As the saying goes, 100 guzheng teachers have 100 teaching methods, and the flames are high when everyone gathers firewood. There are many enthusiastic zheng friends on the Internet who share the little tips that their teachers teach in guzheng teaching, which are very useful for improving their skills. The articles are all the essence. Today, they are specially collected and sorted out for your reference and study.

1. Sing the right hand and play the left hand. When there is a left hand and a right hand on the score, only play the left hand part, sing the right hand part to match, then play the right hand part and sing the left hand part.
2. When you are a beginner, you can listen to the master play to practice the music, so that the music processing such as the rhythm and strength changes of the music will develop in the direction of the master. But when the level is relatively high, you will start to deal with it according to your own feelings, mainly recording, and listen to whether you have found the right breath for each breath, and whether each phrase is coherent. The most classic sentence the teacher said is that if you imitate others blindly, the tunes that pop up belong to others, not your own.
3. The method I came up with, if you can't find the rhythm, you can first record the song on the computer with your mobile phone, play it when you play it, and follow the rhythm of the recorded song.
4. When learning all the fingerings of the right hand, ask yourself to practice with the left hand, and even spend more time, including shaking the finger, ring finger, etc., even if it is not commonly used, practice along with it, practice both hands at the same time, and can refer to each other and correct each other's hands. type!
5. The voice teacher took the various fingerings of the song as etudes. After practicing the fingerings, the sound came out, and the song became familiar.
6. The piano teacher said that the sound is always floating, and if it wants to sink, let me practice the monophonic, which is to practice the strength of each finger, and then practice the finger sequence, and practice more basic skills every day.
7. Every time you learn a new song, you need to understand the mood and local characteristics inside. After playing, you must practice it in a targeted manner. Don’t practice blindly. Sometimes, which fingering is not good, you need to practice it separately. I tried to practice each finger alone for 1 hour. , persisted for a month.
8. The so-called "slow practice" is not about the sound, but the connection between each sound.
9. Before each tune, spend half an hour playing the etude, open each joint, and use force, so that the sound of the tune will not be empty.
10. Beginners learn arpeggios in the form of a big rub with the ring finger and the ring finger, and then the index finger and the ring finger are placed in the middle.
11. For arpeggio practice, first stick to the line and practice slowly, but pay attention to the speed of changing strings.
12. If you learn the quick fingering sequence first, the average speed and strength will be easy to go up.
13. When practising the ring finger, start with one finger and one finger at a time, and the range of the fingers should not be too large. It is easier to practice from the first string, and then it will be faster.
14. The hand shape was wrong for beginners. The teacher asked me to hold a paper ball to practice and then I never missed the hand shape again.
15. Many people have a lot of problems at the beginning of the big finger rest, which can only be corrected slowly according to the correct method of the teacher. Usually, when you are not practicing the piano, you have nothing to do with the empty hands. The fingers have a memory function. It will definitely be successful~ At the beginning, I couldn't stand the big knuckle joint, and it always shrunk in. I used my left hand to break it every day, even when I was walking, I did the correct finger-supporting movements, and then it was fine.
16. With regard to relaxation, the state of the human body when the hands are naturally hanging on the sides of the body is the most natural state of relaxation of the human body, which also includes the shape of the hands in this state, and the feeling of playing the piano in this state.
17. When you get a new piece, sing it from beginning to end by yourself, and sing the rhythm and tone accurately. When you practice next, you have a score in your heart, and you can do this even when you don’t have a teacher.
18. The rhythm is very important. Every time the teacher watches me play a piece of music, he will beat me to the rhythm. The notation can help the piano player to master the rhythm, and will not be chaotic when playing the rhythm and rush to beat.
19. In the past, I always had trouble grasping the shape of my hand when I was learning to swing the wrist. The teacher asked me to make a large hand shape, and then retracted the index finger to stick to the belly of the big finger, and the other fingers were naturally relaxed. In the process of shaking your fingers, if you feel that your hand shape is wrong, repeat it again.
20. Sometimes the sheet music is long, and it is not easy to memorize it. The teacher will divide it into several paragraphs for me, and let me play one paragraph after another.
21. Sweep, and swipe down when strumming.
22. I find that sometimes when I learn a new fingering method, when my fingers are not naturally relaxed, I practice this fingering frantically until my hands are sore and weak, and I learn to relax...
23. Summarize the way I learned to sweep and shake: when I first learned it, it was like learning remote fingers to split at a slow speed. When sweeping, I practiced with my wrist.
24. No matter what kind of difficult passage, if the fingering is correct, one hundred times a day, the personal test is effective, and the wrist should not collapse, the wrist should not collapse, and the wrist should not collapse. Say the important thing three times!
25. Play the piano video! ! Don't worry about right or wrong, keep recording and watch it again, and then you will find out where your fingering and gestures are wrong, and the intensity of the song is not handled properly. Personally, it is more effective.
26. When the 7th note is played and the 6th note is played, the right hand can press the 6th string to eliminate the noise.