It has been recorded in the writings of the early Qing Dynasty. The whip is about 1 meter long, made of bamboo and wood, with copper coins embedded at both ends, and the whip body is decorated with colorful patterns. There are single whips and double whips. The dancers tap the whips on the shoulders, arms, waist, back, and legs to make rhythmic sounds, and then dance and dance. When two or more people dance, they fight each other. Strong improvisation, you can hit according to your mood, personality and skills. There are also some routines in various places, such as snowflake topping, Huanglong waist wrapping, three nods and so on.

The Bawang Whip has a long history and is widely circulated. It has been described in many works in the Qing Dynasty, such as Mao Qiling's "Xihe Cihua", which records: "Jin Zuo Qingle, imitating the great music system of Liao Dynasty, is famous for even chamber lyrics, with singing In the lead performance, there is one person to sing, one for the pipa, one for the sheng, and one for the flute, who sit in a row and sing the lyrics... This person is still called the Lianxiang, also called the Lianxiang." Li Zhensheng's "Bamboo Branch Poems of Baixi" recorded in the Kangxi period: "Xu Pei's trick woman, with bamboo whips decorated with money, hit the festival song." This kind of dance uses the bully whip.