By striking the front and side drum parts of the bell, two frequency tones can be produced, that is, a bell has two fundamental frequencies. These two tones are generally the interval of the major and minor thirds. The sounding mechanism of the bell is the vibration of the plate that bends the plate.
Due to the unique tile-shaped structure of the bell body, it produces two fundamental frequency vibration modes. There are six pitch lines on the front drum, located on the four side drums and two milled edges. When hitting the side drum, there are four pitch lines, which are located on the two front drums and the two milled edges. The ribs on both sides of the bell body act as damping and acceleration damping in the vibration to avoid roaring. At the same time, the two vibration waves restrict each other, so that the "hum sound" (a humming sound delayed for a long time) is eliminated as soon as possible. It also has the effect of accelerating high frequency attenuation. This ingenious and reasonable structural design makes the chime a large percussion instrument that can play melody.
The ancients mastered the direction of the pitch line in long-term practice, and used the method of changing the wall thickness of the bell body to adjust the pitch at the sensitive part of the pitch line. The common grooves on the inner wall of the Western Zhou bell and the common convex band on the inner wall of the Warring States bell are designed for this purpose. Casting bells has to go through complicated processes, and the pitch error needs to be controlled within 0-±5 cents to ensure good sound quality.