One of the problems that every erhu-loving friend and erhu-learning friend must face is how to learn erhu well. This article is shared with you, hoping to inspire you.
First, I personally think that no matter who it is, it is necessary to face and figure out why it is necessary to learn erhu. It is for hobbies, cultivating sentiments, learning a skill, testing grades, finding a way out in the future, and so on. Of course, there are people who are eager for quick success and instant benefit. I don’t agree with the idea that learning the violin is just for exams. I think that only by correcting the attitude and direction of learning the erhu (the correct direction), can we study for a long time, achieve twice the result with half the effort, and learn the real 's ability.
Second, the interest is the first teacher. If you don't have a strong interest in Erhu and blindly study it mechanically, the process is painful and the results are predictable. Now many parents disregard their children's wishes and force their children to learn erhu, regardless of their children's feelings. I think it is not correct. How painful it is for a person to do what he does not want to do for a long time! We can think about it. As for interest, I think it can be cultivated. Of course, one's inborn talent is indelible, but acquired cultivation is also very important, and interest can also be cultivated. In addition, different ways of stimulating interest are needed at different stages. For example, for a child who has just started learning piano, parents can let him (her) listen to some popular and lyrical Erhu music. You can also stimulate children's interest in learning by watching concerts (of course, where conditions permit, and children should not be too young, generally over 6 years old!). This hope is the hope for the future, the motivation for future practice. Children who have already learned the piano should also cultivate their interest regularly. This is like reading. You can’t just read dead books. If you want to master it, you must go out. You can also let your children participate in family concerts regularly, and encourage them with applause at the same time. And tell her (he) to play very well, so that the child will feel his worth, and at the same time, he can gain motivation and patience in learning and practicing the piano.
Third, with the correct learning direction and interest, the most important thing should be the process of specific practice, so what should we pay attention to in this process? I just want to sum it up in three sentences: 1. "High concentration of attention", 2. "Meticulous and patient", 3. "Slow down and practice", these three are indispensable. Ignoring any one will affect the efficiency of piano practice. The analysis is as follows: 1. The attention should be highly concentrated. When some students practice erhu, they are distracted while practicing, but after 2 hours of practice, they do not know what they are practicing, and there is no progress at all. I especially emphasize the concentration when practicing the piano. We usually say that you should play with your heart. This is what we mean. If you are very focused, practicing for 15 minutes is more efficient than practicing for 2 hours without concentration. 2. Be careful and patient. If you are impatient when you practice, you always want to go around a difficult place, or you are careless and even remember the music score incorrectly, what is the use of practice? Not to mention progress! 3. Slow down and practice, this is applicable to every learner, why do some friends always play vaguely? Where does the trick always sound uncomfortable? And when you encounter special places, the pitch or rhythm always lacks the heat? In fact, it's all because you haven't slowed down to practice. If you slow down the key points, it's the same as enlarging an unclear word, so you can see it clearly, right? So as long as you have patience, pay attention to experience, slow down and practice, you can definitely solve 99% of the problems!
Fourth, the positioning and practice of erhu playing skills. How to practice erhu skills should first be clear. I think it should be the positioning of skills in erhu performance, that is, how to look at it. Many people regard erhu performance skills as too important, thus ignoring the specific performance. The main thing, and one-sidedly exaggerates the performance of the skill. In fact, this is wrong. It is like a piece of clothing. Of course, the theme of the clothing is the most important part, and the small decorations on the clothing increase the beauty. If the decoration on the clothing exceeds the clothing itself, it will How does it feel? Therefore, I think that the key to practicing the skills is to deal with the precise positioning of the skills in the performance first. Practice erhu skills must not be rushed. Some special skills take time. Don't force yourself to master them all at once. You must know that others can master them after a long time of practice, so you must give yourself time, otherwise it is not too much. Is it unfair? Ha ha! For example, there are many ways to neigh the horse in erhu. The most commonly used one is the quick and continuous bow. In fact, many friends want to learn how to do it. If you really master it, it is very simple. If you seriously understand it, you will be able to If you have learned it, don't be in a hurry if you can't learn it for a while. Treat the skills and skills you haven't mastered as a kind of wealth, because he is so attractive to you, so you won't be too anxious. And when you have mastered him, he becomes another kind of wealth, and his charm to you is not so great, but becomes a pleasure! A joy is the joy of success!
Fifth, about the cultivation of the sense of music. Friends who play erhu are very concerned about how I can play beautifully and impress people at once! In fact, it is about the sense of music, which cannot be learned in a short period of time. He relies on the performer's inner understanding of the music, his attitude towards life and his views on life, and various factors. If we want to play successfully, we must have full enthusiasm. How can we obtain such enthusiasm? I think the most important thing is the love and enthusiasm for life and the enthusiasm for friends. This is the foundation, just like the foundation of a high-rise building. The second is to regularly appreciate the performances of some famous artists, to draw nourishment from them, and to learn from people who are higher than their own level. This is the most direct and most effective way. Then there is the need to sing in the heart regularly, only when we have something in our heart can we express it. There are many ways to cultivate a sense of music, but here I am even missing a million!