Introductory exercise: Pay attention to the accuracy of the eight large jumps. The two fingers should be roughly the same size, not one heavy and one light.

Massage practice: Do not bump the position of the thumb and index finger. When changing strings, the fingers and arms move at the same time.

Large pinch exercise: The chord strength of the thumb and middle finger is unified, otherwise the two fingers will be irregular and the strength will not be unified. Pay attention to the change of the time value of the etude.

Small pinch exercise: The same as the big pinch exercise, it can be divided into pinch exercise, lifting exercise, etc. for training.

Ancient Tomata: The four tones are unified. Small-joint athletes should not jump up and down. The arm moves when changing strings.

Holding practice: The holding force and the splitting force are unified, and the splitting fingertip force is large. The support and splitting should be carried out accurately according to the time value of the spectrum plane.

Similar finger repeats: When playing the sixteenth note, don't play the sixteenth note with the dots. Stand up and play with your fingertips.

Scratching with flower fingers: Note that the flower in front of the board does not occupy the time, the time value of regular flower should be full, and the flower finger should not be disconnected when connecting the melody.

Index fingers of both hands: The left and right index fingers have the same strength, the rhythm of the sound and the sound should be consistent, and do not play the strings in advance to avoid noise.

Chords: Can be practiced individually. The rhythm of the left and right hands should be the same. During the game, the hand should be steady and not jump up and down.

Two-handed finger-separation practice: Play with the right hand and left hand with a unified force, and do not move your hand too much when raising it. Arpeggio and Broken Chords: Pay attention to the melody of the right thumb while maintaining unity of strength across fingers. Arpeggio strings are close to each other.

Tremor exercises: Pay attention to distinguish small tremors and tremors, and the tremor fluctuations are unified. Skateboarding: When you're done skateboarding, keep your left hand up for the next note. Avoid the influence of skateboards and pay attention to the venue.

Rope skipping practice: Press the left hand in place, advance the time, and restore the sound after skipping rope.

Transposition and pressure point practice: The pressure point voltage should not be too large; the pressure points of 4 and 7 in the tone change should be accurate, and there should be no glide when playing 4 and 7.

Similar pitch: The thumb or index finger play two tones at the same time, the pitch should be accurate. Unisonance practice: The volts of the strings are not too high, and the string is pressed faster.

Overtones: Do not strike the strings with your overtone fingers. prepare in advance.

Finger shaking practice: Pay attention to the changes of the strings. When the music is uninterrupted, the finger shaking force should be kept even.

Swipe movement: When sweeping the middle finger, the rhythm of swinging the finger remains stable.

Multiple strings of shaking motions: Multiple fingers have even strength and even density.

Shaking exercise: Since the middle finger and the shaking finger each play a part, the strength of the two parts should be balanced, and the shaking finger should also maintain the rhythm when playing the middle finger.

Rotation finger practice: Each part must be hit with granularity and uniform intensity. The melody of the long wheel cannot be broken when the big finger is hooked.