In the erhu playing technique, changing the handle is very important, it is an important means to expand the expressive power of the erhu, and it is also an important lesson for learning the erhu. At the beginning of learning how to change the bars, students are prone to nervousness psychologically. The main reason is that due to insufficient relaxation, the tiger's mouth is tig...

Beginners learning erhu often have irregular bow movements, unsteady bow speed, unstraight bow direction, fast and slow, up and down, left and right, or fast draw, slow push, and strong draw. , The common faults of weak bow, heavy bow root and light bow tip. These common faults are to be reminded in time: Explain the root cause of these problems, let the children ...

Many learners begin to learn the erhu, and do not pay much attention to the interaction between the thumb, index finger and ring finger when holding a bow. If the requirements and essentials of the three fingers in holding the bow are unclear, and the requirements for oneself are not strict, then it will be difficult to coordinate the leverage of the force point, the fulcrum and...

One said: "Posture". The posture, the manner of playing, the method of holding the qin. The posture moves with the song, the posture is harmonious, there are gestures in the song, and the posture moves like a song. The method of holding the qin is generally the two postures of flat and folded legs; no matter what kind of posture, the head must be upright and the body must be straight, and the f...

No matter what kind of instrument, the peak of art is endless. Erhu's playing skills are rich and varied. With the progress of the times, people's expressive power of erhu has been continuously improved and the scope has been continuously expanded, thus forming a variety of erhu playing styles, mainly including vibrato, glissando, decorative notes, bowing, etc., through these stylistic skills t...

The erhu is one of the important traditional national musical instruments with its own distinctive national characteristics. There are often some mistakes in instrumental music performances, exams, and even classes. The reasons are as follows: 1. The psychological tension of the performer is the main reason for the failure of instrumental performance The students practiced...

The technique of the left hand of Erhu is inseparable from the flexibility of the fingers, and the flexibility of the fingers is inseparable from the muscles of the fingers, so the flexibility of the fingers cannot be talked about without relatively developed finger muscles. I often receive messages from Hu You saying that the practice of fast vibrato (vibrato) is often encounte...

Finger movement refers to the various pressing movements of the left finger on the strings. It is an important part of the basic training of the erhu. The most important thing in playing a musical instrument is the cooperation of both hands, and the erhu is no exception. Only when the fingers of the left hand and the bow of the right hand cooperate with each other can a good tun...

Vibrato means that one finger is pressed on the string while the bow is being moved, and the adjacent two fingers fall together elastically on the string, resulting in a special sound effect that appears continuously and alternately. If we press one finger on the string while moving the bow, the adjacent two fingers will be in a vibrating state, but not vibrating the string, but...

When erhu uses the bow, it is necessary to consciously stretch the fingers, combine work and rest, and use the strength on the idea. To do this, it is necessary to clarify the role of each finger and each link on the bow. 1. When playing the outer strings, the thumb is forced forward and downward, the index finger is used as a reaction force and the force is upward. The function...