Ban Gu, a famous historian and writer of the Eastern Han Dynasty, once commented in "Baihutong·Liyue": "The violin player is forbidden, so it is forbidden to be lewd, and it is good for people's hearts."

As one of the oldest, most culturally connoted and most sage-like arts in China, the art of guqin has a strong personality and a high artistic level. In the process of learning the guqin, the virtues of the qin are connected with the virtues of people. When playing the qin, the surface is the music of string music, but in fact it is self-cultivation.

It is precisely because of this that there are many taboos in playing the piano, and it is even more necessary to keep up with the rules. So the content shared by the editor today is "Seven Taboos for Playing the Qin".

Sitting irregularly, shaking his head and moving his feet, one also.

Since ancient times, China has paid attention to "standing with standing, sitting with sitting", how to shake your head and move your feet to achieve the most basic calmness in playing the piano. Regarding how to make the performance more comfortable and the rules of the correct sitting method: According to the piano book, you should be half a foot away from the table, and your heart should be between the five emblems or "face the five emblems"; The heart is between the four or five emblems.

Open your eyes with anger, with sudden ambition, or look up and down, look left and right, two.

The eyes are fast, the breath is heavy, the advance and retreat are inexhaustible, the shape and spirit are scattered, and the three are.

The complexion changes, whether it is blue or red like shame, four.

Feeling unsettled and growling to cheer yourself up or peeping around, looking left and right; nervousness leading to unsteady breath and inability to concentrate; If the piano environment is tense, you can try holding your breath, ignoring the eyes of others, imagining yourself in a no-man's land, and playing the piano alone to enjoy the music.

There is an attack for a long time, the sound selection is messy, and the five sounds are not exhausted. Although the sound can be picked up, it is difficult to understand how to use the fingers, the gestures are complicated, and the fingers are not properly resting.

The chords are not tuned properly, the rhythm of the sound is not rhythmic, the movement is not right, and the sound is not chaste.

When playing the qin, the chanting is excessive, the rhythm is unsuitable, the rhythm is complex and self-sufficient, and the ancient meaning is lost.

Different from other musical instruments, the fingering of Guqin is subtle and delicate. It is not basically fixed, but each piece has some specific fingering design. In order to achieve the original application purpose of guqin: self-cultivation and happiness, its fingering design has the principle of back-and-forth correspondence and balanced distribution of burden on each finger.

If the violin player is not strong enough but has a sound when playing, the rhythm is uneven but the melody can be discerned, or if he only uses a single, random playing method to play the required sound and tune, he has nothing to pursue, but only wants to play the strings and listen to the sound. This is not really playing the guqin. It is better to use wooden boards to play the strings, which can achieve the same effect.

Therefore, in the process of playing the piano, relax the whole body, experience and perceive the changes of gestures and the vibration of the strings, which are the cultivation of the body and mind; to study and study the details of fingering, and pursue the unity of heart and hand, and unity of spirit and rhythm. In the true sense of practicing the piano, it is necessary to study the piano.