Relaxation is not slack, and not all techniques require relaxation. In principle, erhu relaxation means not wasting energy. mainly reflects in: 1. Try to maintain a state of natural relaxation. It's not a complete relaxation of the muscles, just as thrift is not the same as being stingy. Never use your strength where you shouldn't use it, and focus your strength o...

Erhu has no fingerboard and taste, and its pitch is completely controlled by hearing. In order to really control the pitch, in addition to the ability to distinguish accurate pitch, it must also have the feedback speed of the fingers. The concept of intonation has two forms: one is called absolute pitch, which uses the sense of absolute height of opposite pitch as the memory mat...

The symbol of bow throwing is 'nine', which is written above the notes. Because its effect is very similar to the sound of horseshoes, it is also called "horseshoe bow". The deviations that players are prone to in playing bow throwing are mainly as follows: If the arm moves up and down too much, it will reduce the beating of the bow at the point where it touches the str...

The symbol of the throwing bow is 'nine', which is written above the notes. Because its effect is very similar to the sound of a horse's hoof, it is also called "horseshoe bow". Generally speaking, the throwing bow is composed of two parts. The first part is a short jump sound, which can be started by drawing the bow or pushing the bow (the first bow of a set of throwing bows is usually a bow s...

External string bowing: Lie the bow shaft outwards and downwards naturally on the violin barrel, (borrowing the weight of the bow shaft to make the bow hair exert pressure on the strings) relax the arm and sink, and the strength reaches the fingers. The combined force of the four force points to control the bow rod will send the force out, start to open the arm, naturally arch the wrist slightl...

For Erhu learners, piano practice is an important learning process, and it is necessary to ensure a certain amount of practice. Therefore, how to improve the efficiency of piano practice? The following are just my own opinions on how to improve the efficiency of piano practice based on my own experience: First of all, the learner should voluntarily do this work from the ...

Quick skills can be said to be a headache in both the popular teaching of erhu and the professional training in professional colleges. Everyone is very envious of those fast hands and masters of dazzling skills, and they are very envious of those who can pull quickly. What I hear most is when students ask me, "Teacher, how can I pull fast". Well, this is actually a certain training method. Ever...

The finishing touch is often used to describe the highlights of an already excellent work that make the whole work more brilliant, or even "live". Such highlights are also called the finishing touch. If you ask what is the finishing touch of erhu playing art, I will answer without hesitation: portamento. Of course vibrato is also very important, but it is the commonality of stri...

For erhu jumping bows, first select the rubbing point (that is, the jumping point), control the bow like a short bow, and let the bow move left and right flat and straight (with the elbow as the support point, use the forearm to drive the wrist, rub the piano back and forth string). At this point, you will be doing all the short bow exercises, which is the first step. The wrist will also be rel...

When changing strings, attention should be paid to the mutual coordination of wrist strength and finger strength. Quick bow is usually used to deal with fast-melody music, and it is one of the basic means to improve the expressive power of erhu. A string change is when the bow hair rubs one string instead of rubbing the other. There are only two situations to change the strings:...