This piece is based on the love songs of the Dai people widely spread in the Luxi area of Dehong, also known as "chuan girl" or "chuan". The song depicts Xiao Bu standing downstairs in the house of his beloved Xiao Bu on a night when the moon and stars are sparse, and uses cucurbit silk to express his love. The soft and ethereal timbre of the cucurbit flute is vividly displayed in the cover song, which is a fine work of the cucurbit flute solo.

When playing the introduction of the cucurbit flute, you should first pay attention to the ventilation. In principle, the place marked with the ventilation symbol must be ventilated. After the "3" in the first half of the fourth beat of the fourth measure, if the breath cannot be adjusted, you can Change your breath here. The second is the performance of virtual finger vibrato. In the performance of the introduction, only "3" uses virtual finger vibrato, and the rest of the notes are not used. For the performance of "5" note, I suggest that a slight air tremolo should be used.

The last is the change of speed. The speed change in the whole introduction is from 5 to 6 bars, the second half of the fourth beat of the 4th bar to the first half of the fourth beat of the 5th bar adopts the speed change from slow to fast, and the fourth beat of the 5th bar. Return to the original speed after half a beat. There are 16 bars in the performance of the second middle board. First of all, let’s analyze the 16 bars as a whole. From the point of view of the symbols, there are duplication, virtual finger vibrato, and articulation. There is no difficulty, but the key to playing this passage well is the expression of emotion. Please pay attention to the prompt word "lyrical, beautifully", which means that we need to control the speed well, which is just right.

The second is to tell you the key points of this paragraph. The first difficulty is the performance of the virtual finger vibrato of the 8th note. This note cannot escape the virtual finger vibrato technique because it is very short. It is indeed difficult to play it, but it is an important seasoning of the Dai flavor. Gram less, can be completed after strengthening practice.

The second key point is the use of accents in bars 9-12. These bars are the finishing touch in the original piece of music. Every time I play here, I can fully mobilize the performer and the audience, and there is a strong dance. Desire, to play these bars well, especially bars 9-11, to achieve proper accents, in bars 9-12, you must spit out the accents I marked in the score, and those marked with accents must be pronounced , do not spit if there are no spit marks. These spit measures are very special. They break the regular rhythm law, so the position of the spit also changes accordingly. The first half of each beat is played as a pause. sound, and pauses are usually played with tongue-in-out. Here, except for the first 1 note of the first beat, which is played by tongue sticking out, the first note of the rest of the beats is controlled by breath. Because of the pause of the pause, the second half of the 2nd, 3rd, and 4th beats of the 9th bar are made. The first note of the second half of the first beat of the 10-bar becomes the sound head, and the sound head needs to be played with accents. This is how the positions of the accents in these bars come.

Why didn't I put the pause symbol on it, because the pause here is not a full meaning pause, but what is really needed is a sense of severance. If the pause mark is marked, everyone will be restrained by the pause mark and play a very real pause, which will not achieve the best artistic effect.

The allegro playing is a difficult point for the first-time players, because the fingers and tongue are slightly wrong here. That will affect the performance. The Allegro is divided into two parts, one is the pure single vomit part, and the other is the three vomit part. In the single vomit part, the rhythm pattern is almost the same from beginning to end, and it has strong danceability, and the rhythm is easy to master. The only practice is to pay attention to the coordination of the tongue and fingers, and to play strictly according to the diacritics on the score, you can master it quickly. The three spitting part is not too difficult, the key is to practice the three spitting skills well, then this section can be easily twisted, but when playing, pay attention to the manifestation of strength and weakness, and blow the first note of each beat to give the feeling of a pause.

The performance of the ending of the cucurbit flute is similar to that of the introduction, except that it is slightly lighter emotionally than the introduction, that is, it is softer in intensity and deeper in emotion, and it expresses the "deep" deep in the bamboo forest more accurately.

Hulusi music "Deep in the Bamboo Forest" notation in bB key

Hulusi music "Deep in the Bamboo Forest" notation in D or C key