On August 13th, the "Tiantan Fuqu and Seeking Soulmates - Guqin Master Wang Peng Art Sharing Session" jointly sponsored by Tiantanfu, Beijing Evening News and Juntianfang was successfully held in Beijing Urban Construction·Tiantanfu. Wang Peng, the representative inheritor of the national intangible cultural heritage representative project "Guqin Art", explained to the audience the history, culture and craftsmanship of Guqin, the shape, collection and significance of Guqin. Qin music performances and other forms presented a feast of guqin art to the audience.
The guest invited to this event is Wang Peng, a well-known contemporary guqin artist who is good at both playing and performing. "Shikuang Style - Taigu Remains" came from the hands of Wang Peng, who also restored more than 100 famous historical violins from the Tang, Song, Yuan, Ming and Qing Dynasties for museums and auction agencies.
Chinese guqin art has a long history of 3,000 years, and it has a strong national spirit in traditional Chinese music. If you choose a Chinese musical instrument to represent the highest realm of Chinese culture, it is probably the Guqin. Guqin has a wide range, deep timbre and long aftertone. In 2003, the Chinese Guqin art was awarded the title of "Masterpiece of Human Oral and Intangible Heritage" by UNESCO.
It is worth mentioning that the location of this sharing session, the Temple of Heaven, as a sample of luxury houses in the National Vessel Collection, is a "new model" of inner city dwellings created by Beijing Urban Construction. The venue of the event is deep in the courtyard, with elegant ingenuity, which complements each other with the free and elegant Guqin.
Li Kerui, general manager of Beijing Urban Construction Xingrui Real Estate Development Co., Ltd., said in his speech, "Beijing Urban Construction shoulders the responsibility and mission of a state-owned enterprise, and actively participates in the construction and repair of landmark buildings in Beijing. In addition to restoring the Temple of Heaven Park In addition to the original historical and cultural value and geographical context, it has also participated in the construction or renovation of cultural landmarks such as the National Art Center, the National Museum of China, the China Sinology Center, the Forbidden City, etc. It can be said that Beijing Urban Construction and Master Wang Peng are inheriting the national heritage. The pursuit of culture and ingenuity is highly compatible.”
At the sharing session, Wang Peng and Jun Tianyun and the orchestra performed famous guqin songs such as "Mei Ling of Lixi", "Falling Wild Goose in Pingsha", "Q&A with the Fisherman", "Enai", "Ou Heron Forgetting the Machine" and "Yangguan Three Die". Presented to the audience a musical feast that integrates guqin with folk music, Tai Chi, vocals, flute and xiao, etc. The curling sound of the piano and the reverberation reverberate around the beam, making the audience feel like they are in a wonderland of ancient rhythm.
In the dialogue session, Wang Peng said, "As a traditional Chinese musical instrument, the guqin has the most primitive rhythm and rhythm, and the most intuitive response to the body. The sound of the guqin is calm and heavy, and has a positive force. It embodies the oriental philosophy and aesthetic conception. It carries the core wisdom and aesthetics of Chinese culture." Over the years, Wang Peng has spared no effort in promoting Guqin culture and excellent traditional Chinese culture.
In addition to being a qin master and guqin player, Wang Peng also has deep attainments in space design and space aesthetics. Wang Peng hopes to use the guqin as a clue to inherit traditional Chinese culture in a three-dimensional manner, so that the piano, chess, calligraphy, painting, and space design can be integrated.
Architecture is the reflection of culture. Wang Peng believes that the space environment and living atmosphere directly affect people's psychological emotions and living conditions visually. The 16 words that represent the Guqin culture, "clear and distant, moderate and peaceful, the spirit of heaven and earth, and humanistic feelings", are also the aesthetics of life that people pursue.
"When we choose a space to live in, we must first look at the functionality of the space, which can well meet the needs of people's daily life; it also depends on whether this space can bring people growth, including spiritual, cognitive, cultural , literacy and other aspects of growth and progress." Wang Peng said.
Taking the Temple of Heaven as an example, when people slow down and walk into this space, which is only 800 meters away from the Temple of Heaven, a world cultural heritage, and is deeply rooted in traditional Chinese culture, they can feel the power and connotation of culture, and feel the traditional humanistic spirit and contemporary Fusion of life.
In line with Wang Peng's concept of integrating traditional Chinese culture into life aesthetics, the Temple of Heaven, located on the East Second Ring Road, integrates historical and cultural landscapes with modern life functions, and experiences the essence of ancient and modern architecture everywhere in life.
The Temple of Heaven can also be described as the inheritor and promoter of traditional Chinese culture. Beijing Urban Construction has joined hands with several internationally renowned masters in architecture, interiors, and gardens to create a million-square Chinese palace, whether it is a low-density building that integrates elements of the Temple of Heaven and the Hall of Supreme Harmony in the Forbidden City, or the three volumes and nine realms created by following Qianlong's southern tour. The grand scenery of the famous gardens handed down from time to time is also the spatial layout of the "new courtyard" of the four-leaf clover, all of which have an international vision and a national standard style.
Temple of Heaven and Jiuque Gardens are based on the famous historical painting "Qianlong's Southern Tour", and draw on the culmination of gardens in the south of the Yangtze River such as Gusu Famous Garden, Jiangning Qiankun, Jinxiu West Lake, etc., while following the regulations of royal gardens, it also shows gentleness and beauty, returning to traditional culture. And reconstructed with a modern vision, so that the poetic life and the traditional ritual sequence closely fit.
In order to maintain a reasonable spatial order and hierarchical relationship with important cultural relics such as the Temple of Heaven, the project will not hesitate to sacrifice volume, and plan a low-density 7-10 storey layout in a courtyard-style layout, leaving behind the garden design and interior layout. More imagination to ensure the comfort of daily living.
In terms of interior structure, it also inherits the consistent "high standards" of the project, and is equipped with advanced technology systems and smart security systems to ensure living comfort. The apartment type is 150-280 square meters of three-bedroom and four-bedroom; the view and lighting fully consider the owner's living habits and the angle of the window and the garden, and the lighting and view are excellent; the space design concept is full of growth and ductility, except for the necessary functional areas In addition, there is also a built-in multi-purpose space.
When Beijing Urban Construction·Tiantanfu's collection-level national culture meets the art world of high mountains and flowing waters, it renders the national color of Gyeonggi with prosperous music, and uses humanistic mansions to mingle with the artistic scene.