Quick string change is fast because of the high speed. If the string is changed with the active movement of the middle and ring fingers, the fingers will be overburdened and cannot last for a long time. Not easy to be even. Therefore, the finger movements of fast string changing are actually driven by other parts of the right hand. There are two kinds of fast string changing: forward and revers...
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Longbow refers to a bowing technique played with a full bow at a slow speed, which is the basis of the erhu bow. Since this kind of bowing method requires a stable timbre and sound quality from the tip to the tail, it requires long-term and patient practice to achieve the requirements of professional performance. To draw the longbow well, we must master some basic essentials and movements of th...
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External string bowing: Lie the bow shaft outwards and downwards naturally on the piano barrel, (borrowing the weight of the bow shaft to make the bow hair exert pressure on the strings) The arm relaxes and sinks, and the force reaches the fingers. The combined force of the four force points that control the bow rod "sends out" the force, and begins to open the arm, the wrist is naturally sligh...
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The technique of right and left hand coordination occupies a very important position in the art of erhu performance. The correct cooperation of the left and right hands can obtain good pronunciation, which can make the expression of music richer, more accurate and more vivid. The quality of a sound is judged according to whether it has a good resonance. Then, in addition to the sound of the ope...
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Vibrato is a natural expression of the player's inner musical sense. When playing, vibrato is a subconscious action. No one thinks about the action to vibrate, but thinks about the sound to vibrate. Next, I will discuss the basic method of vibrating strings. It is still required to be natural and changeable in application, and it must be turned into a subconscious action.
An impor...
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Changing the handle is one of the common techniques of erhu playing, and it is also an extremely important item in the basic training of the erhu. It can be said that nine out of ten tunes played on the erhu are inseparable from changing bars. Therefore, the degree of rationalization, standardization and certainty of changing actions is directly related to the pitch, rhythm accuracy and musical...
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Artistic conception usually refers to the realm and mood expressed through image description in artistic works, and it is one of the very important elements in the art of erhu performance. In fact, artistic conception refers to a certain information that the performer loads his own understanding of the work, through mental activities such as thinking or ideas, into the erhu music. In daily life...
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In recent years, with the continuous emergence of new works and the holding of professional competitions of different types and specifications in the country and even internationally, not only a group of outstanding young performers and potential young performers have been launched, but also extremely It has greatly promoted the development of erhu performance.
In many new and excellent e...
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This phenomenon often occurs in stage performances: in some important performances, some kind of memory is interrupted in an instant due to the presence of acquaintances to listen to, or even because of the ideological deviation caused by the unrest under the stage, and the result is unexpected. The ground did not affect the normal progress of the performance, but only frightened the performer ...
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Playing posture is the physical manifestation of the player's playing state and musical performance, as well as his musical accomplishment, aesthetic taste, performance content, and different musical emotions. Whether the posture is appropriate or not also determines the quality of the performance. The graceful and generous playing posture gives people a sense of atmospheric beauty, which makes...
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