In my spare time, I played a flute tune "Unstoppable Missing", and found many problems, among which I felt that some passages of the flute tune were played well, while others were not. It just feels like the flute is not good, the timbre, pitch and pitch have changed, the front is good, the back is not good. Or the front is good, but the back is bad. What is the reason for this? Is it a skill problem? Or a flute problem. As a little flute player, of course I am not willing to play a tune well! This should happen to many flute players! In fact, the reason is very simple, the following is a detailed description of the specific situation.

All the flute pieces are composed of sections, and you may be able to play them well if you take each section apart and play. But once it is connected to play, it will feel unpleasant, especially the switching between Adagio and Allegro is always not smooth. Sometimes you will feel a lack of air, and it is normal for air to leak out of tune. Why this happens is actually related to the flute player's flute, how can I say it? "Unstoppable Missing" is a flute piece of the Northern School. It uses a lot of spit-slip skills, so it needs to be played with the Northern School Bangdi. If you choose the wrong flute and choose the wrong tune, of course you can't play it well. first tune.

At the same time, the pitch of this piece is relatively high, and in the choice of fingering, it is also necessary to use the drum tone for the fingering of 6. If the fingering is not correct, the flute music will not be played well. If you use other fingerings, you will feel that the treble cannot go up and the bass cannot go down. It's not unpleasant to hear! The fingering is wrong, and the effort is wasted. Choose the right fingering, and then choose a flute that suits the song, it's perfect! In fact, many people will play this piece in the key of big E. This is also possible, because the flute in the key of E is an alto flute, which is between the qudi and the bangdi, and there is no problem with the timbre.

The characteristics of the E key flute are that the mid-tone is relatively stable, the high-pitched ∮ is very sharp, but the bass part is a bit dull. So you will find that playing the flute, when it comes to the bass section, it doesn't sound good. This is the problem of the misalignment of the flute. If the Northern School Dizi is played with the Southern School Dizi, there will be some strange feeling. Many songs will lack a sense of power, and the flute will be softer when blown. And the flute in E is a southern style of flute, so you will feel that in a flute piece, some passages are played well, some passages are played poorly, or they are not played well.

"Unstoppable Missing" is played in the key of E at the beginning of the flute piece, and it feels okay to blow it out, but when it reaches the high-pitched part, you will feel that there is no such powerful feeling! So there will be a good sound in the front, and a bad sound in the back, and there will be problems with the connection of the timbre. Especially when the bass is turned to the treble, it is easy to lose control, and the running sound leaks very seriously. Because when you want to blow the high notes, your fingers will also mess up the rhythm. If you choose a suitable flute and play flute music, this will not happen.

If this kind of dissonance occurs when you play the flute, consider whether the flute is chosen incorrectly. If it's not the choice of the flute, then it is necessary to see if the fingering is wrong. If the fingering is wrong, a good-sounding flute will be bad. The problem of the tune being out of tune must be avoided. If you want to play a whole piece of music well, you sometimes need to set the key for each section. I won't talk about this for now, and I will continue later.