What are the representative works of Suona? The following is a list of 14 representative works of suona.

Hundred birds facing the phoenix

There are different versions of Suona Solo in all parts of the North. In the spring of 1953, when the representative team from Heze District of Shandong Province participated in the first National Music and Dance Festival as a suona soloist, it was warmly welcomed. Later, Ren Tongxiang, a famous suona artist, with the assistance of professional musicians, compressed the bird calls, deleted the chicken calls, and designed a Chinese colorful phrase, using the special cyclic ventilation method of long-tone playing skills, and expanded the allegro tail section, making the The whole song ended in a warm and jubilant atmosphere. The music expresses the vibrant natural scene with the warm and cheerful melody and the sound of birds chirping.

Family portrait

Henan Henan style suona solo, which is a combination of folk opera singing, board style and qupai from Anyang and Xinxiang in northern Henan. The melody trend, mode color and playing characteristics of this piece all give people a sense of simplicity, ease and strength, making you lingering and unforgettable. The song is composed of loose board, middle board, allegro and flying board. It can be said to be a typical traditional board structure, which is in line with the traditional Chinese aesthetic trend. From loose plan to positive pull, from slow to allegro, from narration to agitation, it gives people a feeling of thinking, liberation and completeness. The special style of the northern region and the tolerance of playing skills have given many performers a platform and opportunity to show their talents. Such as the spit, trembling, and glissando of the upper board; the deep connotation, softness, vigorousness and spit, slippery, strong and weak changes of the middle board, and the echo, swallow, spit, and fragmentation of the allegro, all make the player have A space to show your talent. Especially the flying board part is "sparse", and the climax is exciting.

Bridal sedan chair

Music is the folk opera music in northern my country. The music is arranged according to the movement, walking and movement of the sedan chair. It is widely popular in our country and is one of the traditional classical music in our country. The main form of performance is suona performance. Due to the long history, the author of the music has not been verified.

Six character door

Suona Solo is originally a folk instrumental music card. The tune is smooth and the mood is light. In the opera, scenes such as people changing clothes, cleaning, and walking on the road are often used to accompany the scenes, which is a variant of "Little Door". The first half uses the "air arch sound" that simulates human laughter, and the "air top sound" technique to make the melody beautiful like a song; The elastic music and the light rhythm are combined. The mood of the music is lively and cheerful, which makes the music have a contrast, the performance is more vivid, and a better artistic effect is obtained.

Social celebration

Suona Solo, author Ge Lidao, was selected by the Music Publishing House in 1965 in the "Musical Works Serving the Rural Areas" activity and included in the "Selected Instrumental Music Works in the Thirty Years of the Founding of the People's Republic of China", recorded and brought to Japan, South Korea, the United States, Nepal and other countries performed. My favorite suona song.

A flower

Suona Solo, written by Ren Tongxiang in the spring of 1959 based on local opera and other folk tones in Shandong. The music begins with a loose plate, using Shandong Bangzi's "crying tone" tones, which is sad and tragic, followed by a narrative adagio, which is soft and moving. In the end, it starts slowly and gradually turns to the middle board, using "Little Pink" as the material, with lively rhythm and brisk music. Afterwards, there are expanded paragraphs with the characteristics of "Tuizi", the repetition of short and small sound patterns, and the long notes of "put wheel" appear alternately, rendering a fiery and jubilant atmosphere.

Fengyang song twist eight boards

A well-known Southwestern Shandong advocacy piece is also a well-known suona piece, but the flute piece of the same name that was organized and transplanted by Mr. Hao Yijun is rarely known. Through the understanding of Shandong Qinshu music and the practice and teaching practice of flute and suona for many years, the author of this paper has made an in-depth study of the structure layout, material source, style expression, etc. The analysis of the music, and emphatically expounded the nine problems that should be paid attention to when playing this piece. The melody of the introduction is open and melodious, with large ups and downs, showing the warm and simple, bold and pungent character of Shandong people.

Yamamura came to the salesperson

Suona Solo, composed by Zhang Xiaofeng. The adagio part of the music is mainly based on "Fengyang Song". The music is based on the tones of northeastern folk songs, describing the scene of selling and purchasing goods in mountain villages, and combined with lyricism, the music is light and witty. The music is divided into: [Hurry up], [Scream], [Valley Echo], [Mountain Village Active], [Optional], [Farewell], [Keep Moving Forward], each title reminds the content of the paragraph. It describes the joyful and lively scene of selling and buying goods in a mountain village, and it is a work that reflects the theme of real life.

Nostalgic song

Mr. Wang Guotong used the "crying tune" and "seven-character tune" of the Taiwanese local opera "Gezi Opera" as the material. The author wrote in the musical performance requirements: "Taiwan's "Gezai Opera" and Fujian's "Xiang Opera" belong to the same type of opera, both originated from Fujian's folk songs and dances "Jin Ge" and "Sweeping the Floor", and they are closely related to each other. Because of the blood relationship, this song was originally named "Huaixiang Qu", which means the two characters of "Xiang" and "xiang" are homophones to express the nostalgic feelings of the compatriots in Taiwan through the memory of the old Xiangqu. Now it has been restored. At the same time as the original title, the word 'Xiang' was changed to the word 'xiang' to make its meaning more precise." The original piece of Nostalgic Song is divided into three sections. Paragraph 1: Expresses the deep memory of Taiwan compatriots for the motherland and their relatives. This slow and long melody is deeply emotional and sincere, as if the Taiwanese compatriots are ardently expressing their wishes: "The rumors are far from home, the flesh and blood are different, leaning on the fence and cherishing the song, and the love of the hometown is infinite." Second Duan: It expresses the excitement of Taiwan compatriots when they see the prosperity of the motherland, as well as their praise and yearning for the motherland. The third paragraph: The emotions are even more excited, showing the urgency and firm belief of the Taiwan compatriots who yearn for the reunification of the motherland. Jia Pengfang's "Nostalgic Song" has abbreviated the second and third paragraphs, and changed and developed the first paragraph. There is less excitement and excitement, and more sadness and longing. The poignant melody makes people think a lot. This is also the most touching aspect of the Chinese erhu.

Western Henan 28th Board

In the early 1980s, due to the needs of the performance, the suona song "Er Ba Ban" was re-worked again. In terms of time value, it developed from more than two minutes to four and a half minutes. The word "Western Henan" is added before the "Board", that is, the "Western Henan 28 Board". "Western Henan 28th Board" was written and revised by Mr. Liu Wenjin, and was processed by Hao Yuqi in 1983. Through the meticulous simulation of the alto suona, the blowing tune is full of vigor in the fluttering, and soft in the deep and simple, like a chant, like a humming tune; here, the soft chant of the airy spit sound like a green serpentine point of water. Playing, making the melodious three points more touching. In the third paragraph of Allegro, in the development and changes of the fast-flowing water board of Henan Opera, the flower chamber beats up and down, giving people a sense of joy and joy.

Loess love

Loess Love was created in 1992 by Mr. Zhou Dongchao, a famous contemporary suona performer in my country. This work won the first prize for solo works in the third my country National Orchestra Exhibition and Broadcasting Competition, and was later included in the suona album played by the author. This work is deeply loved by suona lovers at home and abroad, and is also a frequently performed piece by professional group suona players. The song expresses the infinite nostalgia for the Loess Plateau with a melodious and melodious melody, and the unique artistic expression of suona has been fully displayed in the music.

Tianle

It is a suona concerto composed by the famous Chinese composer Mr. Zhu Jian'er in 1988 for the famous suona player Liu Ying. In October of the same year, it was included in the repertoire of the second "China Art Festival" in Beijing. In 1991, it was performed again by the Hong Kong Chinese Orchestra and received a strong response. The style of "Tian Le" is enthusiastic and unrestrained, witty and humorous, but also has subtle and profound connotations. The composer organically combines national charm, modern skills and the style of the times, opening up a delicate and graceful new style for the suona, which has always been known for its rough and unrestrained spirit. Art style.