Guzheng learning is relative. The ease of getting started is one of the factors that make Guzheng easy to learn. Under normal circumstances, practice the piano for 30 to 60 minutes a day, and after 6 months, you can play some relatively simple songs. Because the guzheng is a fixed-pitch instrument, it is easy to learn, and the natural scale is more pleasant and easy to learn, but it is easy to get started, but very difficult to master.
Many people ask is the guzheng easy to learn? In fact, it is quite difficult to learn advanced instruments, but for beginners, the guzheng is relatively easy to learn. Most people can achieve the 4th level of the guzheng, but to reach the 10th or advanced level, they have to work hard. .
As an elegant musical instrument, the guzheng has a beautiful timbre and a fixed pitch. When it is played, it will emit a flowing sound, which is easy to arouse children's interest in learning and easy to get started. Under normal circumstances, if you practice the piano for 30-60 minutes every day, you can play some relatively simple songs after 6 months, but you still need three to five years of hard study if you want to enter high-level learning.
In the process of learning the guzheng, you can cultivate a meticulous learning attitude and tenacity. If you can learn the guzheng well, generally speaking, it is not a problem to learn the culture class well.
Playing the guzheng requires good coordination ability, and having coordination ability will benefit the children in the long life in the future. In addition, in the learning process, the child's control, concentration, and discrimination will also be improved and sublimated.
Both have their own characteristics. The tuition fees for college courses are lower, and students can communicate with each other and learn from each other, which is conducive to finding their own shortcomings and making faster progress.
Of course, the tuition fee for small classes is relatively high, but students can get more detailed guidance from teachers, and teachers can also flexibly arrange the teaching schedule according to the characteristics and learning effects of students.
1. Learning Guzheng does not require basic knowledge, nor is there any age limit. From five or six-year-old children to sixty-year-old elderly people, they can learn the guzheng from scratch. Guzheng is one of the easiest instruments to get started with. The threshold is low and the effect is quick.
2. Learning Guzheng If the students themselves have a certain knowledge of music theory, it is natural to get twice the result with half the effort. Everyone has taken basic music lessons as a child, even those who have never learned music theory, as long as you know how to sing a few popular songs, imitate and grasp the rhythm, you already have the most basic music theory conditions. Unless you have a mental disorder, or you are not interested in music at all, so no matter whether you have knowledge of music or not, whether you have a basic musical instrument or not, any ordinary person can learn the guzheng, and the music theory involved in the learning process. will be taught together.
3. As for the so-called talent, what I want to say is that as long as you like music and have a certain comprehension ability, you can learn the guzheng. This has nothing to do with talent. Talented people are those who can excel in the field of music and have the potential to become musicians. Ordinary people just regard music as a hobby and a quality education. Therefore, ordinary people do not need to consider the issue of talent at all when learning the guzheng. It only has more meaning in the professional field. As long as you have a strong interest in the guzheng, you can sign up to study, and you don't have to think too much about it. Follow the instruction of the guzheng teacher, and you will be able to play beautiful guzheng music in no time.
1. Do you practice every day?
It doesn't have to be too long, just focus. Play the arpeggios for a certain amount of time before the piece to allow your fingers to flex and stretch freely.
2. How to practice?
If you don't talk about methods and only accumulate time, the ability of your fingers will still not be improved. Targeted. For the weak link exercises, which one is inflexible? Is the action redundant? Which finger is weaker? Can the strength and rhythm of the left hand keep up with the right hand?
3. Clear fingering
The left and right fingering must be fully understood before other problems can be studied.
4. Slow training
The scale must be played clearly, note by note. Strength is used through. Slow and moderate, not too slow, pay attention to the overall sense of practice. Don't hurry to practice, as the saying goes: you can't eat hot tofu in a hurry.
During this exercise, there are 6 things to do. 5 of them use ears and 1 use eyes.
Listen to whether the sound is concentrated. That is, whether each played note has a clear sounding point. Whether it is strong or weak, there should be a clear sound point. If you can't find it, then the sound is obviously finished without quality-----empty. scattered. Again. until you hear it.
Listen to whether the sound is blunt. This is due to wanting to hear that point too much and the opponent has no control. too heavy. Unthinking effort. The sound of the playing sounded fierce, harsh and unpleasant. Again. until it sounds comfortable.
Listen for an even rhythm. Is there a clear shot. Finding clear beats is key.
Whether the listening force is even. Uneven finger strength directly leads to uneven sound.
Listen to whether the hands are neat when they are closed. When playing with both hands, the fingers of both hands must have a fairly neat sound of touching the strings. Generally speaking, there are many cases where the left hand cannot keep up. The left hand should have more separate exercises, so that the ability of the fingers is probably not inferior to that of the right hand, so that the pace can be unified.
See if the wrist is steady. Whether the shoulders, elbows, back and other parts of the movement are redundant.