It is essential to study and deal with new works as necessary. There are many different paths and steps to research and process when faced with a brand new work. The following six steps will help you quickly learn the speed of new Guzheng songs.
First, the music is divided into several main paragraphs, and then further subdivided into phrases. Phrase is the most basic expression unit of music, and it is also the most basic unit of learning and mastering.
Mark all the fingerings of the left and right hands. If you are not sure, you need to ask the teacher, watch the video, or find out the fingerings that are the most stable, easiest, most agile and have the best vocal effect.
First of all, if you have a metronome, you don't have to buy a professional one. Now the software metronomes on mobile phones and Pads are pretty good, but you can't live without a metronome.
Set the metronome tempo at half the desired tempo of the piece, and start playing the first phrase, being careful and as accurate as possible. The so-called practice is to make the right things ingrained deeply. If you are quick and complete, you are likely to repeat the mistakes over and over again. So, slow down first to ensure accuracy.
When the desired tone and volume of the song can be achieved at 50% speed, increase the tempo of the metronome, and so on. When it reaches 3/4 of the calibrated beat of the song, practice the next phrase.
When a passage is smoothed out, practice with slow, medium and fast (that is, the playing speed specified by the song).
After the third step, if you don't believe that you can't memorize it, please believe in yourself, the harder the tune is, the better you can memorize it, because you will practice more times.
After the whole piece is smoothed out, you can pick a part of it for practice, especially when the work is not convenient to simply divide the phrases. This will ensure that you don't get confused when you play.
When practicing without looking at the strings, putting down the piano and replaying the movement of the hands while playing the entire piece is very tiring, but extremely effective.