If Bass 3 can be played and played well, our playing range will be much wider. Bass 3 is a unique sound of Hulusi and Bawu. Its fingering is the same as Bass 5, that is, close all sound holes and use the slowest airflow. The sound produced is Bass 3. Bass 3 is not as plump as other sounds. During practice, the airflow must be slow. It does not feel forceful, but just send the air out gently. It is easy to play Bass 3 alone, but if you practice the conversion of Bass 3 and other tones, you need to spend a certain amount of time and effort to practice it. When making 1, the bass 3 mentioned here is the bass 6. Remember that the relationship between this bass and the drum sound is a minor third, and so on.

Hulusi "full press 5" fingering in the middle bass 3 stumped many beginners. Here I talk about three points:

1. The cucurbit flute bass with loud "goo" sound is big 3

Many friends like the small "goo" sound when choosing cucurbits, but they may not know that the "goo" sound is small and the bass is 3 small. In fact, a loud "goo" sound is not necessarily a bad thing, because as long as you have a lot of breath, and if you control your breath properly, the "goo" sound will be tamed by you.

2. Bass "Hulusi" Bass 3

Many people use high-pitched Hulusi to play some tunes that use a lot of bass 3, and feel that the instrument seems to "can't work". In fact, most of the songs that need to use the bass 3 are generally played with the bass cucurbit. Teacher Lin Rongchang's "Bamboo Forest Morning Song" is a little bit special. It is played with a small D, and there is a bass 3 in it. This piece requires a lot of musical instruments. We also do not rule out that the good treble Hulusi Bass 3 is also loud. It's just that relatively speaking, the low half of the cucurbit flute in the bass is easier to blow.

3. It is difficult to use the gas of the bass 3

The two points just mentioned are all looking for problems from the instrument. In fact, there is another factor that affects whether the bass 3 can be played well or not. The player himself. If a person with better airflow control plays the bass 3 normal cucurbit flute, he can use it with ease. The performance of bass 3 is to relax the whole body when you need to blow, and it is to exhale airflow. When we play the other notes, we pay attention to using the airflow from the abdomen (that is, the air with power), but the bass 3, on the contrary, needs to use the air without power to "exhale" to blow it out. Many beginners first get the cucurbit flute and often blow it out by exhaling powerless air. In fact, it blows the bass 3, but when they can play other sounds, they feel that they can't blow the bass 3. Why? Because everyone is playing "Four Seasons", "Yimeng Mountain Minor" and "Wa Folk Songs" that require the bass 3, when you play the bass 5, and the next tone wants to play the bass 3, you will feel that there is a problem with the control. . At that time, it was because the bass 5 used the breath of the abdomen, and the bass 3 used the exhaled breath. When the two kinds of breaths were converted, they could not be exchanged, or they could not be exchanged in time, so the bass 3 or the bass could not be blown. 3 hours is not enough. Everyone should play 353|535| (bass) more during the practice process, so that you won't be stumped by the few tunes just mentioned.

Hulusi Bass 3 Practice

There is a song that everyone may be very familiar with, that is "There is a Beautiful Place". This song uses cucurbit flute to play the Dai flavor, and the effect is very good, but the most annoying thing is the performance of the bass 3 in the song. Some students do not Knowing how to play or the instrument itself is inaccurate, so I can only avoid not playing it or playing it up 8 degrees, but this beautiful and beautiful piece is a pity. If the bass 3 can be played and played well, our playing range will be much wider, and songs with bass 3 such as "There is a Beautiful Place" can be played completely.

Bass 3 is a unique sound on Hulusi and Bawu. Its fingering is the same as Bass 5, that is, when all sound holes are closed, the sound produced by the slowest airflow is bass 3. Bass 3 is not as plump as other sounds, and the airflow must be slow during practice. , It doesn't feel forceful, just send the air out gently. When the bass 3 is used as the head, you can play it with the breath. It is easy to play Bass 3 alone, but if you practice the conversion of Bass 3 and other tones, you need to spend a certain amount of effort and time to practice if you want to be very proficient. Exercise 3, then the conversion from bass 3 to other sounds can basically pass the test. Especially for the practice of the countdown 1, 2, and 3 bars, note: the above mentioned bass 3 is the fingering of the bass 5. When all the bass 3 is pressed as 1, the bass 3 mentioned here is the bass 6. Remember this bass and the tube tone. The relationship is a minor third-degree relationship, and so on.

The conversion between bass 3 and bass 5 when the cucurbit flute tone is 5

The bass 3 is the lowest tone of the cucurbit silk when the drum tone is 5, and it is also the overtone of the cucurbit silk. When playing the bass 3, it can be blown out with a gentle air flow. On the basis of the same fingering of the bass 3, if you increase the strength of the playing, it will be blown out. The bass 5 will be blown, that is, the bass 3 is relatively simple for the cucurbit tone of the cucurbit flute alone, but if the bass 3 and the bass 5 appear together in the music, some are also added with the treble 3 or even other higher tones. Blowing is more difficult. How to solve this problem? The key to solving this problem is to learn how to control the breath. When turning to bass 3, you must quickly withdraw the remaining air in your mouth, then blow lightly, and then slam your mouth again when blowing high notes. You can convert it with effort. Of course, it takes a lot of practice to do it. Beginners may try it.