Jun Tianfang launched the online calligraphy exchange activity of "one -bedroom piano book is enough to be happy -home, Moxiang anti -‘ epidemic '"online calligraphy exchange activities, encouraging everyone to entertain at home during the epidemic, play the piano to practice.

Juntianfang is located in Daxing District, Beijing. It is a diversified Guqin ecological base covering Guqin production, inheritance, research, creation, teaching, performance, ancient book protection, piano -learning, audio and video production, etc. Wang Peng, the founder of the founder, the inheritor of the national intangible cultural heritage, has different identities such as pianoists, musicians, and space designers. Over the years, the innovation of Guqin production and modern Guqin has been studied. Aesthetics of life. "As a traditional Chinese musical instrument, Qin has the most primitive rhythm and rhythm, and the body's induction is the most intuitive. The piano sound is calm and heavy, and has positive power. Aesthetic, "Wang Peng said.

Inherit ancient wisdom with modern thinking

Affected by the father of the mechanic, Wang Peng was interested in design and production since he was a child. When the tools were not used, he sometimes made some musical instruments and played music with friends. Essence "For me at the time, what was Guqin and how to make Guqin is actually very unfamiliar, and I don’t know what Guqin knowledge should be learned." At the Conservatory of Music, Wang Peng was trained systematically. Learn the basic knowledge and actual operation of woodworking, wooden, design and drawing, and acoustic principles.

The first lesson of the university was to measure the "Ning Wangqin" of Gu Mei, the Kawai Guqin player Gu Meizhu, to understand the size and production process of this piano. Gu Meizhu is engaged in the research and teaching of Guqin culture at the Conservatory of Music. He has a profound family studies. Not only does his family hides many handed down Qinqin boutiques, but he has also seen many famous piano. "Mr. Gu Meizhu is approachable and humble. Although he is not my professional teacher, he is my enlightenment." Since then, Wang Peng has the image of the pianist, and Guqin has deeply in him deeply in him. In my heart.

The real state of the ancient pianoist was unknown. Today, people can only understand their spiritual realm from their books and piano. Today's Qin Qin also has new means, no longer need to use the original way. "We can use chainsaws and electric plans when we break the wood. Do we still need to use a big sister -in -law? It is not necessary. We cannot stick to the past traditions, nor can we despise the tradition in this modern education. Inherit the ancient wisdom and culture with modern thinking. "Wang Peng, who grew up in the modern education system, realized that the key to inheritance is to inherit the spirit of cultural instead of form. For example, Wang Peng first grasped the curve changes inside the cavity, so that the sound of the piano has a highly ancient atmosphere, but also shows the delicate sound of the Yu Yin around the beam. Guqin played with hand string, and the vibration of the piano strings is very small. To keep the strings continuously maintaining a certain energy vibration and long resonance, while following the traditional practice, it is necessary to combine the theory of modern musical instruments.

No connotation, no more fancy, useless

After graduating from college, Wang Peng always thought about the shape of the innovative Guqin. But after trying, he found that Guqin's voice and connotation were not right. "I don't understand the spiritual connotation of Guqin, but I just want to create a very far -fetched change. Whether it is the sound or shape, if there is no aesthetic concept of "neutrality, the golden mean, and the merit", it is useless to look like the appearance of Guqin. Since then, Wang Peng has devoted himself to the quality of Guqin's tone, and restored the production of traditional guqin -style based on the record scores.

"Wuzhi Zhai Qinpu" is the most widely circulating guqin score since the Qing Dynasty. It records that there are more than 50 types of ancient piano styles, but the style of the ancient piano is simple. "Understand the aesthetic concepts of all aspects of the piano, and understand the inherent pronunciation principles, styling structures, shoulders, waists, and tail ratio of Guqin, and then watch" Wuzhi Zhai Qinpu ". Find the things in his head. "Wang Peng organized more than 30 traditional piano styles and created more than 80 new piano style. He has repaired more than a hundred historical piano such as Tang "Jiuxiao Ring Pei" and Song "Long Yin Tiger". The Guqin "Shi Kuang style -Taikoo -Taikoo" used in the opening ceremony of the 2008 Beijing Olympic Games came from his hands. In terms of modern Guqin innovation, Wang Peng designed the Guqin style such as Dapeng -style, knife coin style, leaning Daoqin sword style. Go to experience and study the connotation of Guqin more. "

The beauty in music continues in life

"I don't understand music and can't do the piano." Wang Peng believes that while the excellent piano master is proficient in the craftsmanship, he should also be a guqin performer and musician. A lot of influence. "Music is like a mirror to map our behavior. Feel the relationship between each note, the relationship between the notes, the relationship between the notes, the relationship between the music, and even the shaping of the music image. Spirit and influence. "Wang Peng played his piano and often closed his eyes and appreciated the artistic conception, but when the performance was after the performance, if the environment did not match the sound of the piano, it would make him feel a big drop." I hope that the goodness in the music in life will be in life in life. continue."

In 2001, Wang Peng founded Jun Tianfang in Daxing District, Beijing, and then opened Jun Tianqinyuan. As a national cultural industry demonstration base, a national intangible cultural heritage protection research base, and a Beijing -level intangible cultural heritage productive protection demonstration base, Jun Tianfang has been based on the inheritance and development of the traditional production skills of Guqin for many years, advocating intangible human beings The protection of cultural heritage integration into the concept of contemporary life. Through the design of humanistic life aesthetics and the combination of Guqin and traditional Chinese cultural aesthetics, it has practiced a road of protection and inheritance that integrates with the integration of intangible cultural heritage with contemporary life.

When designing Jun Tianfang Guqin Aesthetic Space, Wang Peng integrates Guqin culture and contemporary design concepts, presenting the spirit of Oriental Aesthetic, which is "light and far away, Zhongzheng Pinghe", which makes people walk around and unknowingly feel the immersive learning Guqin. Environment and atmosphere. "Whether it is a classroom, a dormitory, a cafeteria, a museum, a mountain living space, a concert hall, any space in Juntianfang, it can make people feel my intention." Wang Peng believes that the space environment and the atmosphere of the residence directly affect the visual effects directly affecting Human psychology and living conditions.

In 2012, Wang Peng officially proposed the aesthetic concept of combining Guqin art with contemporary life, and planned the art exhibition "no trace -contemporary piano people's life aesthetics and life attitude" at the National Theater. The art exhibition is named from the "no trace" made from its Guqin. The piano uses the ancient method of "eight treasures ash tires". The body is ancient copper, with a bronze texture, with introverted shapes, rounded and square, sounds of ancient, rigid and soft. The exhibition explores the use and inheritance of intangible cultural heritage in contemporary life through piano, calligraphy, tea, flowers, and incense elements. Since then, Jun Tianfang has launched the theme exhibitions such as "Zhenye" and "Original Reappearance", as well as "traveling" and the aesthetic exhibition of Chinese Guqin art and contemporary literati.

At the exhibition site, the audience can experience the guqin test, calligraphy, and carpenter production on the spot to complete the process of "creating beauty by themselves". "When people slow down, slow down the rhythm, and enter such a scene, they can feel the power and connotation of culture, and use the power of cultural power to recover the long -lost truth and beauty. The language of contemporary art has been effectively explained, so that the traditional humanistic spirit will be integrated into contemporary life deeper. "Recently, Wang Peng summarized the precious memories and wonderful clips of the" Traveling on the Heart ", published the" Multiplying Hearts -Chinese Guqin Arts and and the Art and Chinese Guqin Arts and the Art of Chinese Guqin. The book "Contemporary Life Aesthetics", with a graphic and text, transmits the spirit and concepts reflected in the exhibition to more people.