument with a louder volume and a wider range. In the 1950s, Yang Yusen (1926-1980) of the Shanghai Conservatory of Music created it on the basis of the erhu and absorbed the characteristics of other stringed instruments, so it is called Gehu. After continuous improvement, it has now become a bass-pulled string instrument with rich expressiveness.
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