Organized by 八日蝉 on 2022-05-24
Sanyanxiao is a unique self-made musical instrument played by young men and women in love affairs. It is named because it has only three sound holes.
read >>
Organized by 尘夕 on 2022-05-24
The three-eyed flute is played with the mouth containing the top fork, the chin close to the oblique mouth, the middle finger of the left pressing the first hole, the middle finger of the right pressing the second hole, the thumb pressing the back hole, and blowing air into the fork to vibrate the reed to pronounce.
read >>
Organized by 亦寒 on 2022-05-24
Guzheng practice skills - 16-character formula for practicing the zither
read >>
Organized by 南丘 on 2022-05-24
I believe that many friends who are just learning the guzheng want to know how to play the guzheng? What is the correct posture? Today, I will introduce you to the position and correct method of pressing the strings of the guzheng.
read >>
Organized by 沈梦溪 on 2022-05-24
In order to play faster songs better, the player needs to be able to make full use of each finger. Here's how to train the independence of each finger.
read >>
Organized by 秋色 on 2022-05-24
For some zheng music works, you can see that the technique is relatively simple by looking at the score, so people tend to ignore its practice and careful analysis and research.
read >>
Organized by 向日葵 on 2022-05-24
Practice is to learn things that you don't know, so you must have a small goal before practice, and you must make progress and gain every time you practice, otherwise it will be inefficient to practice the guzheng. Only those who have clear and small goals can practice. A good way to practice the piano with less effort.
read >>
Organized by CT. on 2022-05-24
"Sweeping" is one of the common skills in guzheng performance. In modern zheng music, it plays the role of decoration, embellishment, highlighting the melody, shaping the emotional image of the music and enriching the theme color. Sweeping is a special technique derived from the guzheng shaking finger technique.
read >>
Organized by 沈梦溪 on 2022-05-24
Multi-region, multi-ethnic and multi-style have become an inevitable trend in the development of contemporary cucurbit silk art, and this trend is mainly reflected in the two aspects of creation and performance. This determines that the expression of the cucurbit flute music style should follow its unique rules of creation and performance, that is, to reflect the "authentic" and "taste".
read >>
Organized by 茯苓 on 2022-05-24
Judging from the development of the art of cucurbit flute in the past two decades, there is a "main line", which is the enrichment and diversification of playing skills (strictly speaking, playing skills). The reason for this is undoubtedly the prosperity of music creation.
read >>