Wheel fingers are always bad? Today, I will share with you a few aspects that should be paid attention to in the training process of the wheel finger~
The size of the finger movement range and the speed of the finger movement determine the strength of the wheel finger. The strength of the wheel finger comes from the finger force, the finger force comes from the arm, and the shoulder is the birthplace of the force. How to pass the strength of the arm to the fingertips And unobstructed reflected in the fingertips, this is a very important training process.
In this training process, the main movement of the right finger joint is required. First, the continuous extension and flexion of the large joints of each finger is practiced to enhance the flexibility and independence of each finger during exercise, and the hitting of each finger. strength. Secondly, the movement of the small joints of each finger and the explosive force when hitting the strings are also an important part of applying the finger force to the fingertips.
After mastering the basic essentials of the wheel finger, it is necessary to pay attention to strengthening the training of the frequency of the five fingers, so as to increase the density of the wheel fingers and enhance the rotational force of the five fingers. Sometimes a undulating piece of music does not come down at a speed, which requires strengthening the training of five-finger frequency changes.
This kind of change will give people a kind of ups and downs and changes of feelings that are either rapid, or plain, or strong, or light. Learning to control the change of speed and frequency will bring a wide range of aesthetic effects to the distribution of wheel points, and control its changes at the same time, and according to the needs of music, the quality of such changes directly affects the quality of music performance. . In addition, there are strong and weak staggered exercises, and the practice of touching the strings deeply, which are also factors that affect the performance of music.
When playing the guzheng, the depth of the right hand touching the strings refers to the depth of the nails entering the strings. During the performance, according to the needs of the music content, control the depth of the strings, so that the pronunciation will be clean, bright and concentrated. Granularity is strong. When the music requires a pure, strong and powerful effect, the strings can be touched deeper, and when the music requires clear, beautiful and smooth emotions, the strings can be touched shallowly. As the intensity of the music changes, the touch angle and depth of the right hand should also change accordingly. When crescendoing, the angle is increased and the string is touched deeper; when the crescendo is weakened, the angle is reduced and the string is touched shallower, so the performance will be much better.