The Zhuang Sanxian (pinyin: zhuàng zú sān xián) is a plucked stringed musical instrument of the Zhuang people. The shape is similar to the small sanxian of the Han and Lahu nationalities, and the timbre is crisp and bright. Popular in Guangxi Zhuang Autonomous Region Longlin, Xilin, Tianlin, Leye, Lingyun, Baise, Tianyang, Tiandong, Debao, Jingxi and other parts of western and southern Guangxi.
Genka (pinyin: gēn kǎ) is a Tibetan bow and stringed musical instrument. Popular in Lhasa, Shigatse and other places in the Tibet Autonomous Region.
Dinghei (pinyin: dīng hēi) is a musical instrument with bows and strings. It is called Dong Zongqin because the strings use Dong Zong silk. Also known as Ding, Duxingqin, it is the only stringed instrument of the Kemu people. Popular in Mengla, Jinghong and other places in Xishuangbanna Dai Autonomous Prefecture, Yunnan Province.
Zani (pinyin: Zani) is a Tibetan bow and stringed musical instrument. Also known as horns, horns Hu, horsetail Hu. It has a long history and an ancient form. It is popular in Maqu County, Gannan Tibetan Autonomous Prefecture, Gansu Province, Henan County, Huangnan Tibetan Autonomous Prefecture, Qinghai Province, and the vast areas of Tibetan semi-agricultural and semi-pastoral areas.
Yatoga (pinyin: yǎ tuō gá) is a Mongolian plucked stringed musical instrument, also known as zheng, and the Han people call it Mongolian zheng.
There are differences in the use of Yatoka by all classes of the Mongolian people. The army mostly uses the 14-string Yatoka for military activities such as expeditions, battles and triumphs; the palace and the palace often use the thirteen-string Yatoka to welcome guests. In ceremonial activities such as banquets, banquets, and delivery; Lama monasteries and folk use the twelve-string Yatoka for religious and festive activities such as sacrifice, chanting, and folk grand gatherings (Naadam).
Sixianhu (Pinyin: sì xián hú) Sixianhu is a bow and stringed musical instrument of the Zhuang people. The timbre is rich and used for folk song accompaniment. Popular in Tian'e County, Hechi Area, Guangxi Zhuang Autonomous Region.
Kashi Rewapu (pinyin: duō lǎng rè wǎ pǔ) is a Uyghur plucked stringed musical instrument. Also translated as Daolang Rewapu, Doran Rewapu. Popular in Awati, Bachu, Maigaiti and Shache in Xinjiang Uygur Autonomous Region. The body is made of mulberry, almond or walnut, and it is one of the main accompaniment instruments of "Hami Muqam".
The band Dongbula (pinyin: yuè duì dōng bù lā) is a Kazakh plucked stringed musical instrument. Named for the band playing. This is the Dongbula series of musical instruments reformed and made on the basis of Akendumbula, which has been used in the Kazakh National Band of the Ili Kazakh Autonomous Prefecture Art Troupe in Xinjiang Uygur Autonomous Region.
The big pipa of the Dong nationality (pinyin: dòng zú dà pí pa) is the big pipa of the Dong nationality. It is popular in Rongjiang, Congjiang and Liping in Qiandongnan Miao and Dong Autonomous Prefecture of Guizhou Province, Sanjiang and Rongshui in Guangxi Zhuang Autonomous Region, and Datong Dong Autonomous County in Hunan Province.
Bamboo qin (Dao Qin)) (pinyin: zhú qín) has a long history and can be traced back to the "Tao Qing" in the Tang Dynasty, that is, the Taoist affairs and Taoist feelings described by Taoist priests when they preached or recruited.
Er cymbal (pinyin: dà sān xián) is a plucked stringed musical instrument of Mongolian, Manchu, and Han nationalities. Popular in Inner Mongolia, Liaoning, Jilin, Heilongjiang, Hebei, Henan, Shandong, Shanxi, Shaanxi and other provinces.
The Yi Dasanxian (pinyin yí zú dà sān xián) is composed of a resonator, a headstock, a qin rod, a peg, a qin horse, a tie-string and a qin string. During traditional festivals, people will dress up in costumes and gather together to sing and dance.
The Yi Zhongsanxian (pinyin: yí zú zhōng sān xián) is a plucked stringed musical instrument of the Yi people. It is popular in Lunan Yi Autonomous County, Yiliang and Honghe Hani and Yi Autonomous Prefecture, and Luxi in Qujing, Yunnan Province.
Yanzhu Konghou (pinyin: yàn zhù kōng hóu) is a new type of plucked stringed musical instrument. It is named after the wild goose column as a sound guide. It is another new achievement in the development of Konghou in my country after the double-row string quivering Konghou.
Feitekena (pinyin: fēi tè kè nà) is a plucked stringed musical instrument of the Xibe people. The Xibe language "fitek na" means plucked music and flowers open, so it is also called plucked piano. It is popular in Qabqal Xibe Autonomous County, Ili Kazakh Autonomous Prefecture, Xinjiang Uygur Autonomous Region.
Qi (pinyin: Qiāng) originated from the "Silk Road" that was directly introduced to Xinjiang, which should have been earlier than the end of the Ming Dynasty, and then spread to Hami, eastern Xinjiang at the end of the 18th century.
The Yi Sanhu (pinyin: yí zú sān hú) is a bow-drawn stringed musical instrument of the Axi and Sani branches of the Yi nationality. The Axi people call it Lehu, and the Sani people call it Lihu and Ehu. In Yi language, "le", "li" and "e" are all meanings of pulling. Shaped like a Zhonghu, the timbre is soft and rich, and it can be used for solo, instrumental ensemble, or to accompany folk songs and dances. It is popular in Lunan Yi Autonomous County, Maitreya, Luxi and Yiliang in Yunnan Province.
Buyi Sihu (pinyin: bù yī sì hú) is a bow-drawn stringed musical instrument of the Buyi and Miao nationalities. The Miao people are also called Sixian Hu. Popular in Guizhou Province, Qiannan, Qianxi Nan Buyi and Miao Autonomous Prefecture.
Hulei (pinyin: hū léi) is a plucked stringed instrument with a neck-type half-pear-shaped speaker, which can be seen in the records of the Tang Dynasty. The use of Hulei was very extensive in the Tang Dynasty. Suddenly, this kind of musical instrument is gone. Of course, no one will play this musical instrument again. It is treasured in the Palace Museum in Beijing.
Uzbek Rewapu (Pinyin: wū zī bié kè rè wǎ pǔ) is a plucked stringed musical instrument of the Uzbek and Uyghur ethnic groups. It can be used for solo, ensemble or accompaniment, and is often used with Uzbek Rewapu in ethnic bands.
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