Practice is to learn what you don't know, so you must have a small goal before practice, and you must make progress and gain every time you practice, otherwise it will be inefficient to practice the piano. Only those who have clear and small goals can practice the piano. A good way to practice the piano with less effort.

Practice requires quality rather than quantity

It is better to have less practice content, but also pay attention to the high quality of practice. If you can't play the whole song, then play half of the song well. If you can't play half of the song well, then practice phrase by phrase. If you encounter difficulties, just do it. It is necessary to practice each sound in detail. If the two hands together cannot play well, practice separately first, and then practice together at the end. If you become proficient slowly, you will reach the level of fast and accurate practice. If you just pay attention to the quantity, if you continue to practice too many times, it will also dampen your interest in learning the piano.

When you practice the movement, practice your ears and brain at the same time

Ears are very important for piano friends who are learning the piano. The ears are used to check whether the sound is correct at any time, and the brain must always direct the hands and ears, so that the "hands, brains and ears" perform their respective functions in coordination, and the whole person must maintain High concentration.

In terms of time, ensure a minimum amount of time each day

Judging from previous teaching experience, it is difficult to master many guzheng skills without honing and accumulation of time. It takes time to hone, and the ability to concentrate on zither may not be that long. You can practice in different time stages within a day. Older piano friends need to complete the daily practice plan by themselves with high standards and ensure the minimum practice time.

When practicing, break down the zither score

For some zheng music works, you can see that the technique is relatively simple by looking at the score, so people tend to ignore its practice and careful analysis and research.

In fact, in the guzheng music, some songs that seem to be very simple in performance are precisely the songs with full style, characteristics and charm.

Since these pieces are generally relatively slow in speed, during practice, not only should we grasp the left-hand kneading technique of style and characteristics, but also pay attention to the accuracy of the rhythm, the presentation of syntax, the purity of timbre, and the control of strength and weakness.

Therefore, when learning this kind of music, the focus of practice is only different from those of fast and powerful technique practice, and it is more to strengthen the analysis of the style and expression of the music.