Zha Nianqin's past and present

840 views · Organized by 晚荣 on 2022-05-07

"Zha Nianqin" is a traditional Tibetan stringed instrument with a wooden body. Zha Nianqin has six-stringed qin, eight-stringed qin, sixteen-stringed qin, etc. Among them, the six-stringed qin is the most common, so it is also called "six-stringed qin" and is widely popular in Tibet, Yunnan, Qinghai, Sichuan, Gansu and other places where Tibetans live.

"Zha Nianqin" is usually made of cypress, mahogany, walnut, sandalwood, and the skin is goat skin, python skin, etc. It is often used in performances such as Tibetan singing and dancing langma and dui harmony. Among them, Zha Nianqin plays an indispensable and important role in the Tibetan art of playing and singing. In 2014, Zha Nianqin production skills were selected into the fourth batch of national intangible cultural heritage projects list.

Zha Nianqin's past and present

The present inheritance and development

Today, with the improvement of material living standards, spiritual and cultural life has increasingly become a rigid demand for the public, which also makes the inheritance and development of national traditional excellent culture in an unprecedented good period. "Cultural self-confidence is a more fundamental, deeper and more lasting force in the development of a country and a nation." In the process of inheritance and development of "Zha Nianqin", a group of inheritors and promoters have also emerged.

Today, Zha Nianqin is still infiltrated in Tibetan life. There are not only many excellent Zha Nianqin artists, but also many skilled craftsmen who make Zha Nianqin. It is foreseeable that the sound of Zha Nianqin will continue to be melodious in the snowy land, and more people will be able to appreciate its charm.

Reference materials and contributors
你会弹“扎念琴”吗?

Involving musical instruments

Zhamunian (pinyin: zhā mù nián) has a long history and different origins. It evolved from a multi-stringed musical instrument introduced to Tibet from ancient India. According to the records of the "Tibetan Wangtongji" in Genyu, Songtsan Gampo once gave a banquet. There are records of artists playing musical instruments, and it is judged that Jamunian was introduced to Tibet from the mainland in the Tang Dynasty, and has a history of more than 1,000 years. However, most Tibetan scholars believe that Jamunie originated in Tibet and was a musical instrument created by the Tibetans themselves.

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