In addition to playing the guqin, there are a lot of related knowledge to learn. This book not only has piano skills, but also Chinese music theory and piano history, and I hope it will be helpful to your Guqin study.
Introduction: "Preparation for Qin Learning" is divided into six chapters: general rules, fingering, gestures, scores, rhythms, and expositions. , Sitting posture, etc. This book covers everything from the introduction of the guqin to the etudes, to the hand shape, the score, and the study of the rhythm of the piano, which is very helpful for beginners.
Note: The author Gu Meigeng, courtesy name Tao, alias Qinda, is a representative of the Fanchuan School. His qin skills and qin learning are profound and extensive.
Introduction: "Guide to Qin Learning" strives to progress from shallow to deep, step by step, to meet the practical requirements of beginners and self-learners. The first half basically includes the regular exams that should be taken for beginners to guqin, and the second part selects and publishes piano scores.
Note: A relatively practical book with not much content, but the explanation is meticulous. The interpretation of the minus-character notation is exactly what beginners need to know. It is an excellent introductory guide book for guqin.
Introduction: "Introduction to Qin Studies" is divided into two volumes. Among the collected piano scores, there are ten songs marked with Gongqi notation next to the fingering minus notation, and there are five other so-called syllable notations, that is, the rhythm of the piano music is recorded by the method of sticking beside the Gongji characters. . In the past, the reduced-character notation of the Guqin only recorded the phoneme and fingering, but not the pitch and rhythm. This combined parameter notation has changed a lot in this regard, which is very important for the development of the Guqin and the evolution of ancient music.
Note: Zhang He, courtesy name Jingxiang, is an important qin master of the Pucheng School, excelling in poetry, calligraphy, qin and painting. This book is a wire-bound book, with pictures and texts, and is an influential introductory piano book since modern times.
Introduction: "How to Play the Guqin" is Mr. Gong Yi's experience in playing and teaching Guqin for more than 30 years. In the book, he officially introduced the five-line notation method, and also provided a group of rare creations and traditional qin pieces for guqin students and teachers, which enriched the guqin teaching materials. The book is also equipped with 2 CDs for everyone to use and learn, and it is also a fine collection for piano friends.
Note: The guqin staff notation in this book is a highlight, which is considered an innovation for the minus-character notation. However, it is difficult for beginners to fully grasp it without the guidance of a teacher, but the content of the reduced word notation is attached at the back of the book, which is more targeted for practice.
Introduction: This book comprehensively and systematically discusses the performance art of Guqin from eight aspects, including the history, status, body, technique, performance, theory, aesthetics and famous songs of Guqin. The first three chapters are an introduction to the basic knowledge of the guqin; the fourth chapter focuses on the playing techniques of the guqin, in which the left and right hand skills are accompanied by corresponding notation examples and exercises, which have strong knitting properties; the fifth, sixth, and seventh three The chapter discusses the playing theory, theory and aesthetics of the guqin, and raises the performance of the guqin to a cultural perspective, so that the learner can better understand the works and grasp the artistic conception of the works; An example is attached. The book is full of citations, detailed expositions, and rich examples. It is an excellent guqin performance tutorial.
Press: The content of this book is in place in detail, from history to skills, there are specific explanations, the content is detailed, clear and simple, it is very suitable for beginners to read.
Introduction: "Qiu Lai Juqin Lesson" is a comprehensive guqin textbook compiled by Mr. Cheng when he taught Guqin courses at Tianjin Conservatory of Music. The whole book starts with explaining the knowledge of musical instruments and the methods of winding and tuning. From the simple to the deep, it teaches 23 qin pieces one by one, not only the traditional ancient tunes that Mr. Cheng wrote and performed well, but also the new tunes he created by himself. some. The writing of the whole book is in the form of classroom transcripts, with questions and answers, and explanations and examples are interspersed, full of inspiring details. Readers can turn on the sound during the reading process, compare the explanation and analysis, and study the music sentence by sentence.
Press: Cheng Gongliang: Guqin player, graduated from the Guqin Department of the Middle School Affiliated to Shanghai Conservatory of Music, and graduated from the National Music Theory and Composition Department of the academy five years later. Mr. Cheng's playing style is not only based on the traditional literati emotion, but also pays attention to the melody of the qin music, so it has a mellow style and rich colors, with a deep experience and calm meditation.
Introduction: "Thirty Lessons of Guqin" is a more detailed Guqin tutorial. Through interpretation, practice, and application, each fingering can be explained in simple terms, and the small amount will add up to a lot.
Press: Li Fengyun: Professor of Tianjin Conservatory of Music, Vice President of China Piano Association. Graduated from Tianjin Conservatory of Music in 1985 and stayed at the school to teach in India. Under the tutelage of Mr. Chen Zhong, Li Xiangting, Xu Jian, and Li Yunzhongchu, in 1987, he became a teacher of Mr. Zhang Ziqian, the master of the Guangling Qin School, and won the essence of the Guangling Qin School.
Introduction: The First Edition of Qin History is in the order of dynasties, showing the evolutionary trajectory of my country's Qin history as a whole from pre-Qin to modern times. It introduces the origin of guqin art, the life and accomplishments of qin artists, the relationship between teachers and teachers of various qin schools, as well as the content, creative background and artistic style of the main qin pieces from the aspects of past qin pieces, qin players, and qin theories. The book also includes pictures of famous modern masters and pictures of Guqin and its documents preserved to this day, which have important academic and documentary value.
Press: Xu Jian, a researcher at the Music Research Institute of the China Academy of Arts, is engaged in the study of folk music. This book is all-encompassing and systematically introduces the history of Guqin, which helps beginners to fully understand the origin and style of Guqin, and to establish a correct attitude towards learning. In 2012, Mr. Xu Jian published a new edition of "Qin History", which was published by Zhonghua Book Company.
Introduction: This book takes the history of the guqin from 1900 to 1976 as the research object, and selects several important events to construct the history, including qin people, qin clubs, and qin interviews. The book is divided into ten chapters: "Introduction", "Famous Garden and Yahui: Chronicle of "Yiyuan Qinhui", "The Wheel of Fu Taiya: Zhou Qingyun and Chenfeng Luqin Club", "Wang Lu and Peking University Music Research" Meeting", "Jinyu Qin Club in the First Half of the 20th Century", "From "Zi De" to "Tapu": Guqin Playing in the 1950s and 1960s, "Chinese Folk and Classical Music Tour", "Unprecedented" Or Never After: An Interview with Guqin in 1956", "Serving the Workers, Peasants and Soldiers: Guqin Reform" and "Conclusion".
Press: Lin Chen was born in Nanjing in 1973. Since 1985, he has been learning Guqin from his father, Mr. Lin Youren. Since 1993, he has been learning Guqin from Mr. Yao Gongbai. In 1995, he was admitted to the Music Department of China Conservatory of Music and studied Guqin under Mr. Wu Wenguang. In 2000, he entered the Music Research Institute of the China National Academy of Arts to conduct research on Qin studies and the history of modern Chinese music. In 2006, he obtained a Master of Arts degree from the China National Academy of Arts. He is currently an associate researcher at the Music Research Institute of the China National Academy of Arts and an associate editor of the China Music Yearbook.
Introduction: The Palace Museum now has 46 guqin pieces, 33 of which are the remains of the guqin collection in the palaces of the Ming and Qing dynasties, witnessing the vicissitudes of history. The Forbidden City has numerous and exquisite qin collections, with representative works from different periods. For example, the "Jiuxiao Huanpei" qin is the most reliable Fuxi-style qin made by Lei in the Tang Dynasty. The publication of these guqin materials provides researchers with rare material materials and a glimpse into the development history of Chinese guqin. The book includes 20 guqin surveying and mapping diagrams and CT scan images showing its internal structural characteristics, which can be observed and studied by luthiers at home and abroad, so as to imitate more lyre with unparalleled rhythm.
By: Zheng Minzhong, courtesy name Congyi, late name Nanguo Qinsuo. Learned the piano from Wang Xingdong, Li Yuxing, and Guan Pinghu. In the autumn of 1947, he studied calligraphy and painting from Puxuezhai again. He has been engaged in the exhibition and research of ancient Chinese artworks in the Palace of Accidents Museum for a long time. He has served as the leader of the exhibition group, the art group of past dynasties, the inscription group of Fashu, the painting group, the bronze ware group, the gold stone group and the craft group. After 1982, he focused on the study of guqin and ancient inkstone, published more than 30 academic papers on special topics, and participated in many academic seminars at home and abroad.
Introduction: "Book of Rites and Music" is the first special article on music theory in my country. It summarizes the pre-Qin Confucian theories about music art. The development of music has a profound influence and occupies an important position in the history of world music thought.
Note: Qindao aesthetics is a part of the aesthetics system. This article can help beginners understand the ideological connotation and humanistic spirit of Chinese music, and thinking about aesthetic culture is also a part of cultivating independent personality. "Book of Rites and Music" has overlaps in content with "Book of Music", and it is recommended to read the two in contrast.
Introduction: This book is a treatise on the aesthetics of playing the piano. "Qin condition" refers to the condition, mood (shape), taste, and taste (spirit) of the qin (qin, qin music). Xu Shangying divided the main characteristics of music into twenty-four states according to Song Cui Zundu's principle of "beautiful and quiet, harmonious and distant", and according to Tang Sikong's "Twenty-Four Poems", namely: harmony, tranquility, clearness, and distance. , ancient, light, quiet, elegant, elegant, beautiful, bright, colorful, clean, moist, round, firm, macro, fine, slippery, healthy, light, heavy, late, and fast, systematically expounding the key points of playing the piano and the principles of piano learning. aesthetic principles.
By: Xu Shangying, alias Qingshan, a famous qin master in the late Ming Dynasty, and a representative of the Yushan School. As the aesthetic principle of qin study, this book summarizes the essence of qin, with concise and insightful annotations, which can help beginners develop aesthetics and understand guqin clearly and profoundly.
Introduction: This book starts with the production of the guqin (good material and beauty chopper), talks about the timbre characteristics of the guqin (the "nine virtues" of the qin's characteristic qin), and talks about the various aspects of playing the qin, and the "confidence" of the qin (Who is playing the qin to—saying bosom friends), when it comes to Yu Boya and Zhong Ziqi, Ji Kang and "Guangling San", Tao Yuanming and the stringless qin -- a guqin can tell countless wonderful stories. ”, fingering, the subject matter of the qin music, and also discusses the musical characteristics of the traditional qin music, the overall character and genre of the qin, and compares the differences between the early qin tunes and the late qin music techniques. Modern heritage offers its own insights. The author once called the guqin "the most beautiful utensil" because "it was created by the beautiful minds in history, and it has been with the Chinese people who love beauty for thousands of years and has become immortal."
Note: This book is easy to understand and has a clear context. It can introduce guqin culture, qin music and qin players in simple terms. It can not only understand guqin knowledge, but also understand the stories of its predecessors.
Introduction: A total of 43 volumes, about 700,000 words, contain a lot of information. In the parts of "Qin Talk" and "Qin Essence", it is proposed that "using the qin to convey the sound is like a mirror in front of the object", and analyzes this kind of reflection "nothing but pictographic, harmonic, and understanding". It is proposed that folk tunes play a role in enriching the development of qin music. It is thought that it is "difficult to listen to" if they insist on imitating ancient tunes. Thirty-two songs recorded are accompanied by Gongchi notation. I have made some attempts to beat the traditional famous songs such as "You Orchid" and "Guangling San". This book provides a wealth of materials for people to study the piano art.
Note: The content of this book is very rich and easy to read. In addition to the content of professional guqin scores, there are also stories of qin history, Tibetan qin, reading qin, and qin tasting that make people reverie.
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