What are the top ten suona songs? Today I will introduce the famous Suona song to you.

1. Hundred birds facing the phoenix

Hundred Birds Facing the Phoenix, Suona Solo, there are different versions all over the north.

In the spring of 1953, when the representative team of Heze Special Area of Shandong Province participated in the first National Music and Dance Festival as a suona soloist, it was warmly welcomed. Later, Ren Tongxiang, a famous suona artist, with the assistance of professional musicians, compressed the bird calls, deleted the chicken calls, and designed a Chinese colorful phrase, using the special cyclic ventilation method of long-tone playing skills, and expanded the allegro tail section, making the The whole song ended in a warm and jubilant atmosphere. The music expresses the vibrant natural scene with the warm and cheerful melody and the sound of birds chirping.

2. Family portrait

The Suona Solo is a wind music composed of the folk opera singing, board style and qupai in the Anyang area of northern Henan.

The melody trend, mode color and playing characteristics of this piece all give people a sense of simplicity, ease and strength, making you lingering and unforgettable. The song is composed of loose board, middle board, allegro and flying board. It can be said to be a typical traditional board structure, which is in line with the traditional Chinese aesthetic trend. From loose plan to positive pull, from slow to allegro, from narration to agitation, it gives people a feeling of thinking, liberation and completeness.

The speciality of regional styles and the tolerance of playing skills have given many performers a platform and opportunity to show their talents. Such as the spit, trembling, and glissando of the upper board; the deep connotation, softness, vigorousness and spit, slippery, strong and weak changes of the middle board, and the echo, swallow, spit, and fragmentation of the allegro, all make the player have A space to show your talent. Especially the flying board part is "sparse", and the climax is exciting.

Three, lift the sedan chair

The music for carrying the sedan chair is a folk opera music in my country. It is composed according to the movement, walking and movement of the sedan chair. It is widely popular in our country and is one of the traditional classical music in our country. The main form of expression is suona performance. Due to the long history, the author of the music has not been verified.

Four or six characters to open the door

Suona Solo is originally a folk instrumental music card. The tune is smooth and the mood is light.

In the opera, scenes such as people changing clothes, cleaning, and walking on the road are often used to accompany the scenes, which is a variant of "Little Door". The first half uses the "air arch sound" that simulates human laughter, and the "air top sound" technique to make the melody beautiful like a song; The elastic music and the light rhythm are combined.

The mood of the music is lively and cheerful, which makes the music have a contrast, the performance is more vivid, and a better artistic effect is obtained.

5. Social celebration

The suona solo "Social Celebration", author Ge Lidao, was selected in the "Musical Works Serving the Rural Areas" activity in 1965 and was published by the Music Publishing House and included in the "Selected Instrumental Music Works in the Thirty Years of the Founding of the People's Republic of China", recorded and brought by art groups. To Japan, Korea, the United States, Nepal and other countries to perform. My favorite suona song.

Six, a flower

One Flower, Suona Solo, also written by Ren in the spring of 1959 based on Shandong local opera and other folk tones.

The music begins with a loose plate, using Shandong Bangzi's "crying tone" tones, which is sad and tragic, followed by a narrative adagio, which is soft and moving. In the end, it starts slowly and gradually turns to the middle board, using "Little Pink" as the material, with lively rhythm and brisk music.

Afterwards, there are expanded paragraphs with the characteristics of "Tuizi", the repetition of short and small sound patterns, and the long notes of "put wheel" appear alternately, rendering a fiery and jubilant atmosphere.

Seven, Fengyang song twist eight boards

"Fengyang Song Jiaobaban" is a well-known Southwestern Shandong advocacy piece, and also a well-known suona piece, but the flute piece of the same name that was organized and transplanted by Mr. Hao Yijun is little known. Through the understanding of Shandong Qinshu music and the practice and teaching practice of flute and suona for many years, the author of this paper has made an in-depth study of the structure layout, material source and style performance of the flute song "Fengyang Gejiababan". The analysis of the music, and emphatically expounded the nine problems that should be paid attention to when playing this piece.

The melody of the introduction is open and melodious, with large ups and downs, showing the warm and simple, bold and pungent character of Shandong people. The adagio part of the music mainly uses "Fengyang Song" as the material. Its melody is fresh and hearty, and its charm is vivid and unique. It looks unique through the use of variations and various performance techniques.

Eight, a salesperson came to the mountain village

Suona Solo, composed by Zhang Xiaofeng. The music is based on the tones of northeastern folk songs, describing the scene of selling and purchasing goods in mountain villages, and combined with lyricism, the music is light and witty.

The music is divided into: [Hurry up], [Scream], [Valley Echo], [Mountain Village Active], [Optional], [Farewell], [Keep Moving Forward], each title reminds the content of the paragraph. Depicting the joyful and lively scene of selling and purchasing goods in a mountain village, it is a work that reflects the theme of real life.

9. Nostalgic Song

"Nostalgic Song" was created by Mr. Wang Guotong using the "crying tune" and "seven-character tune" of the local opera "Gezi Opera" in Taiwan. The author wrote in the musical performance requirements: "Taiwan's "Gezai Opera" and Fujian's "Xiang Opera" belong to the same type of opera, both originated from Fujian's folk songs and dances "Jin Ge" and "Sweeping the Floor", and they are closely related to each other. Because of the blood relationship, this song was originally named "Huaixiang Qu", which means the two characters of "Xiang" and "xiang" are homophones to express the nostalgic feelings of the compatriots in Taiwan through the memory of the old Xiangqu. Now it has been restored. At the same time as the original title, the word 'Xiang' was changed to the word 'xiang' to make its meaning more precise."

The Nostalgic Song is divided into three sections. Paragraph 1: Expresses the deep memory of Taiwan compatriots for the motherland and their relatives. This slow and long melody, with deep and sincere feelings, is like the compatriots in Taiwan who are ardently telling their wishes: "The rumors are far from home, the flesh and blood are different, leaning on the fence and cherishing the song, and the love of the hometown is infinite." Second Duan: It expresses the excitement of Taiwan compatriots when they see the prosperity of the motherland, as well as their praise and yearning for the motherland. The third paragraph: The emotions are even more excited, showing the urgency and firm belief of the Taiwan compatriots who yearn for the reunification of the motherland. In Jia Pengfang's "Nostalgia Song", the second and third stanzas have been omitted, and the first stanza has been changed and developed; there is less excitement and excitement, and more sadness and longing. This is also the most touching aspect of the Chinese erhu.

10. Western Henan 28th Board

In the early 1980s, due to the needs of the performance, the suona song "Er Ba Ban" was re-worked again. In terms of time value, it developed from more than two minutes to four and a half minutes. The word "Western Henan" is added before the "Board", that is, the "Western Henan 28 Board". "Western Henan 28th Board" was written and revised by Mr. Liu Wenjin, and was processed by Hao Yuqi in 1983. Through the meticulous simulation of the alto suona, the blowing tune is full of vigor in the fluttering, and soft in the deep simplicity, like a chant, like a humming tune; here, the soft chant of the airy spit sound like a green serpentine point of water. Playing, making the melodious three points more touching. In the third paragraph of Allegro, in the development and change of the fast-flowing water board of Henan Opera, the color melody dances up and down, giving people a sense of joy and joy.