Northeast Duet "Xixiang Listen to Qin" from the music album "Music Map of China to hear Jilin Northeast Duet. Classic song of Zhengxi"

Listen to the Qin in West Chamber. Listen to the qin in West Chamber

Northeast folk music duet. Zhengxi Nationality: Han Language: Chinese Lyrics: Anonymous Composition: Anonymous Region: Jilin

Singing, hanging, salad chicken: Sun Yibao

Singing: Yang Xiangshun

Big Board: Shi Ya

Banhu: Liu Haijun

Erhu: Li Guoguo

Treble suona: Liu Haiqing

Track description:

Duet duet, formerly known as "Hopping", is the most representative folk music in Northeast China, widely popular in Liaoning, Jilin and Heilongjiang provinces and the eastern part of the Inner Mongolia Autonomous Region. It is generally believed that in the middle of the Qing Dynasty, it evolved from the integration of Northeast Yangko and Lianhualuo from the Guan, and absorbed the musical singing and performance skills of Northeast folk songs, Taiping drum, Northeast drum and other arts in the development process. Its performance forms are diverse, including two people playing multiple roles of "double play", there are many people singing the performance of "group singing", and one person performing "single head" and so on; The singing tunes are very rich, known as "nine cavities and eighteen tunes, seventy-two cough cough", the singing words are cordial and popular, with a strong breath of life.

In the early performances of duet Duet, "Xiao MAO" was usually performed before the opening of the main play. "Duet Duet Zhengxi" refers to the formal plays in the performance, which are usually of high artistic value or historical significance.

Duet's "Great West Wing" is divided into three parts: listening to the piano, writing a book and viewing a painting. Each part is very classic and is often presented as a separate play on the stage. The selected passage is the beginning of "Big West Chamber", explaining the basic plot. The loud and high singing voice comes to the face, exciting, a large number of words lining the cavity to join, so that the tune is strange and has the potential of opening and closing, the number sequence, catchy, witty words, laughter with enlightenment. Percussion and strings echo each other, lively and playful with a witty slide, which sets off a dramatic storyline. When the classic drama took root in the northeast across thousands of mountains and rivers, it was no longer a graceful poem in the south of the Yangtze River, but a bold drama in the white mountains and black waters.