The Yi Sihu (pinyin: yí zú sì hú) is a bow and stringed musical instrument of the Yi people. Compared with the Han and Mongolian Sihus, the size is smaller and the sound is crisp and bright. Popular in Chuxiong, Yongren and other places in Chuxiong Yi Autonomous Prefecture, Yunnan Province.
The five-stringed pipa (pinyin wǔ xián pí pá) is an ancient Chinese plucked stringed musical instrument. Referred to as "five strings". The five-stringed pipa has a long history and unique shape. It was popular in the vast Central Plains of my country during the Tang Dynasty, and spread to Japan, becoming a historical witness of Sino-Japanese cultural exchanges.
Ruan (Ruan Xian) (Pinyin: Ruǎn), short for Ruan Xian. It is a traditional plucked musical instrument of the Han nationality, also known as Ruan Xian and Ruan Qin. In ancient times, it was called Qin Pipa. Later, because of the introduction of Quxiang Pipa, the name "Pipa" was occupied, and it was named after Ruan Xian, who was good at playing this instrument.
Jiaoweiqin (pinyin: Jiāo wěi qín) is one of the four famous qins in ancient China. Compared with the other three qin, the name of "Jiaowei" is straightforward, but its life experience is extraordinary, so it was created by Cai Yong, a famous person in the Eastern Han Dynasty.
Kubuzi (pinyin: kù bù zī) is a traditional musical instrument of Kazakh and other Central Asian nationalities. Its founder was Kurkut, a shaman at the end of the eighth century. Chinese also translated as Hobbes, Hobbes, Kebuzi and so on. With a long history, simple construction and soft sound, it is used for solo, ensemble or accompaniment.
The Yi Sixian (pinyin: yí zú sì xián) is a plucked stringed musical instrument of the Yi people. It is popular in Yuanyang, Honghe, Shiping and Maitreya in Honghe Hani and Yi Autonomous Prefecture of Yunnan Province, Muding in Chuxiong Yi Autonomous Prefecture and Lunan Yi Autonomous County.
The Zhuang Sanxian (pinyin: zhuàng zú sān xián) is a plucked stringed musical instrument of the Zhuang people. The shape is similar to the small sanxian of the Han and Lahu nationalities, and the timbre is crisp and bright. Popular in Guangxi Zhuang Autonomous Region Longlin, Xilin, Tianlin, Leye, Lingyun, Baise, Tianyang, Tiandong, Debao, Jingxi and other parts of western and southern Guangxi.
The Yi Zhongsanxian (pinyin: yí zú zhōng sān xián) is a plucked stringed musical instrument of the Yi people. It is popular in Lunan Yi Autonomous County, Yiliang and Honghe Hani and Yi Autonomous Prefecture, and Luxi in Qujing, Yunnan Province.
Huxitar (pinyin: hú xī tā ěr) is a Uyghur stringed musical instrument. Popular in Urumqi, Xinjiang Uygur Autonomous Region and other places. It was created and developed by Xinjiang Art School Turxun River based on Uyghur folklore.
Balangzikumu (pinyin: bā lǎng zī kù mù) is a Tajik plucked stringed musical instrument. Popular in Tashkurgan Tajik Autonomous County, Xinjiang Uygur Autonomous Region.
Dabia (pinyin: dá bǐ yà) is an ancient plucked instrument of the Nu people, mostly used for solo or folk song and dance accompaniment. It is popular in Gongshan, Bijiang, Fugong, Lanping and other places in Nujiang Lisu Autonomous Prefecture, Yunnan Province. "Dabia" is an angry language, and the Lisu people call it "Qibue".
Yazheng (pinyin: yá zhēng) is a Korean bow and stringed musical instrument. It has a long history, similar in shape to the zheng, and has a round and broad tone, which can be used for ensemble or opera accompaniment. It is popular in Liaoning, Jilin, Heilongjiang and other provinces, especially in Yanbian Korean Autonomous Prefecture of Jilin Province.
Tuhu (pinyin: tǔ hú), also known as Mu Hu or Hou Hu, is a Zhuang nationality bow and stringed musical instrument. The middle tone has become the matching instrument of the horse bone beard, and the tone is rich.
Bass Aijie (Pinyin dī yīn ài jié kè), also known as Harzak, is a Uyghur stringed instrument. In the Qing Dynasty, it was included in the Jiabu music. There are two kinds of Aijie musical instruments: one still retains the resonant strings, and the other has no resonant strings, and the latter one is commonly used.
Se (pinyin: sè), a traditional plucked stringed instrument, is similar in shape to a zheng but slightly wider. Tuned according to the pentatonic mode, it is often used as an accompaniment instrument for the qin, and is often called the qinse together with the guqin. Se has an important position in Chinese culture and is often referred to as the guqin.
Zhamunian (pinyin: zhā mù nián) has a long history and different origins. It evolved from a multi-stringed musical instrument introduced to Tibet from ancient India. According to the records of the "Tibetan Wangtongji" in Genyu, Songtsan Gampo once gave a banquet. There are records of artists playing musical instruments, and it is judged that Jamunian was introduced to Tibet from the mainland in the Tang Dynasty, and has a history of more than 1,000 years. However, most Tibetan scholars believe that Jamunie originated in Tibet and was a musical instrument created by the Tibetans themselves.
(Reform Xiqin·Sixian Xiqin) The Korean bow and stringed musical instrument. In the 1960s, the Korean Xiqin performer Li Yinan and others successfully produced the reformed Xiqin and the four-string Xiqin, which have been used in professional music and art groups in Yanbian Korean Autonomous Prefecture, Jilin Province.
The Mongolian Sihu (pinyin: měng gǔ zú sì hú) refers to the four hus popular in the Mongolian area. The shape is the same as the four hus in the Han area. It is popular in the pastoral and semi-agricultural and semi-pastoral areas of the Inner Mongolia Autonomous Region.
The corbel (pinyin: niú tuǐ qín) is a bow-drawn stringed musical instrument of the Dong people. Named for the slender body that resembles a cow's thigh. It is popular in Rongjiang, Congjiang, Liping, Qiandongnan Miao and Dong Autonomous Prefecture in Guizhou Province, Sanjiang, Rongshui in Guangxi Zhuang Autonomous Region, and Tongdong Dong Autonomous County in Hunan Province.
Tanbull (pinyin: tán bù ěr) is a stringed instrument played by the Uyghur and Uzbeks. The range is wide, the tone is crisp, and it is full of rich national style. Often used for solo, ensemble or accompaniment.
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