Slow practice is the golden key to overcoming technical difficulties, but if you practice the work slowly from beginning to end over and over again, it will result in repeated practice where you don’t need slow practice, but always have to practice where you don’t need a lot of slow practice. Not enough practice.

This not only delays the time to learn new works, but also naturally weakens the attention due to the long-term slow practice, and some exercises will be distorted due to the weakening of attention. Therefore, it is the most efficient and time-saving guzheng practice method to focus on slow training mainly on overcoming difficulties.

A piece of work still needs slow practice after full practice and maturity. Otherwise, technically speaking, the subconscious habitual action will gradually become blurred, inaccurate, and unreliable, and may cause errors in performance; musically speaking, it will gradually be lost due to lack of conscious training. The performance is vivid, and the delicacy and delicacy are lost, thereby losing the persuasiveness and appeal of artistic expression. Therefore, even after the work has matured, it should not be neglected to practice slowly.