Pay attention to the following methods and essentials when hitting
(1) Double-arrow drumming should always maintain the buckle posture and technique, and always prevent deformation and distortion when hitting. Why is there so much emphasis on Kou Fan'er? Kou Fan'er is the most scientific and effective best posture and technique that has been groped and tested by senior drummers for a long time. The biggest feature of the buckle fan is that it can fully mobilize the range of motion of the wrist joint, reduce unnecessary activities of the forearm or elbow joint, make the wrist concentrate force, and have strong wrist flexibility, which is easy to control the intensity of the force and the speed change. As long as you can adhere to the strict training of Kou Fan'er, you will be used to mastering the correct posture of hitting. Volume 28, Issue 1, Geng Lianjun: The Playing Method and Functional Function Form and Technique of Peking Opera Bangu.
(2) Both-handed arrows and drums, supported by the forearms, mainly rely on the wrist joint movement, so that the forearm muscles are tightened and supported (to avoid stiffness) and the sensory activities are on the wrist, and the hands are shaken to strike with force. It feels that the force should be exerted on the hand, and the force should be connected to the arrow.
(3) Raise your wrists and stand your hands, and lift your arrows to the direction of your eyes to hit the drums. Avoid splitting the arrows too far to the sides or merging inwards when shooting. Always be upright, natural, hit straight, and drop forcefully. The moment after the arrow is dropped and the drum is beaten, it is still necessary to maintain the buckle style.
(4) Accurately and effectively hit the drum heart (drum door). When the arrow goes up and down, the hand touches the cushioning part on the right knee, which is the natural support for the falling arrow and follows the trend. Cushion is to calibrate the arrow to maintain the level of the drum core plane accurately, and it is one of the methods to ensure effective drumming. If the alignment of the pad is too high, the best sound will not be heard after the arrow is dropped, but the sound of the duo; if the alignment of the arrow is too low, it will hit the edge of the drum, and no drum sound will be produced. , the sound of the wood is coming out. Therefore, the height of the cushioning part should be adjusted moderately. Cushion is not intentional to smash the legs, otherwise there will be a bang bang noise effect! The front end of the arrow must hit the drum center plane accurately, compact, and fill the diameter of the drum center, in order to strike a solid, powerful and clear drum sound. Otherwise, the sound is thin.
(5) The thumb, forefinger, and middle finger should not squeeze the arrow with the three fingers, so that it can be flexibly swayed without falling out of the hand. When drumming, the technique should be full of elastic feeling, rather than the feeling of hitting hard. The basic skills of double arrows are important basic skills that must be mastered by the professional board drum, including long-term double-handed wheel play (also known as tearing the edge), fast short wheel (also known as twisting) and the mutual transformation of the left and right hands, and coordinated strikes Play skills and motivation, further digest and consolidate the requirements of static and dynamic styles through training, and enhance percussion strength, speed, pitch, rhythm and lasting endurance. The purpose of training is to achieve a solid grasp of the basic skills of the drum, so as to lay a solid foundation for future study and performance.

The striking technique of the shoulder board is relatively simple on the surface, but it is actually more complicated to master. There are many coordination problems to be solved while hitting, that is to say, the problems of shaking the left hand, holding the board, picking the rope, accurately hitting the intersection and other problems must be solved during the hitting, so as to master the correct hitting method and ensure the sound is crisp and bright. the best board sound.

The following methods and essentials must be mastered when playing with the left hand holding the board

(1) The movement of the strike board is supported by the left forearm, the wrist joint is the active axis, and the left hand exerts force on the grip board to shake and strike. Lateral rocking of the forearm should be avoided, which affects the movement of the wrist.
(2) At the moment of lifting before hitting the board, the lower ends of the bottom plate and the cover plate should be moved in different directions and shaken apart, and then hit by the falling of the double board. The point of impact must be exactly at the intersection.
(3) The shape of the gripping hand should be oblique and vertical, which is also the natural direction and shape formed by the hitting inertia.