The Qiang and Tibetan people are good at singing and dancing, and the folk songs are melodious, and the singers are generally able to see the scene and sing improvisationally, with simple and pure emotions. The dances include dancing Guozhuang and Piqiu.

It is a wind instrument that is very popular among the Qiang and Tibetan people. Whether it is in the spare time, happy harvest, or during the festivals, it is a musical instrument that people cannot do without. People often play and entertain themselves while grazing in the mountains. When young men and women are in love, young men often use their stalks to express their admiration, so the girls prefer them even more. However, in the old society, the fate of Qi was as miserable as the lives of the Qiang and Tibetan people. The rulers of successive dynasties put the people in dire straits, and the art of Qi was on the verge of extinction.

After the 1950s, the Qiang and Tibetan people living together in Maowen Qiang Autonomous County, Aba Tibetan Autonomous Prefecture and other places in Sichuan Province, have continued to develop their production and gradually improved their lives, and the cottages have flourished. Today, the people of the Qiang and Tibetan nationalities play their husks happily, with cheerful and lively music, expressing their joyful mood and eulogizing their happy life.