For some zheng music works, you can see that the technique is relatively simple by looking at the score, so people tend to ignore its practice and careful analysis and research.

In fact, in the guzheng music, some songs that seem to be very simple in performance are precisely the songs with full style, characteristics and charm.

Since these pieces are generally relatively slow, during practice, not only should we master the left-hand kneading techniques for the performance of style and characteristics, but also pay attention to the accuracy of the rhythm, the presentation of syntax, the purity of timbre, and the control of strength and weakness.

Therefore, when learning this kind of music, the focus of practice is only different from those fast and powerful techniques, and more is to strengthen the analysis of the style and expression of the music.