Inheritance of Inheritance in the Mine - Liuqin

279 views · Organized by 阿轺 on 2022-03-01

Xintai City, Shandong Province held the awarding ceremony of the fifth batch of provincial-level intangible cultural heritage projects and provincial-level intangible cultural heritage bases. Shandong Energy New Mining Group Zhaizhen Coal Mine "Shandong Liuqin" was successfully included in the fifth batch of intangible cultural heritage list in Shandong Province .

Inheritance of Inheritance in the Mine - Liuqin

The quyi Shandong Liuqin evolved and reformed from the opera Shandong Liuqin. It has a history of more than 110 years. It was introduced into the Xinwen mining area by Xue Chuanxun, the third-generation inheritor of the new mine worker. In 1960, Xue Chuanxun sang his own creation of Shandong Liuqin "The More You Sing, the Happier Your Heart Will Be" at the National Workers' Art Show. For more than 20 years, Ding Fengwen has inherited the spirit of "Tao Lao Xue", insisted on being a "craftsman" inherited from Inheritance, and continued to inherit the essence and blood of Inheritance.

Shandong Liuqin is a novel, lively, enthusiastic and unrestrained form of performance. It is sung in Shandong dialect, with a strong local flavor and local characteristics. Over the years, Ding Fengwen has promoted and promoted the intangible cultural heritage culture in the mining area, combined with the development of the enterprise and the life of employees, and created and performed Shandong Liuqin works.

"One trick fresh" can't "eat all over the sky". In order to promote the creative transformation and innovative development of Shandong Liuqin, Ding Fengwen boldly tried and dared to challenge, and adopted the methods of "tradition + rap", "performance + dance" and "humor + anti-string" to create one by one that is closer to modern life, in line with the aesthetics of the masses, The literary and artistic works that reflect the development of the mining area and the changes in the lives of the employees have made Shandong Liuqin blossom and fruit in the mines, and become a new benchmark to lead the spiritual and cultural life of the employees.

Over the years, Xinkuang Group has actively developed and protected intangible cultural heritage projects and cultivated fertile and fertile soil for intangible heritage. As early as 2013, it built a literary and artistic activity base in Zhaizhen Coal Mine, and set up a special art exhibition hall and rehearsal venue for Shandong Liuqin, making it a The "bright pearl" of mine literature and art, the intangible cultural heritage culture has gradually infiltrated into the lives of employees, and has bloomed brilliantly, injecting spiritual strength and strong positive energy into the development of the enterprise.

In order to let the Shandong Liuqin be passed down from generation to generation, Ding Fengwen selected talents who love literature and art and have potential to learn Liuqin skills from enterprise employees and employees' children through activities such as training courses, intangible cultural heritage salons, and "intangible cultural heritage into the campus". Over the years, Ding Fengwen has spared no effort in teaching each other. At present, 42 inheritors have been cultivated, and nearly 100 literary and artistic works have been performed in the mining area for a long time.

"Only the 'live' intangible cultural heritage can show more vigorous vitality." Ding Fengwen said that as the inheritor of the intangible cultural heritage, we must adhere to "keeping integrity and innovation". More workers and people understand, feel and love intangible cultural heritage, and use more and better Shandong Liuqin works to tell the story of the mine well and sing about the development of the enterprise.

Reference materials and contributors
山东柳琴:非遗传承在矿山

Involving musical instruments

Liuqin (pinyin: Liǔ Qín) is a plucked stringed instrument originated in the Qing Dynasty. The earliest Liuqin has a very simple structure and a very folk-like appearance. Now popular all over the country. It is one of the pear-shaped speakers and stringed instruments that have been circulating among the people since the Tang Dynasty. Its shape, structure and playing method are similar to those of the pipa.

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