Now more and more people are learning the guzheng. Whether it is a child or an adult, there is a common problem: no brains!
Main performance 1: The performance is incoherent, there are many wrong notes, many wrong fingerings, and the performance is not expressive at all. I always count the time when I practice the piano. Once the time is up, even if I play half of this piece, I stop immediately and feel liberated.
The process of learning the guzheng is a process full of wisdom. It is necessary to sing notation, identify pitch, rhythm, and beat, to study the connection between clauses, to control the vertical level of music (melody and rhythm), and to move from music to Music, express your thoughts and feelings through music. How can you do it without thinking?
Main performance 2: The teacher pointed out the wrong pronunciation, repeated the mistake, and finally corrected it, and then went back to the wrong one after a while. Corrected today, wrong again in two days. And these mistakes are often known in their hearts, but they just don't do it right. The reason is very simple. Playing the piano is a dynamic and continuous process. The action of playing the wrong tone has become a habit.
So what is a good way to practice the piano? It can be summed up in two words: one is "demolition", and the other is "slow".
Split, practice with hands apart, practice with vocals, separate phrases and even the smallest musical motives. The goals pointed to are: to separate the complex music structure to solve one by one, and break each one.
Slow, especially when you have just joined hands, you must practice slowly. In this way, the results obtained from the disassembly practice can be transferred to the performance. Slow practice in learning is not because of technical ability, but because of attention problems. Attention is not enough, so we should slow down. We must slow down in the hands and fast in the brain.
Many students are reluctant to use the "demolition" and "slow" methods of study, just because they are eager to achieve success, the result backfires. This work is not a good thing to play, but in the long run, it is the greatest harm to develop the habit of playing the piano without thinking.