The application of the beauty of harmony in Guqin in performance
291 views · Organized by 尘夕 on 2022-06-13
The aesthetics of the guqin is "neutralization", so what should it be about playing?
The aesthetic pursuit of guqin should take neutrality as beauty, and in order to neutralize beauty, excessive exaggeration and extremes should be abandoned. Here we must understand a truth, not to say that imaginative exaggerated performance and passionate performance are wrong, but that this style of performance is not suitable for guqin. We learn guqin not only to learn the performance of a musical instrument, but also to learn a culture and a neutral attitude. Therefore, when learning the guqin, first of all, it is necessary to establish this kind of aesthetics. First, you must know that the musical instrument you are learning is the guqin, and then use the unique aesthetics of the guqin to standardize your performance and performance. In the performance, we should pursue: Zhongzheng and peace, gentleness and uniformity. Don't overemphasize contrast, and don't need too much processing. Because the fingering of the guqin itself has been naturally prioritized, and the cadence is rhythmic. Attention should be paid to the pursuit of the "true color rhyme" of the guqin. As the saying goes, "Music can't be fake" and "I play my heart with my hands", just play it according to the original intention of the qin music and your own understanding of the music.
Involving musical instruments
Guqin (pinyin: Gǔ Qín) is a traditional Chinese musical instrument with a history of at least 3,500 years. Guqin is also known as Yaoqin, Yuqin and Seven-stringed Qin. The guqin has 13 emblems that mark the rhythm, and is also a ritual and musical instrument. It belongs to the silk in the octave. Guqin has a wide range, deep timbre and long aftertone.
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