The music is originally a pipa essay set, first seen in Hua Wenbin (Autumn Frequency) (1784-1859) composed of five pieces, "Si Chun", "The Resentment of Zhaojun", "Weeping Yan Hui", "Beside the Dressing Table" and "Complaint" It is composed of unrelated ditties, and later it was passed on by Chen Mufu of Zhejiang Province. In the 21st year of Emperor Guangxu of the Qing Dynasty (1895), Li Zufen (Fenyuan) of the Pinghu School included it in the collection of "Thirteen Daqus of the Northern and Southern Schools, Pipa New Scores", which were widely popular in Jiangsu and Zhejiang areas, and changed the title of the five pieces. It was made by Wang Zhaojun for "Sim Spring in the Palace Garden", "The Resentment of Zhaojun", "Tears of Concubine Xiang", "Autumn Reflections on the Dressing Table", and "Thinking of Han". The tune is euphemistic and delicate, the mood is low, and it is sad and sentimental. Although the title was drawn up later, the music is multi-dimensional and emotional. You might as well do the emotional depiction that Zhaojun misses his homeland, and it’s not a bad idea to create a second time. This just reflects the generality of music. In the performance, the fingering skills of the pipa are absorbed, so that it not only has the beauty of the pipa's pearl and jade ding dong, but also has the full rhythm of the zheng.