Northeast Duet "Water Man Blue Bridge" from the music album "Chinese music map to hear Jilin Northeast Duet. Classic song of the opera"
Water Overflowing the Blue Bridge. Water overflowing the Blue Bridge
Northeast folk music duet. Zhengxi Nationality: Han Language: Chinese Lyrics: Anonymous Composition: Anonymous Region: Jilin
Singing: Sun Zhonghong Wan Mei Tong
Drum: Li Wenming
Banhu: Ren Hongxia
Erhu: Chen Weiyu Yang Musen
Zhong Ruan: Wang Yiran
Treble suona: Li Jian
Bamboo flute: Liu Bing
Sheng: Hide the dragon
Double bass: Yang Rongyu
Percussion: Sheng Yuan
Track description:
Duet duet, formerly known as "Hopping", is the most representative folk music in Northeast China, widely popular in Liaoning, Jilin and Heilongjiang provinces and the eastern part of the Inner Mongolia Autonomous Region. It is generally believed that in the middle of the Qing Dynasty, it evolved from the integration of Northeast Yangko and Lianhualuo from the Guan, and absorbed the musical singing and performance skills of Northeast folk songs, Taiping drum, Northeast drum and other arts in the development process. Its performance forms are diverse, including two people playing multiple roles of "double play", there are many people singing the performance of "group singing", and one person performing "single head" and so on; The singing tunes are very rich, known as "nine cavities and eighteen tunes, seventy-two cough cough", the singing words are cordial and popular, with a strong breath of life.
In the early performances of duet Duet, "Xiao MAO" was usually performed before the opening of the main play. "Duet Duet Zhengxi" refers to the formal plays in the performance, which are usually of high artistic value or historical significance.
Duet "Water man Blue Bridge" is a love tragedy, the daughter Blue Ruilian was ugly rich Zhou Yujing strong marry, red lotus and childe Wei Kui Yuan meet again, agreed three more elope, but meet water man blue bridge, Kui Yuan was swept away by giant waves, red lotus drowned in the river. This excerpt is the reunion of the two people, reminiscing about the good past. The gongs and drums are not impatient, the percussion is also ringing gently and softly, as if they are immersed in the surprise of the reunion of the two people, the duet of continuous affection, telling the connection of the two little hearts. The ending of the extended sound, clearly with helplessness, as if it is in the lament of the forced separation, and as if doomed to the two people are not happy ending.