The most basic of Guqin is not only the use of the left and right fingers, but also the memorization. Memorization is also very important for piano friends in the practice of guqin.

I can't even remember the piano score, how can I make my actions of playing the guqin look comfortable and elegant, and let the guqin show a distant and delicate musical mood? It can be said that there is no special method or trick for memorizing music, and many people cannot tell how to memorize it. But first of all, it is best not to memorize music scores like elementary school students memorize texts.

How to memorize? When practicing the piece, you should observe the string sequence of the left hand while playing; the string sequence and fingering structure of a qin piece that has been handed down for a long time must be very smooth. thinking, it is impossible to forget.

When practicing a piece, you can't just memorize the melody, that is to say, just sing do.re.mi, it will not help memorize not much. It is necessary to imagine the interspersed use of various timbres of the guqin while playing, that is to say, you must also memorize the notes of dispersal, overtone, per-tone, and out-of-tone as the melody, so that there will be no mistakes in the future.

When there is no piano at hand to play, you have to hum and sing often, and you should imaginatively hum the four timbres of pressing, pan, scattered, and walking, and even hum all of Chuo, Zhu, Yin, and Yi, then you can have a good understanding of the memorabilia. helped.

For the dispersion of the seven strings, the relative pitches of the nine, ten, seven and five symbols of each string must be known; third, the fixed position of pressing the chord must be memorized. When the ancients discussed piano practice, there was a saying of "three harmony", which is "the harmony of the finger and the string], the harmony of the string and the sound, and the harmony of the sound and the meaning." [Finger and string fit] means that the right hand will not play the wrong string.

[String and harmony] means that the left-hand pan, press, and go are correct in pitch and timbre. [Sound and meaning fit] means that the sound of the piano is exactly the same as the player's expected effect without making mistakes, and it is only when the music is practiced to this extent that it is learned.