How should erhu fingering be determined? It is a topic of concern to many fans. Should the notation on the score be copied? What should I do if I encounter an unmarked score? In my opinion, there are several methods that can be used as a guide for practicing the piano.

1. To consider the unity of the timbre, in a phrase, the timbre should not have obvious changes, the melody that can be completed on one string, try not to choose to change the strings, especially in the case of slow rhythm.

2. To consider the convenience of fast rhythm, in a position, when you don't change the handle, you can satisfy the notes on the melody, so don't change the handle.

This kind of processing requires four flexible fingers to be able to move independently, which is an important technical support;

3. Flexibly grasp the mixed use of the traditional handle and the new handle, combine the two, analyze it carefully, and arrange your own fingering reasonably, which is conducive to ensuring the quality of the work;

4. I have come up with a principle: a finger is regarded as a temporary jin. In terms of expansion, it means that when one finger presses a note, it is in a pure fourth interval relationship with the note pressed by four fingers. According to the roll name of the note pressed by one finger, the finger spacing of the four fingers can be adjusted at any time to ensure the size. Second degree pitch. For example: when one finger is pressed 1, the distance between the fingers of the minor second degree should be between the third and fourth fingers, and when one finger is pressed by 2, the relationship between the third and fourth degree moves to the second and third fingers. And so on, after long-term awareness training, the finger spacing will be adjusted naturally during the performance. Of course, if you don't have the habit of keeping your fingers, you may feel a little awkward. After a period of training, if you keep your fingers well, it will be of great help to improve your performance.

5. Friends who have played the etude all have experience, there are many fingerings, and it is very awkward to practice. Once mastered, it is easy to use. This is because the pertinence has been considered in writing the etude. Individual skills are practiced separately. be used.

In view of this, I think the use of fingering, on the premise that it does not deviate from the principle and does not affect the music style, can be adjusted by oneself, which should be reasonable and convenient, so as to obtain a satisfactory musical effect.

fret

The ups and downs of the chord fingers should be dominated by the movement of the metacarpophalangeal joints of the left hand, supplemented by the movement of the palm. In particular, the quick finger-pressing movements need to rely on the flexibility and agility of the metacarpophalangeal joints. The finger touch should be a flexible "strike" string, not a stiff "press" string.