Feitekena (pinyin: fēi tè kè nà) is a plucked stringed musical instrument of the Xibe people. The Xibe language "fitek na" means plucked music and flowers open, so it is also called plucked piano. It is popular in Qabqal Xibe Autonomous County, Ili Kazakh Autonomous Prefecture, Xinjiang Uygur Autonomous Region.
Tibetan Jinghu (pinyin: zàng jīng hú) is a Tibetan stringed musical instrument, imitated by Jinghu. Because of its similar shape to Jinghu, the Han people call it Tibetan Jinghu. Popular in Lhasa, Shigatse, Gyangze and other places in the Tibet Autonomous Region.
Sixianhu (Pinyin: sì xián hú) Sixianhu is a bow and stringed musical instrument of the Zhuang people. The timbre is rich and used for folk song accompaniment. Popular in Tian'e County, Hechi Area, Guangxi Zhuang Autonomous Region.
Erzhi (pinyin: è zhī) is similar to the pipa, and more similar to the Dinghan of the Dai people. Most of them are made by the performers for their own use, so the specifications and sizes are different. The total length of the piano body is mostly about 45 cm, the small one is only 30 cm, and the large one can reach 60 cm. There are two kinds of postures, sitting and standing.
Zhamunian (pinyin: zhā mù nián) has a long history and different origins. It evolved from a multi-stringed musical instrument introduced to Tibet from ancient India. According to the records of the "Tibetan Wangtongji" in Genyu, Songtsan Gampo once gave a banquet. There are records of artists playing musical instruments, and it is judged that Jamunian was introduced to Tibet from the mainland in the Tang Dynasty, and has a history of more than 1,000 years. However, most Tibetan scholars believe that Jamunie originated in Tibet and was a musical instrument created by the Tibetans themselves.
Saitul (pinyin: sài yī tǔ ěr) is a plucked musical instrument with distinctive features of the Tajik people. It is popular in Tashkurgan Tajik Autonomous County of Xinjiang Uygur Autonomous Region and its adjacent places such as Shache, Zepu, Yecheng and Pishan.
The Miao Sixian (pinyin: miáo zú sì xián) is a plucked stringed musical instrument of the Miao people. Popular in Napo County, Guangxi Zhuang Autonomous Region.
The Miao Sanxian (pinyin miáo zú sān xián) is a plucked stringed musical instrument of the Miao people. It is called Sanxian in Miao language. It is popular in the vast Miao areas at the junction of Yunnan, Guangxi and Guizhou provinces, such as De'e, Longlin Autonomous County, Guangxi Zhuang Autonomous Region. The pronunciation is crisp and bright. Often used for solo, ensemble and singing and dancing accompaniment, it is very popular among Miao youths.
The double-row stringed Konghou (pinyin: shuāng pái xián kōng hóu) is a new type of plucked stringed musical instrument in my country. In the long history of Konghou that has been circulating for nearly two thousand years, it has always followed the structure and appearance when it was introduced, but this phenomenon was finally changed in the 1970s. The musical instrument maker Han Qihua first successfully created the double-stringed Konghou in the field of Konghou, which not only made the structure and playing technique of the Konghou develop by leaps and bounds, but also made the appearance of the Konghou completely new. It has been used in music practice, and for the first time, Konghou is used in film music.
Tuofuer (pinyin: tuō fǔ xiù ěr) is a Mongolian and Manchu plucked stringed musical instrument. Popular in Xinjiang Uygur Autonomous Region, Bortala Mongolian Autonomous Prefecture, Hot Springs, Bole, Jinghe, Nileke in Ili Region, Bukser Mongolian Autonomous County in Tacheng Region, and Northeast China.
The sanwzin (pinyin: sān xiàn qín) is a plucked stringed musical instrument of the Jing people. That is, the Sanxian of the Jing nationality. Unique in shape and rich in tone, it is often used for solo and folk song accompaniment, and is deeply loved by the Jing people. It is popular in Shanxin, Wanwei and Wutou in Fangcheng County of Guangxi Zhuang Autonomous Region.
Duo Lǎng ài jié kè (Pinyin: duō lǎng ài jié kè) is a Uyghur bow-drawn stringed musical instrument. Named for its popularity in the Duolang area of southern Xinjiang. It has a long history, various shapes and soft and rich timbre. It is often used in instrumental ensembles or as the accompaniment of traditional songs and dances such as "Twelve Muqam" and "Macy Lap".
(Reform Xiqin·Sixian Xiqin) The Korean bow and stringed musical instrument. In the 1960s, the Korean Xiqin performer Li Yinan and others successfully produced the reformed Xiqin and the four-string Xiqin, which have been used in professional music and art groups in Yanbian Korean Autonomous Prefecture, Jilin Province.
Biwang (pinyin: bì wāng) is a Tibetan bow and stringed musical instrument. Tibetan is also called Biyong, Biyang, Bawang, Ri'aza, Zeze, Zani, etc. due to different dialects. Popular in Tibet, Sichuan, Yunnan, Qinghai, Gansu and other provinces. Especially in the areas of Batang, Mangkang and Deqin at the junction of Sichuan, Tibet and Yunnan provinces.
Daiding (西玎) (pinyin: dǎi dīng) Daiding is a plucked stringed musical instrument of the Dai people. Also known as Xi Ding or Ding Xi. "Ding" in the Dai language means to play the qin, which is the general name of the stringed instruments played by the Dai people. It is popular in Dehong Dai and Jingpo Autonomous Prefecture, Simao, Lincang and other areas in Yunnan Province.
The five-stringed qin (pinyin: wǔ xián qín) belongs to a kind of guqin. It has a long history and is relatively rare. The lyre is widely used. Can be used for solo or to accompany folk songs and folk dances.
Keyak (pinyin: kè yà kè) is a bow-drawn stringed musical instrument of the Kirgiz people. Chinese has been translated as Ke Ya Ke. Popular in Xinjiang Uygur Autonomous Region Kyzilsu Kirgiz Autonomous Prefecture and Ili Kazakh Autonomous Prefecture Turks, Zhaosu, Emin and other places.
The five-stringed pipa (pinyin wǔ xián pí pá) is an ancient Chinese plucked stringed musical instrument. Referred to as "five strings". The five-stringed pipa has a long history and unique shape. It was popular in the vast Central Plains of my country during the Tang Dynasty, and spread to Japan, becoming a historical witness of Sino-Japanese cultural exchanges.
Hulei (pinyin: hū léi) is a plucked stringed instrument with a neck-type half-pear-shaped speaker, which can be seen in the records of the Tang Dynasty. The use of Hulei was very extensive in the Tang Dynasty. Suddenly, this kind of musical instrument is gone. Of course, no one will play this musical instrument again. It is treasured in the Palace Museum in Beijing.
Biyue corbel (pinyin: bì yuē niú tuǐ qín) is a plucked stringed musical instrument of the Hani people. Popular in the Mojiang Hani Autonomous County, Simao, Yunnan Province, it is generally used for solo and folk song accompaniment.
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