In the performance of hulusi, it is one of the key links to improve the performance level to master the transfer skills of each tone area. Especially in the case of barrel tone 5, how to achieve smooth and natural conversion between bass 3 and bass 5 not only directly affects the coherence and harmony of the melody, but also an important sign to measure the technical level of the player.

First of all, understanding the sound principle of fenugreek is the basis of mastering the conversion technique. Each sound of the fenugreek is produced by the opening and closing of a specific sound hole on the bamboo pipe, coupled with the vibration of the reed. When the barrel tone is 5, the bass 3 and bass 5 correspond to different combinations of sound holes. Bass 3 needs to close all sound holes, while bass 5 needs to open the first sound hole. The conversion between these two notes requires the performer to be able to quickly and accurately control the switch of the finger to the sound hole, ensuring clarity and accuracy when switching notes.

Secondly, effective practice is the key to improving conversion efficiency. Beginners can start with slow, monosyllabic exercises, gradually increase the speed, and maintain a steady breath and strength during the transition process to ensure consistency of timbre. After you are familiar with monophonic conversion, you can try to practice it in a simple melody, and through repeated practice, let the fingers form muscle memory and achieve a quick reflexive response.

In addition, it is also important to strengthen intonation awareness and ear training. In the process of switching between bass 3 and bass 5, pay attention to listening to your performance and make sure that each switch is on the exact pitch. At the same time, it can be calibrated with the help of auxiliary tools such as electronic tuners to improve the accuracy of intonation.

Finally, the conversion technique between bass 3 and bass 5 also needs to be integrated into the actual performance of the music, especially when dealing with continuous bass melody lines, we should pay attention to the rhythm of the music, so that the conversion process is not only accurate, but also in line with the emotional expression of the music, so as to achieve both technical and artistic.

To sum up, the conversion skills between bass 3 and bass 5 when the hulusi drum plays 5 require players to start from theoretical understanding and continuously improve the flexibility and intonation perception of fingers through scientific and effective practice methods, so as to finally switch freely in music and serve the purpose of overall musical performance.